Been shooting loads. Working on a series of industry while also dabbling in other things. Looking for criticism.
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:12 21:44:27 Exposure Time 2.5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.3 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Day White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:18 20:04:17 Exposure Time 2.5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.5 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Cool White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:18 20:08:55 Exposure Time 3.2 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.0 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Cool White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:28 20:54:37 Exposure Time 2.5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.2 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Cool White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:28 21:05:01 Exposure Time 2.5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.2 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Cool White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:14 18:27:28 Exposure Time 4 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.7 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Tungsten Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:14 18:38:51 Exposure Time 4 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.3 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Tungsten Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 750 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:18 22:56:26 Exposure Time 4 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -8.1 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Cool White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
Yes i love these, you should check out shuttermaki's flickr if you haven't already, he did a series in Asia a few years ago and I imagine you guys getting along
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:12 22:02:09 Exposure Time 2.5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.3 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Day White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
>>3065510
Thanks man. Big fan of shuttermaki's stuff.
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:12 21:34:39 Exposure Time 2.5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.1 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Day White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 750 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
This and the last shot are expired as fuck, hence the neato colors.
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:12 22:06:00 Exposure Time 2.5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.3 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Day White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 750 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:12 21:53:39 Exposure Time 2 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.4 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Day White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 750 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
>>3065515
I'd honestly buy a print off you if you're willing to sell
>>3065518
Man, if I was living back in Canada with a lab I trusted I'd be totally down. I could look into what printing + shipping costs from Japan would be there. What size would you want and where are you located?
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:28 21:24:52 Exposure Time 4 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -8.0 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Cool White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
>>3065520
I'd be looking into something around 20" on the largest side. I live in NSW Australia.
>>3065522
Shoot me a message on Instagram. @mctomch
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:28 21:36:18 Exposure Time 2.5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.4 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Cool White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 750 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:21 19:10:37 Exposure Time 6 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -8.6 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Tungsten Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:25 21:04:29 Exposure Time 6 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -8.2 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Tungsten Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:27 21:05:50 Exposure Time 1.3 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -7.4 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Day White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:27 21:13:37 Exposure Time 1.6 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -7.6 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Day White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:27 21:09:42 Exposure Time 1.3 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -7.8 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Day White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:28 21:53:32 Exposure Time 1.3 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -7.6 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Day White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:28 22:04:17 Exposure Time 5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -7.7 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Other Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
Any tips for shooting impromptu portraits like this much appreciated. Finally going up and asking people for photos.
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:27 21:02:59 Exposure Time 5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -7.8 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Other Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:27 20:59:11 Exposure Time 5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -8.3 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Other Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:28 22:11:37 Exposure Time 5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -8.1 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Other Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:28 22:16:19 Exposure Time 5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -8.0 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Other Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:28 22:26:34 Exposure Time 5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -7.9 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Other Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:28 22:31:34 Exposure Time 5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -7.8 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Other Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
That's all for now. May post some 35mm later.
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:28 19:12:13 Exposure Time 5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -8.1 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Other Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 750 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
>>3065557
Try to get more eye level, fill the frame a bit more, shoot either a longer lens or get a bit closer if you're comfortable. This kind of looks awkward
>>3065486
>Been shooting loads
coming here straight from /b/ was a bad idea
>>3065567
could have waited for the clouds to pass on this one. difference between taking a picture and photography is exerting control over the entire frame -- clouds here, imo, detract from composition and feeling of openness. otherwise nice colors, framing, etc.
>>3065540
nice, dig this one
>>3065534
also very nice
>>3065506
unfortunate shadows in foreground
>>3065492
eh, not sure on this one, no clear subject/effect, just looks like a snapshot, esp. compared to...
>>3065487
nice lines
>>3065486
Work on your scans, They're absolute dog shit
>>3065507
This is beautiful
Boring
>>3065579
Thanks for the tips! Will definitely try to get closer. I was wanting to leave a bit more bg in that one two show the rows of plants and whatnot.
>>3065600
Feel the same way about that cloud. Unfortunately it stayed there for ~2 hours slowly shifting shape but never moving. Sun was filling fast so I shot anyway.
