>expecting generic capeshit >get a neo noir western kino

>>80525691
It reminded me of The Last Of Us

Best capekino

>>80525778
That's what people were saying with the initial trailer drop.

Heck, I remember when Prisoners came out people wanted Jackman to play Joel. They kind of got their wish in a way.

There wasn't anything noir or western about it though.

File: whoisdafnekeenmeetlauralogan05.jpg (146KB, 811x1222px) Image search: [Google]

146KB, 811x1222px

They had a trick up their sleeve.

>>80525977
It was totally a Western.
Watch more westerns for fucks sake

File: images-155.jpg (20KB, 313x470px) Image search: [Google]

20KB, 313x470px

>>80525691
You have shit taste.

>>80525977
Bruh it was definitely western

>>80526026
Decent, but no where near as good as a Neo Western Noire like No Country for Old Men

>>80525977

Virtually every critic is saying it feels like a western.

>>80525691
im always happy when a movie like this comes along to reaffirm for me that /tv/ has shit taste

>>80526026
This was so Fucking tame I almost dropped my copy off at day care.

>how did they do it?
They watched Children of Men and copy pasted the plot

>>80525977
One of the running themes throughout the movie were callbacks to fucking Shane. What's the matter with you?

File: 1404743668287-3.jpg (19KB, 300x279px) Image search: [Google]

19KB, 300x279px

>>80526058
>This film is a socially conscious re-think of the recession and — more strikingly — of the Coen brothers’ No Country for Old Men.

>No Country teased the specter of cosmic (and comic) nihilism, impressing audiences with cleverness yet leaving them desolate. But Mackenzie and Sheridan start out with a sense of home-grown desolation. They reverse the Coens’ process, bringing realism to myth and connecting the Howards’ anti-social grievance to the weary, old-fashioned pragmatism of white Texas Ranger Marcus Hamilton (Jeff Bridges) and his bi-racial deputy, Alberto Parker (Gil Birmingham).

>Individual and communal American realities distinguish Hell or High Water and Blood Father. Toby laments, “I been poor my whole life. It’s like a disease passing from generation to generation.” And in Blood Father, screenwriter Andrea Berloff (Oliver Stone’s World Trade Center) reveals another political truth: “This country even turns radicals into commodities.” These two modern westerns confide the toughest Obama-era observations that Hollywood has yet dared. Better than the Coens’ slick treatment of hipster pessimism, these unpretentious B-movies speak truth to hipness.

>>80525977
It's 100% a western, the aging gunfighter trying to right his past wrongs before they catch up to him has been a western standard since the genre has been old enough to have aging gunfighters

Noir doesn't fit though. Only the opening would fit in very vague terms

>>80526103
dude gore lmao

File: 1470582799464.jpg (202KB, 800x798px) Image search: [Google]

202KB, 800x798px

>Not much to say about Logan, the latest in Marvel Comics’ X-Men franchise, this one pushing Wolverine/Logan (Hugh Jackman) toward retirement. It’s really just another exercise in violence featuring Logan’s adamantium claws — a trait shared with teenage Laura (Dafne Keen) in overblown action scenes that recall the sickeningly sadistic kiddie assassin movie Kick-Ass. Mel Gibson’s Blood Father handled a similar father-daughter plot better, but this penchant for on-screen violence is part of contemporary culture’s ugliness.

>>80525778
So you hated it for being a bland piece of shit?

>>80526341
>>80526204
Is it possible for him to write anything without namedropping tangentially related films, bringing up Obama, or insulting people who dislike what he likes? He is literally /tv/

>>80526341
> It’s really just another exercise in violence
I don't think he watched the movie.

>>80526474
This is why he is followed by faggo/tv/irgins. Goddam teennage contrarians.

>>80525691
>expecting generic capeshit
Fucking how? Did you see a single trailer?

>>80525778
It must be the "citizen kane of gaming" of movies