This movie exists in such a weird space, the perfect balance of darkness and otherwise in Burton's first Batman....and the complete over the top cartoon dumbness of Schumachers movies. In some ways it's even darker than the original, and is easily as cartoonish as the later ones, but the combination of the two elements cancel each other out and make for a very weird viewing experience
Anybody else have similar feelings? If not, how do you feel about it?
I felt that Forever was the weird one. It tried to hold onto that Burton flavor but it's got that obvious Shumacher aftertaste.
Returns is Burton without a filter whereas '89 is him holding (being held) back a bit. The fact that Burton's humor comes through even without a Joker shows just how whacky Returns is. It's got penguin pall bearers for god's sake. Everything about Returns is a little too weird to seem like it take's place in the same world as '89.
>>93960271
When it came to ensuring the quality of our fair board, did the OP have a plan? No! He relied on a bait. A Bat-bait!
>>93960514
Have you ever danced with the devil in the pale moonlight?
>>93960440
I would say Forever had more than an aftertaste, with Returns it went full Burton with the sexual humor, violence, and goth stuff...but Forever I feel like it's still way more Schumacher than Burton, but not quite as much as the sequel
Honestly it's a pretty interesting evolution these movies went through
>>93960440
>Everything about Returns is a little too weird to seem like it take's place in the same world as '89.
Remember when Batman 89 turned into a Prince music video for three minutes in the middle for no reason?
>I felt that Forever was the weird one. It tried to hold onto that Burton flavor but it's got that obvious Shumacher aftertaste.
Forever clearly isn't full Schumacher, though. Batman & Robin was.