Thanks for the bit of critique, much appreciated.
>>3065800
Cheers!
>>3065898
So how would you make these scenes less boring?
>>3065974
Thanks dude, I'll post stories with some 35mm
Guess I'll post some 35mm.
Right now the rice fields are being flooded and the rice is just starting to sprout. The mirrors of water everywhere make for some beautiful scenes.
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:30 19:48:16 Exposure Time 5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -5.9 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Other Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
>>3066669
Ayyy, dat sky. Love it.
Out of curiosity, were you frowned upon as a noisy gaijin messing around in suburban areas or were people okay with your presence? I've also been thinking about going on a photographic roadtrip around Japan.
I ride past this house every day on my way to work. This car has always caught my eye and I finally decided to photograph it once the flowers had bloomed. This day was overcast. I want to reshoot on a sunny morning when the light is hitting the car just right.
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>>3065508
Is this a monk selling keychains? Story?
>>3066672
Sorry dude, deleted a couple and reposting with a pit of a story...
Nobody has given a shit about me shooting photos. I do try to strike up conversations with people from time to time though, even if it's me being a baka gaijin pointing to the rice in their fields and asking what it is.
Shot this on the way home after a hike. This area is known for producing one of the top 3 beefs in Japan. Known as Matsusaka beef, it's better than Kobe beef imo.
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:04:30 20:18:48 Exposure Time 5 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 200 Brightness -6.2 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Other Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
>>3066674
Selling charms that bring different kinds of luck, depending on which particular charm you pick. This that was taken at a shrine known for plum blossoms. >>3065507 was taken at that shrine.
Sunset in Matsusaka. I personally much prefer the countryside of Japan. Hard to beat ending a day with this view.
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Really wish a person had come by for this. On my way home basking in the twilight glow of the previous photo's sunset.
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Went harvesting bamboo shoots. Bummed I missed the focus on this.
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During sakura season I caught an earlier train before heading to work. Student heading to school on a Monday morning.
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Sakura at Matsusaka Castle.
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>>3066682
Jesus fucking christ, Japan is such an aesthetically pleasing country. Keep 'em coming, anon!
>>3066685
GF? Or are you just lucky enough to have a really qt friend?
>>3066687
It's aesthetically pleasing in a homely, ugly sort of way.
>>3066690
How can you judge cuteness based on a silhouette? Them some magic powers, anon.
God a fucking hate Ultramax.
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My daily transfer station, which I've shot too much of.
Okay, time to scan some Velvia 50. bbs
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Today I found out Velvia 50 is pretty neato.
Shot this the same time as >>3065558
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This train line only has 1 train an hour. Lucked out with both passing as I was walking home.
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Reward at the end of a hike. Planning to go back here to swim when the weather gets warmer.
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Last shot of the roll of the same sunset posted above.
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This is the sunset from after I finished shooting this set >>3065567
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Last one. People sitting in trains is always interesting to me.
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>>3066729
Looks spot on, great job overall.
>>3065557
since youre taller than most asians youll need to crouch to do these portraits. eye level is ok for headshots, but halfbody and fullbody work best if youre shooting from below their eye level. think dutch golden age paintings.
>>3066743
>>3066981
>>3067029
Cheers ya'll.
>>3067047
Great tips, thanks a lot anon. I'm not very familiar with classical art, but I'll look into Dutch paintings for some ideas. Fantastic recommendation.
>>3067233
Thanks anon! I'm planning to make a ~30 image book of the industrial series eventually. We'll see how it goes, 3 more months to shoot it... then I'll be leaving Japan.
Picked up some moar film today. First roll of Natura testing a T4. The blue from this window display looked awesome, so I lurked around until I felt I got a shot worth keeping.
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Shot this on the way home after eating Matsusaka beef and drinking way too much beer with an old coworker.
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Some dude stumbling out of a bar in my town. This restaurant has a spotlight aimed at the ground outside the entrance. Somehow managed to get a shot off in time.
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Another frame from that blue window display in Nagoya.
