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She is an unremarkable director.

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Thread replies: 170
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She is an unremarkable director.
>>
>>154539433
Then how does she repeatedly turn dogshit source into pure gold?
>>
>>154539433
Fucking who?
>>
>>154539433
Who is she?
>>
>>154539476
By using that yellow instagram filter
>>
>>154539479
>>154539502
Your mother.
>>
>>154539433
The only thing she needs to direct is my cum onto her slutty face.
>>
She is cute
>>
>>154539433
In my country, this woman is nothing.
>>
>>>/jp/
>>
>>154539433
hipster thread?

hipster thread
>>
>>154539827
Go to bed Ahmed
>>
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>>154539433
>yamada is the same age as me
>she is god tier director
>I'm a shit tier neet
>tfw
>>
>>154541260
Attractive people, especially attractive women, have it easier, anon. It's not your fault.
>>
>>154539433
I agree.
>>
>>154539433
If she were unremarkable you wouldn't have made this thread.
>>
>>154544500
The only thing remarkable about her is how shitty her output is.
>>
>>154544948
That's subjective.
>>
>>154544948
Her output is pretty consistently good.
>>
>>154539502
>not knowing the creator of "FUN THINGS ARR FUN"
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>>154539433
So's your mom. Explains how you turned out at least. Poor direction.
>>
>>154545102
Tamako Market was good though
>>
>>154543445
She's not even very attractive, and her work is far more than the result of being given a free pass for most of her career. We're discussing quality, not success.
>>
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>>154548776
>>
Considering she only has one work that is not an adaption and it is her worst work I would agree.
>>
>public prefers Your Name
>critics prefer In This Corner
JUST
>>
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>>154548776
>she's not attractive
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>>154549030
>>
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>>154549030
>tfw
>>
>>154549110
Fuck off.
>>
>>154548776
She was given a free pass because her talent was recognized by based Ishihara. She went on to create the pinnacle of anime so the decision was right.
>>
>>154549169
She looks so cute when she's about to cry
>>
>>154549021
But the greatness in her adaptations all comes from her, not from the source.
https://vid.me/LUbt
>>
>>154549191
>She was given a free pass because her talent was recognized
Then how is it a free pass though?
>>
>>154549021
Keion S2 and the movie are original.
Love Story is pretty good even if the show was just alright.
>>
>>154549272
>Unironically linking a Digibro video
Please neck yourself.
>>
>>154549194
more like severely depressed and suicidal. I must know.
>>
>>154549363
That video is great though
>>
>>154549418
E-celeb shit does not belong on /a/. Fuck off back to /v/.
>>
>>154549444
It's an analysis video about K-On. It has nothing to do with e-celebs
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>>154539433
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>>154549496
Except an e-celeb made it and he was shit taste.
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>>154549630
Are you calling K-On shit? You disgust me
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>>154539433
She directed a legitimate masterpiece at age 25.
Impressive enough for me.
>>
>>154550039
Kinda sad that she'll never top it though. She's already resorted to making lame awardsbait
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>>154549497
What?
>>
>>154539433
Would still fuck her in every hole
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>>154550039
I'm beginning to think it was a fluke, honestly.
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>>154550227
>implying K-On is better directed than Tamako Love Story and Koe no Katachi
>>
>>154551563
Why?
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>>154543445
>this gook
>attractive
>>
>>154551627
Because anon told me so, why else?
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>>154551627
Because the quality gap between K-On! and the rest is pretty large.
>>
>>154549169
lol, when are gooks going to learn the oscars were invented by jews to hand out awards to other jews?
>>
>>154549691
are you saying it's not shit?
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>>154551669
Just because you like the characters in K-On more doesn't mean her other films aren't objectively superior productions.
>>
>>154551821
If you say so.
>>
Yamada's output is so small that no one can really tell if she's good or not. As episode director she's very average, her episode of Maidragon wasn't as good and the joke delivery was sloppy. The last episode of Hibike S2 was very anticlimactic, first episode of Hibike S1 and Tamako were alright though.

