How does one become a manager in wrestling?

give regular blowies to micheal hayes or one of the other guys behind the scenes

That skirt makes her actually hot

Just fuck the bosses daughter Bro

>>2623596
>have a mouth
>use it
and no im not talking about promo skills

>>2623596
about that photo.. was she pregnant? wtf is this belly

That's a good question. There's no shortage of out-of-work actors, which doesn't necessarily make them bad. You can nail every line but lose out on the role for being two inches higher or shorter than what they are looking for. Let's add to that fact that WWE is essentially a traveling theater show. Instead of singing when their emotions reach their peak, they wrestle. A lot of concepts are the same, waiting in guerrilla, knowing you cues, playing to the audience, selling moves/acting more cartoonishly rather than realistically so that people in the back of the audience understand what happened, a heavy reliance on a thankless tech crew. It's all there.

I could not understand why there aren't better actors becoming wrestles, that's a lot of paid and dedication just to end up in a jobber position. But why aren't there more managers? WWE is better exposure than any off-broadway show. There's not even a quarter as much of the competition. You'd think it would be the easiest thing in the world for WWE to find a Japanese-American actress between jobs, then have her walk out at NXT and speak for Asuka.

This goes for writers and directors too. I don't know how you become a writer for WWE but there are certainly better writers out there. And Kevin Dunn is objectively bad at his job. There must be thousands of directors who would love his position and wouldn't choose to have the camera zoom in and out quickly during every strike.

>>2623596
You have to work your way up from a bottom job like ring crew guy or be a wrestler that is just shit but good at talking