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Random frame of Fuji Industrial 100 on a $4 XA2 I bought yesterday.
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these are some great pictures, thanks for sharing.
>>3067994
Thanks anon.
>>3067999
Some interesting picks there, definitely not what I would have chosen. Cheers though!
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>>3068053
I notice that slide film scans tend to have some sort of light glow. Why is that?
>>3068071
Honestly, don't really know what you're talking about anon.
>>3068507
honesty on my /p/? weird.
>>3068071
its because white is represented in color negative as a pigment. while white and everything clear or bright is represented in slide film as transparency. so, when you see, say, a glowing source of light like a fluorescent tube, youre actually seeing the light of the scanner comming through a hole in the emulsion, since its a very bright light source, it tends to leak, and that translates into a highlight glow.
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>>3067999
Some bland lip service here. Stop putting your trip on to look for friends.
>>3068528
8^) there you are
myfoot.jpg
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>>3068526
Interesting. Makes sense!
>>3068568
Saved
Another Velvia 50 frame from a hike.
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Date night at restaurant serving local food. Had some insanely good food. Tomato salad with caviar, fried chicken skin with yuzu salt, braised pork belly, and a few varieties of sake.
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End of the day in Nagoya. Funny watching the businessmen in suits walking home/to the station. Every 10 steps they stop and fiddle with whatever smartphone game they're playing.
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For most of winter the light was so beautiful on my bike ride home from work. It's getting harsh with each day now and kinda bums me out. This guy seems to be struggling to see his phone in the bright sun.
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>>3069408
you hipsters are all the same
take it to tumblr with your yellow fever
More ricefields I ride through everyday. Lady on the far end checking her fields.
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Same location, different day >>3065534
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Do you develop yourself OP, or get a lab to do it?
>>3069432
I only dev bw myself. Color goes to the lab.
>>3069406
the colors look ugly as shit here, why is that? looks like it's been shot on an old shity phone camera
>>3069443
Cloudy haze @ high noon + camera shake will do that.
>>3067977
saved
are you an English teacher in Japan?
>>3070770
Yep, teach at a high school.
>>3065764
newbie here
what does this mean?
>>3070770
But you don't seem very good at English? Do they not have very high standards since it's a second language there?
Can literally any random mechanic become an ESL teacher? roflmao
>>3071056
>throwing shade at someones English usage on a Mojave rug appreciation forum
>also uses improper English and grammar
>>3071072
>also uses improper English and grammer
Hey fuckers, I deal with English enough at werk. Let's not turn my thread into ESS
>>3071119
>velvia 100f spent on snapshits
ill fucking end you.
>>3071179
Why you so mad? The roll cost me $4 lol. At first I wanted to load Velvia 50 but then realized the stupid T4 can't do 40iso.
>>3071194
where do you get a roll of velvia for 4$??
>>3071204
In Japan. Nothing in this photo cost more than $5/roll
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>>3071211
this pains me
>>3071211
were you the one willing to swap for kodak film?
>>3071214
It pains you to see film thriving in a part of the world? :(
>>3071215
Nah, I actually have 2 pro-packs of both ektar and Portra 400 that I want to get rid of. The only Kodak worth shooting is Tri-X
>>3071223
>It pains you to see film thriving in a part of the world? :(
not to see it thriving, but to see how fucking cheap it is
>>3065486
Nice, great placement of person in the centre lower third of the frame.
>>3065487
Good use of lines but a pity the tree cuts into the tower.
>>3065492
Even better if you can clone out the horizontal wire and some of the dust in the sky.
>>3065506
Like others said, a good shot but a pity the shadows are so dark on the pier. If you can, return to this spot in the morning/afternoon to light up the pier.
>>3065507
Another great shot. I'd just crop in from the bottom right a bit more to reduce the fence visible in the background.
>>3065509
Amazing, just reduce the highlights a tiny bit.
>>3065515
Just reduce the magenta a bit. I don't know if its because of the scan or Astia going purple when over-exposed.
