All representation, photography included, is more or less premised on the concept of realism. Realism as in a relationship to an existing world--semblance, resemblance, or what have you. That's a gross generalization, of course, but the point is that I'm less interested in the relationship itself than I am in the things being related to in the first place.
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In short, just what do people take pictures of? And how do our arbitrary snapshots of nothing (if we are being honest) become substantial enough to be seen as photos of something?
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>>3106663
i wonder if you came across this scene and were all pleased with yourself for noticing that there was a preponderance of that greenish blue color
pretty standard "boring too-self-serious large format photos", not that i'm not also guilty of the style or could do any better. i would just like to, you know?
Bump because I feel guilty, like I killed this poor dude's thread before it it started.
Someone else look at his photos, please.
>>3106657
You don't get it, it is about lines, symmetry, order, colors. All of it is important, it is about the symbiosis of them. If you have a interesting subject it is not automatically a better photograph if it is missing the symbiosis.
Some are just pleasing to look at, just like painted pictures or whatever else.
Nothing relaly outstanding in this set. I do like your style though; reminds me of a friend of mine.