X-Men

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>>83512039
Morrison hands down

>>83512039
Claremont for classic, Gillen for modern

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>>83512039

Claremont

>>83512039
Gillen, Fraction and Whedon, because muh first X-comic.
Who in their right mind would pick Aaron?

>>83512039
Morrison>Claremont>Whedon = Gillen>>>Everything else.

Claremont.

If I was writing I would take some things from Morrison, Gillen, Aaron and Claremont.

>>83512039
Bendis

>>83512039
The first ten years or so of Claremont, Uncanny X-Men #94–#201. The writing becomes spottier after that because of the increased involvement of editorial and the need to accommodate the marketing mandate that the X-Men titles have a yearly crossover event.

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>>83513018
This.

Claremont and Whedon.

Reading claremont right now actually, issue 105, we almost dark phoenix saga.

I like the bantz between wolverine and colossus

>>83512653
Pretty much this famalama

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>>83512039
Morrison. Claremont had higher highs but also some horrible lows. It's pretty forgotten but I also enjoyed Mike Carey's run on the book.

And then at the bottom of the barrel, actually underneath the barrel and buried several miles below the surface, would be Austen.

>>83512039
You mean THE X-MEN?
In that case mostly Claremont and Gillen's Uncanny.
I have a lot of respect for Morrison's work, but it's not my personal favourite.

If we're talking X-books in general, Peter David's X-Factor is probably my favourite. Zeb Wells had a cool run on New Mutants and Kyle/Yost did a great job of [s]ruining[/s] improving DeFillips/Weir's New X-Men.

>>83517113
Seconding PAD's X-Factor. One of the best gut-punch endings to a comic book I've ever read.

>>83517113
>>83517760
Why doesn't Marvel produce more X-Factor by Peter David Ultimate Collections? I know sales, but c'mon, Marvel. You start something, you better finish it!

If you print it in ultimate collection, they will come.

>>83512039
Claremont is the One True God of the X-Men and anyone claming otherwise is objectively wrong.