>>3065540
i can't stop looking at this
>bravo anon
>>3071223
this is really nice
>>3071211
Yeah but WHERE aibou, I need that 4$ velvia!! I'm up in Ibaraki and only buy film via bic camera online but velvia is usually 1400yen per roll?
>>3071369
Thanks so much for the crit! Totally agree with a lot of your composition tweak recommendations. FWIW the magenta Astia is due to it being 20 years expired! 19 rolls left of the stuff...kinda difficult to use.
>>3071669
Cheers! That was a shot I had totally forgotten about and turned out to be one of my favorites from the roll.
>>3071674
Really? I barely did any sharpening. Something like 0.2 radius @ 130%.
Can any other anons confirm over-sharpening in these?
>>3071769
Cheers! That was my favorite shot from this roll by far >>3071194
>>3071792
Yahoo Auctions bruh. Couple days ago I missed out on an auction I was watching. 52 rolls of Velvia 100F in 220 went for 20,000yen...
Do you have more shared online? I'd love to see more photos by you.
>>3071971
I don't really actively post anywhere online anymore. I have a Flickr and website, both of which haven't seen an update in over a year so none of the stuff from this thread are on them.
www.flickr.com/mctomch
www.andrewtomchyshyn.com
>>3071056
t. Amerifag who never left his home state.
>>3072236
t. European that doesn't know some states are larger than his country.
>>3070824
>>3069420
>>3069418
>>3069416
>>3069411
Honestly this thread is really uninspiring and boring to me. Most subjects like the ones above are really boring. There is no emotion or story with in the photo's.
>>3068568
>>3067987
>>3067986
>>3067977
>>3067335
>>3066729
>>3066673
>>3066728
>>3065567
>>3065530
>>3065517
>>3065487
These are your best.. but imho the rest feels like filler.
I even wonder how much samefagging is going on in this thread.
Anyway Just keep at it.
>>3072526
Hey, cheers for the thoughts! This thread is definitely just a dump or recent photos. I consider only 25 out of the ~60 images I've posted to be keepers. I like hearing why photos don't work though, because sometimes even though I don't like it I can't pinpoint why I don't like it. This board used to dish out a lot more useful crit, still what I hope for when I make a thread like this.
I've been wondering about samefagging too desu.
Did you really mean to quote that foot photo by the way? lol
holy shit, a lot of you guys are dogshit photographers
glad I don't listen to you retards on here
>>3072566
Teach me yer ways to help me improve anon.
Developed some Acros today.
Visiting some relatives in the mountains of Gifu.
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Most of this roll was shot back in December and January. On January 1st we walked a half hour or so to a local shrine to welcome in the new year. This was shot along the way. Not many people live in these areas anymore.
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The shine entrance.
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This is a small island that's mostly sustained by a fishing industry. Lots of old folks and fishing boats.
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>>3072562
>Did you really mean to quote that foot photo by the way? lol
Kek yeah, I'm a fucking child, sorry.
Loads of respect to you though my man. Even though I don't like a lot, I can see you have a great eye though.
>>3072800
This one is really dope
>>3073079
Hahaha, gotcha. Thanks again.
You mention a lot of the images don't tell a story and I'm wondering if you have any tips for creating images that are better at telling stories. Is it a matter of me being too far away? I realize some of the photos just aren't telling a story due to their landscape-esque nature such as
>>3069418
>>3069420
>>3066675
Some of these I feel do tell a story, but maybe that's just my own bias since I'm the one that shot the photo within the larger context. Some examples:
>>3072800
>>3066717
>>3066692
>>3065546
>>3065486
>>3073080
Thanks! That may be my favorite in the whole thread.
>>3073266
not him, but photos that tell a story often have a human element that introduces a certain tension. shouldnt even have actual people, but ellicit an emotional response because of the elements at play. composition will make it stronger.
that short story "for sale: baby shoes, never worn" can teach a lot of how to make a picture tell a story in a succint way, because it reads as one reads a photo, on a flick, so it should be as striking and as precise and focused, it doesnt need to be bombastic or feature people crying to have an emotional effect in the reader/viewer. thats when, of course, you want to tell things or maybe compose poetically, some people do that naturally, some others just want to depict nice colors and shapes.
love all of these man, keep it up.