She's a good series director but honestly I don't think series directors are as relevant when it comes to artistic merit, specially in character driven series, they take a managing role more than a directorial one. Movies are different so once KnK comes out we'll see if the K-On movie was just a fluke or not.
>>
>>154549272
>youtube reviews
Fuck off and kill yourself.
>>
>>154551893
>we'll see if the K-On movie was just a fluke or not.
what about tamako's movie?
>>
>>154551893
What'd you think of her Hyouka episodes? And her Free S2 one?
>>
>>154551893
>I don't think series directors are as relevant when it comes to artistic merit
That seems silly.
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>>154551905
>youtube
>review
It's neither of these things
>>
Naoko "More filters, more awards" Yamada
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>>154552231
but K-On! is her most awarded series
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>>154539433
>that hairline
>that moonshaped face and head
>3DPD
>anons unironically want to fuck her
>>
>>154552302
You are safe here. Nobody will hurt you for being gay.
>>
>>154552302
I want to marry her.
>>
Does Yamada really bring anything worthwhile besides leg shots and funny gestures?
>>
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>>154552157
Based on many interviews on how the production works, series directors are just there to supervise and correct mood, plot or characterization discrepancies. Yamada is very picky about body language and framing. The bulk of the directorial work is done by episode directors, and since KyoAni only works with their in-house directors, the people there are probably very familiar with Yamada's style and there aren't many corrections, so she's basically just there to look miserable since as I said, her output is very small compared to Takemoto or Ishihara.
>>
>>154552455
Have you seen K-On?
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>>154552455
Yes.
>>
http://www.animationforadults.com/2017/03/a-silent-voice-2016.html

>even western critics aren't impressed
What did Yamada do wrong?
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>>154551893
If that's the case then Ishihara has done nothing and Takemoto is only responsible for the Haruhi movie.
>>
Literally who?
>>
>>154552455
amazing characterization
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>>154552669
Naoko Yamada, the best female director in the anime industry.
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>>154552498
What do you think "directorial work" entails?
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>>154550039
She was only 25?

What the fucxk am I doing with my life? holy shit.
>>
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>>154552603
At least based Mark Kermode liked it.
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>>154552603
You might as well post thatanimesnob's review of Kimi no Na wa.
>>
>>154552726
Depends, are you talking about series directors or episode directors? Do I need to repeat myself?
>>
>>154552784
>The bulk of the directorial work
is what I'm referring to.
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>>154552750
>spree

nani?
>>
>>154552813
Episode directors often storyboard their own episodes and lead the staff in charge of said episode. The series director is usually just there to approve or disapprove things, they're simply glorified managers, not saying they have it easy, but the actual directorial work is left to the episode directors. With KyoAni this isn't as noticeable, considering most of them have a very similar and homogeneous style (save for Kigami) since they've been together for so long, but just watch any show that involves episode direction from people with unique styles like Imaishi or Ikuhara and you'll realize that it can carry a lot of artistic weight.
>>
>>154553199
He was talking about this film and how shit it was.
>>
>>154553253
Yeah and watch shows with series directors with unique styles like Yuasa or Oshii and you'll realize that it can carry a lot of artistic weight.
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>>154539433
Looks like Kafuka.
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>>154553253
What in her interviews gave you the impression of her acting as a manager, as opposed to one who exerts creative control over the project?
>>
Is anyone else anyone else seeing repeated text in this thread?
>>
Is anyone else anyone else seeing repeated text in this thread?
>>
>>154553399
Umibe no Kafka?
>>
Who was influenced by who at KyoAni?
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>>154553924
Everyone by each other, pretty much.
>>
>>154553924
Taichi Ishidate was trained under Yoshiji Kigami
Naoko Yamada was trained under Tatsuya Ishihara
Eisaku Kawanami was trained under Mitsuyoshi Yoneda
Taiichi Ogawa was trained under Taichi Ishidate
Takuya Yamamura was trained under Eisaku Kawanami
Haruka Fujita was trained under Naoko Yamada and Taiichi Ogawa
Shinpei Sawa was trained under Noriyuki Kitanohara
>>
K-On is a show for little girls and you know it.
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>>154554185
anime is for little girls
>>
>>154554185
Good thing we're all little girls then.
>>
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>>154553475
The fact that these positions exist should tell you something. As far as I'm aware, there aren't interviews that involve Yamada as series director. accompanied by one of her ep directors; only interviews with her as ep director or as movie director, and as I said, movies are different, they obviously don't get to have episode directors.

