MAN-THING (2017) ISSUE #3

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>>91862952

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>>91862971

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>>91863003

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>>91863020

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>>91863061

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>>91863079

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>>91863116

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>>91863140
Had to resize this one. Original was too large

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>>91863170

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>>91863323

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>>91863339
Now for the R. l. Stine short

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>>91863359

This is on my backlogs.
How is R.L. doing in the writing end?

I remember there was some upset for the first issue?

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>>91863378

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>>91863454
>I remember there was some upset for the first issue?
Yeah people didn't like man thing talking

His writing not the best but better than Slott

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>>91863534

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>>91863589
The end

>>91863449
The translation from script to panel really doesn't work for his comedic dialogue.

Too rapid-fire

>>91863003
Gotta get back
Back to the Swamp
Man-Thing

>>91863449
It seems that he's a bit uncomfortable with writing comics. His style is the same one he used for his horror stories, and it doesn't work as well in a visual medium. It is interesting, but ti's very different from other comics

>>91864560
I feel like if he could just space the back-to-back thoughts out a bit more between panels, his writing would work a bit better. I don't know how dialogue is added to comics when the art and writing are handled separately, though, so I don't even know if that's possible.

The backup story seems alright, just like the first one.

>>91863589
Wow... Did R.L.Stine have a MRA ghostwrite this?

>>91865607
It is just a twist ending. People acting like assholes is common there.

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>>91863589
>>91865607
It's just that it's real weird because this was the solicitation.

>With a horror backup from R.L. STINE and KATE NIEMCZYK (MOCKINGBIRD)! You’ll want to check out THIS feminist agenda…

>>91866262
Outrage!

>>91864693
Having Man-Thing play Greek Chorus just doesn't work for the character either. If he just left that out and let Man-Thing's actions speak for him the entire story would be a lot better.