You should make a book OP
>>3069408
Blur as fuck, this is not even sharp
>>3074105
>I'm starting to think ya'll are fucking with me about this book thing.
yes, its a meme. still, do the book, but for your own amusement, use that experience to lrn to edit and sequence.
>>3075191
Yeah definitely. Restaurant was probably EV5 at best and the lens f3.5. I imagine the shutter was 1/15th or slower.
>>3075193
Definitely planning to still do it!
Have some more rolls to go through and edit. Will post more soon.
Went to a botanical garden this past weekend. Lots of pretty flowers. Loaded up the ultrawide and slim and a roll of Superia I found in a bin at a secondhand store that expired in 2001.
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Tulip season!
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I'm seriously loving shooting with this lil camera. All three rolls so far have really surprised me.
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Saw this lady with her two dogs and knew I had to snap a photo. Stopped my bike and asked if it was okay. One dog wasn't too hyped.
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>>3075245
Suzuka.
I bought a few XA2s awhile ago. I loaded one up with a roll of Acros and gave it to the lady to shoot at test roll. She took a few months to finish it, but she got some good shots. Starting with a photo of yours truly.
>>3075251
Cool, forgot photo.
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Local castle remains during sakura season.
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World Heritage site Onigajō (demon castle)
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Ok, back to photos I shot.
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Shot this on the Kumano Kodo pilgrimage route.
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I'll stop here for now. Tadao Ando's Church of Light. Getting a roll of Natura 1600 developed tomorrow, will post any decent shots from it.
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>>3075251
Do you like acros?
>>3075333
It's fantastic, I don't see the need to use any other slow bw film. Acros for slow speed and Tri-X for faster and pushing is all I need.
>>3070824
Your photos suck, you fucking weeb
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>>3075615
I like the action, but that off focus is killing me.
Got a bunch of more rolls to scan. Picked up a Fuji Natura S and loaded it with Natura 1600. Not used to shooting so damn wide.
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>>3076537
I'd recommend getting close af to subjects with a lens so wide. You'll get the hang of it. So much more to consider @ wide angles.
>>3076557
Yeah, my second roll I was getting much closer. Pretty fun desu.
Here's an accidental double exposure. Was shooting the roll through my T4, but once I got the Natura S I rewound the T4 and loaded it in he Natura. Miscounted by a frame.
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>>3076537
what do you think of the natura s? worth buying?
I get the feeling that it is pretty undiscovered in the sense that everybody wanks over the T2/Ricoh Gr but the Natura S is hardly ever mentioned.
nice pics btw
how do you scan them so well?
>>3076806
I'll have a better answer for you when I develop my second roll through the camera. From what I can tell from the 10 frames I shot and developed so far, it's a pretty awesome little camera. Same size as a T4. Build quality isn't that great and it's not the quietist thing. But considering they are what, half the price of a T2/GR it's hard to go wrong. Plus, the NP mode seems to work pretty rad. I have a roll of slide loaded in it now so we'll see how it handles that.
I scan using an A7 and smartphone as a backlight. My 35mm scans aren't too great as I can only get 1:2 magnification. Just gotta buy the extension tube designed for the Canon FD macro lens I have to get 1:1.
Cheers anon.
These are really good, I think your composition works for this industrial style and I like the colours a lot too. Really great choices on the paring of films & it's substance of subjects.
>>3065486
This is one of my favourites, great choice in aperature and distance. I enjoy the water reflection in the foreground and the white Van under the tower. I also like your choice of photographing her from the back. Everything really works here.
>>3065517
This one is a bit different than the rest. I like the subject and the exposure, but I felt the foreground was distracting and it doesn't compliment the background as much, I think a better composition could have been achieved if you tried for a horizon shot, but regardless it's still one of my favs because you captured a lot of irony and that is way more difficult.
>>3066682
perfect exposure, excellent balance between the black and white tones.
