So Cillian Murphy is on Mr. Dawson's boat during the day then he's all of a sudden on a rowboat at night and then the next second he's back on Mr. Dawson's boat and it's daytime again. LOL. Who edited this?
>>85616587
who the fuck made a move 80 minutes long and felt we had to retread the same scenes 3 times with jarring time jumps. Primer: the war film.
they wanted to show you how cool their little timeline is, but the timeline was complete bullshit and didnt help the movie one bit, just unnecessary
That's Nolan for ya. You're supposed to overlook that and much else because the screens huge and its loud so it must be important.
>>85616587
The start of the film literally tells you that the events in the air take place over one hour, the events on sea over a day and the events on land over a week.
sorry if that is too complicated for you.
>>85617170
literally this... you just sound like you have autism for not understanding.
This was honestly the only unexplained jump in the film. How the hell did he get on this wreck in the middle of the channel? If you don't intend to explain this, which is fine, then just cut this completely unnecessary scene on the row boat.
>>85617170
But at the oil spill scene each perspective is only 5 minutes apart. So we are at Dawson's boat full of soldiers and the destroyer is sunk and then we go back to Tommy where we see Dawson's boat as empty and the destroyer is only halfway sunk. Like, WHAT? WHY? When the two perspectives meet like this, this should be the moment where the timelines converge together into one but NO we're still cutting back and forth between timelines even though the time difference between them is so negligible. It just makes it needlessly confusing
What were they thinking!?!?!
The script structured after shepherd scale
https://www.youtube.com/watch?v=LVWTQcZbLgY
https://www.youtube.com/watch?v=6AlDqFgQnqQ
>>85616587
that's the only part where the 3 timelines narrative works well