Hi i'm a product design student, would like to get the same

File: hay.jpg (39KB, 900x1087px) Image search: [Google]

39KB, 900x1087px

>>3112556

[EXIF data available. Click here to show/hide.]

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File: jasper 00-projects_lighting_flos_luxmaster_01.jpg (108KB, 2000x1500px) Image search: [Google]

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>>3112557

I vote for the Zeiss Touit 50mm macro. Especially if someone else is paying.

>>3112566
I don't mind investing a lot as long as the lense is worth the price, even tho i might buy second handed lense

>>3112556
90mm macro perhaps.

>>3112556
invest in a set of strobes, light stands and a big softbox, the lens dont matter that much, as you will be shooting at f8-11 anyways, just get a medium tele one, like around 70 to 90mm

>>3112590
my point is, the lens quality determines sharpness, bokeh, and spherical distortion, or the lack thereof. it does not magically change the incandescent lightbulbs in your makeshift shootingspace to a super nice soft neutral light, only proper photo lights does..

Lighting will be far more beneficial than a new lens. If you get the correct lighting even the kit lens will be fine when shot at f8 and focus stacking. Maybe look at a focus stacking slider. Getting a continuous white roll might be good to buy if you don't have an adequate room.

>>3112597
>ness, bokeh, and spherical distortion, or the lack thereof. it does not magically change the incandescent lightbulbs in your makeshift shootingspace to a super nice soft neutral light, only proper photo lights does..

Yeah i see your point, i don't want to commit to much on the lense aswell from what i've seen my school provide some cubelight and some Elinchrom stuff will see what i will need the most back to school