>DOES HE LOOK LIKE A BITCH?
holy fuck that was incredible, more films like this?
problem child 2
The Jungle Book
Gummo
>>86222703
Cannibal Holocaust
The anvil hoarder (1930)
death grips
Thanks lads I'll check them all out
>>86222703
I remember a guy on imdb who absolutely hated Tarantino and gave all his movies shit reviews. Made me laugh how personal his grudge was against him
>>86227438
Found him
Some excerpts from his reviews
Reservoir dogs
>Okay, if Tarantino wants to indulge in his little S&M fantasies, that is his business. What is disheartening is the way people -- filmgoers and professional critics alike -- have been seduced into not just tolerating Tarantino's sadism, but to applaud it as well? DOGS centerpiece is the totally unnecessary and illogical kidnapping of a young policeman who is subsequently beaten, tortured and mutilated, for no apparent reason other than because it amuses one of the psychotic characters -- and, one can presume, Tarantino himself. The director stages the torture sequence like a comic musical number, complete with rock background music and choreography; casually topping it all off with the young officer's murder being the punchline of a joke. "That's entertainment!" seems to be Tarantino's pathetically cruel message.
Kill Bill
>(((SPOILERS)))) I am convinced that Quentin Tarantino, at some point in his charmed life, sold his soul to the devil. There is no other way to explain how someone with such limited talent, lack of vision, poor taste and apparent bloodlust can, not only find huge success in making movies, but earn an astonishing amount of critical praise as a genius. He turns out unmitigated junk like KILL BILL (Vol. 1 & 2), and the only possible, logical reason for it being embraced is that Satan has stepped in and worked the blackest of black magic. QT had better enjoy his success, because someday he may have to pay.
>>86227719
Kek
Reminds me of that DULLEST FRANCHISE pasta
>>86227719
>Okay, if Tarantino wants to indulge in his little S&M fantasies, that is his business. What is disheartening is the way people -- filmgoers and professional critics alike -- have been seduced into not just tolerating Tarantino's sadism, but to applaud it as well? DOGS centerpiece is the totally unnecessary and illogical kidnapping of a young policeman who is subsequently beaten, tortured and mutilated, for no apparent reason other than because it amuses one of the psychotic characters -- and, one can presume, Tarantino himself. The director stages the torture sequence like a comic musical number, complete with rock background music and choreography; casually topping it all off with the young officer's murder being the punchline of a joke. "That's entertainment!" seems to be Tarantino's pathetically cruel message.
Somebody has clearly been reading too many of Armond White's reviews.