But let's look at this part of the Hibike interview, the series director is not aware of a certain detail in the storyboards someone else made, this implies that he is only involved with the production on a high level. Yamada mentions that the one who made the choice of having Kumiko run was Miyoshi Ichirou, the episode director of ep12, then mentions how he (Miyoshi) wanted to make the junior animators suffer, this confirms what I said about ep directors being more involved with the staff. Perhaps manager wasn't the best word to describe a series director, but they aren't in complete control either, they usually just set up guidelines.
>>
>>154554355
>Miyoshi Ichirou
Why does Kigami keep insisting on using these silly fake names?
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>>154554410
Because Kigami sounds silly as well
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>>154551091
I can never tell if there's just a really bad translation in most interviews I see from Japan or if they just don't make any goddamn sense.
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>>154554355
Ishihara is the director, Yamada is the series director
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>>154554029
>Taichi Ishidate was trained under Yoshiji Kigami
>both made awful shows with great animation
The lineage really does show
>>
>>154554518
>This meme again

Next you're going to tell me Shinbo is actually directing 3gatsu
>>
>>154554355
Yeah and that's the reason why episodes being good is attributed to episode directors and whole shows being good is attributed to series directors.

https://ultimatemegax.wordpress.com/2016/01/07/k-on-staff-interviews-pt-1-director-naoko-yamada-series-composer-reiko-yoshida-dialogue/
>>
>>154554554
And there's still that guy claiming series directors have no meaningful input.
>>
>>154554569
Yamada: There was also the question of “which one of us should be director?” For me personally, I wanted to be in a position where I would be able to concentrate and put my whole effort into making the story. As a director, you have to be concerned about everything in a production and there’s a lot of jobs outside the work itself, so it would be difficult for me to dig into the nooks and crannies of the story while doing all of that.
Ishihara: Yes, but you’re also thinking “what would other directors do in this situation?” as well. Surprisingly, there’s only a few things that a TV anime director does. You work up to the storyboard check, and well, you do say “show me this cut” when each cut is completed, but that’s the limit of what you do. With that in mind, this show appeared to be one that you had to keep an eye on it to the farthest nook….wouldn’t you say?
Yamada: That’d be right. This work would have a lot of parts that you wouldn’t be able to help with if you were just a director.
Ishihara: You wouldn’t be able to go into details as much either.
Yamada: Right. So I talked to Ishihara-san and the producers and was given the role of series director for the show.
Oguro: Fundamentally, how did you divide the work?
Ishihara: Yamada would look at the various detailed points.
Yamada: As I looked over the entire series progression as a whole, I’d work on the subtleties of each character’s emotions and made sure that progressed logically so to speak. While I was working on that, I gradually understood the role of series director.
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>>154554518
Doesn't really change my arguments.
>>
>>154554961
Yes it does.
>>
>>154550039
No matter what she does in life, she'll always get a free pass from me for K-On.

Period.
>>
>>154551629
Why do people keep using the wrong slur? Is it a bunch of Kims and """canadians""" trying to rid themselves of it?
>>
>>154555022
How?
>>
>>154552603
>western critics
>>
>>154551893
Didn't she personally direct every episode of K-On? She spoke about the artistic and creative freedom she had because of the bigger budget of the film.
>>
>>154552719
Even Matsumoto is better.
>>
>>154554554
Kigami has directed?
>>
>>154555626
munto
>>
>>154555598
Kyousogiga dropped the ball hard and Kekkai Sensen was rubbish. She's only good for directing Precure episodes.
>>
>>154555626
Munto
>>
>>154555626
Please don't forget Munto
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>>154552719
And she's still dogshit.

Really makes you think.
>>
>>154555738
How so?
>>
>>154555650
>Kyousogiga dropped the ball hard
True for the TV series, but the ONAs are still some of the best stuff made in this decade
>Kekkai Sensen was rubbish
Extremely stylish rubbish. I assure you that the difference with the next season not directed by her will be night and day.
>>
>>154556032
Wow you liked Kyousougiga that much?
>>
>>154539433
She is a remarkable director, but she's overrated because she's a young woman. Her works are pretty good but everything she puts out isn't a masterpiece as some would like to believe.
>>
>>154556064
Yes, I adored it.
When the series was announced I expected a classic, but I was sadly left down.
>>
Literally the Eric Rohmer of anime. I love her.
>>
>>154543445
She's decently cute but not hot enough to sleep her way to the top like certain seiyuus, and directing is actually a more difficult industry for women.

Regardless of whether or not I like her work, I have to congratulate her on obtaining success.
>>
>>154556732
How?
>>
>>154556732
who?

Of mice & men?
>>
>>154551893
>her episode of Maidragon wasn't as good

http://wrongeverytime.com/2017/03/11/why-it-works-dragon-maids-yamada-touch-part-one/
>>
>>154559140
I take offense to the presupposition that Maidragon "works"
>>
>>154559140
>nick creamy
No
>>
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>>154548776
>>154551629
Amazing
>>
>>154543445
Bruh, she's borderline bald. Get some fucking glasses or lasec or some shit.
>>
>>154539433
>nobody posted the airplane interview
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>>154549169
context?
>>
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>>154560709
http://www.animenewsnetwork.com/news/2017-03-03/in-this-corner-of-the-world-your-name-win-japan-academy-prizes/.112954
>>
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>>154560013
>>
>>154560709
awards m8
>>
>>154539433
She has a gorilla mouth and nose. I thought that was just a Japanese stereotype, but I guess even stereotypes have some truth.
>>
>>154562133
>implying that's a bad thing
>>
>>154562133
There's the beautiful ones and the ugly ones.
>>
>>154559140
The first three paragraphs are nothing but Yamada ass licking.

The rest of the article is just describing what happened in the episode.

>And so both Tohru and Kobayashi did their best to articulate their feelings, in a scene that demonstrated the power of animation by itself to convey our emotional truths.
This isn't exclusive to Maidragon episode 8.

>But then the tone is sharply reset, as the show takes several seconds to watch Kobayashi retreat across the room and sit on the edge of the couch. In terms of both pacing and action, this cut establishes a mood of reflection and exasperation, like Tohru is about to be lectured. The mundane but carefully animated nature of Kobayashi's motion switches our expectations from that of over-the-top farce to grounded personal drama.
Sharp changes in mood are also not exclusive to ep 8, they happen in pretty much every episode.

6th paragraph is the only one worth reading.

Didn't really bother reading the last two paragraphs.
>>
>>154561459
is there a link to the full interview, anon?
>>
>>154563123
K-ON movie making of
>>
>>154561459
>>154560013
>>154563123
This is bait just like Miyazaki's fake quotes. I remember watching that video and she never says anything about animators committing suicide.
>>
>>154563163
but miyazaki's real quote was actually worse then the fake one
>>
>>154549497
That's fucking gobbledegook. Chinks should stick to building fucking TV's and not bother with art.
>>
>>154564487
>>>/pol/
>>
>>154564487
I agree. Rather than calling it at the "entrance of the universe", why not call it the "stairway to adulthood"? Or some shit like that.
>>
>>154564487
it's called having creativity m8 use your imagination a bit
>>
good night /a/ look forward to a new chapter of berserk soon!
>>
>>154541260
she helped make you m8, despise her.
>>
>>154551091
Young girl growing into womanhood = a whole new world of possibility, both exciting and scary.

The thing about being redeemed? I unno.
11's like that kind of thing.
But she's cute and I want to put my meaty ten inch dick in her and watch her helplessly beg for mercy and scream in pain between loud whorish moans as I mercilessly pump into her
So I'll let that slide.
>>
The savior of anime right here
>>
>>154568643
mesucky yourasa
>>
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>>154541260
>>154552746
Unless you're dead, it's not too late to become someone better.
>>
>>154568643
His upcoming works don't seem that interesting.
>>
>>154554185
k-on is a show for faceless old men who wish they were little girls.
>>
>>154569747
Keion's target audience was adult women and teenagers.
>>
>>154569785
Doubt thats who actually watches it though.
>>
>>154569785
Haha yeah okay anon
>>
>>154569785
Just a mainstream audience in general really according to the Producer-san

>-After deciding to make it into an anime, what kind of objectives did you have for K-On!?
Personally, I wanted more than just anime fans to see it; I wanted children as well as real high school girls now to want to watch it.
>– There’s a lot of women on the main staff. Were you aware of that?
I can’t say it was by chance. I was probably a little aware of it. It would be difficult to depict the realities of high school girl life, so I tried to insert women as much as possible since they had experienced that timeframe.
>>
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>>154569785
>>
>KnK BD never
>>
>>154570487
BD in 2 months, May 17
>>
>>154549169
Is that Imaishi?
>>
>>154572152
Looks like him, at least.
Thread posts: 170
Thread images: 21


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