>>3066692
this is genius, love the story in shadows, it adds a 3rd dimensional element into what can be considered a 2 dimensional composition. bravo!
going to stop here to read some of the comments. I enjoyed this immensly. I think you can improve majority of your shots with a more critical decision on your choice of aperatures in conjunction with your subjects, but over all really well shot!
>>3076843
okay had a browse; you say you're trying to figure out how to add 'story' to a photograph? basically what this guy said >>3073297
you have to understand what you are shooting, what is your primary subject and how does that interact with the enviornment. For example, the taxi driver smoking out of the car with the no smoking sign. that's real life irony, you successfully translated that into a photograph. Or the shadow at the trainstation, you took the subject, which is the projection of shadow onto a 3 dimensional material.
Both those examples, you showed interaction, and that's basically story telling. Many of your other photos lacked the precise aperature that best identified a subject or left fore ground in focus that competes for subject matter.
>>3076843
>>3076845
Thanks for your thoughts anon, much appreciated!
Awesome analysis on the interaction in those two photos. I can see that I've been shooting a lot of these with only 2 out of the 3 'players' in mind (typically the subject and the scene they are in) while forgetting to take the 3rd (the viewer) into consideration. I'll keep that in mind from now on!
I disagree about the use of shallow depth of field though. I find the interaction between subject and the background to be important most of the time and don't strive to create a hierarchy within a photo. The context is just as important as the 'subject'. I typically stop down on purpose to maintain that balance and other than that taxi driver photo, don't really see where a shallow DOF would have helped. Feel free to quote example shots you think could benefit from a shallow DOF though!
Also, fwiw all of the 35mm were shot on fully automatic cameras. No ability to adjust anything beyond flash modes.
>>3065486
I'm a newbie here (and I'm late to there thread), but these are REALLY amazing photos, man. Great eye! You got a website and/or an instagram?
>>3076944
the thing is, context can still be achieved by having a shallow depth of field. I do not mean 'interaction' as what is in focus, i meant it more metaphorically. what is your subject? what story are you trying to tell? how does the existance of a subject affect the enviornment and ultimately, depending on the intimacy of that interaction (or the geometry of your photograph) is how you decide the right aperature.
But honestly, you don't need my advice or anyone's here. You already figured out your style and what works for you. Just have fun shooting, don't worry about how it looks.
>>3077002
Thanks anon! I posted that info here >>3072027
>>3077007
Hey, sorry if I came off sounding defensive. I value what youre saying and was just trying to create a dialogue explaining why I shot these in a particular way. Like I said, I typically stop down and go from there without thinking much about how the aperture is actually affecting the photo. These are good thoughts and I'll adjust apertures more next time I'm out shooting. I definitely get what you're saying.
>>3077012
>I value what youre saying
You really shouldn't. That guy has a shitton of high school photography/freshman photography 101 on them, and the first week at that. You can tell by the obsession over depth of field as the only method to achieve subject separation. By the way he talks about aperture, poor fella's mind is going to be blown if he ever finds out about the Scheimpflug principle...
Generally, thanks for the reminder of just how much I hate Velvia.
>>3077012
nah, thing is i'm rly shit at writing and it's difficult for me to express what i'm thinking. i think we are on the same train but the language is lacking. I will follow ur stuff
>>3077018
all anyone needs to know to take good pictures is just the basics; I don't think you're a very good photographer - if you want to learn about photography, just look at good photographs.
>>3077018
No prob.
>>3077023
Thanks again for your thoughts!
Here's another Natura S test shot. Surprised there's camera shake. Figured f1.9 @ 1600iso wouldve given a better shutter speed. Maybe the lens opens up as a last resort.
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Two more T4 shots. Sold the camera to someone in Canada.
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I get a couple of rolls of slide back tomorrow from the lab. Will post some more soon.
In the meantime, just bought 14 more rolls of Velvia and 2 rolls of Sensia. Told you other Japan anon, Yahoo Auctions is where it's at.
>>3077092
a 50mm lens at f1.9 has a really shallow depth of field which is why the picture quality isn't so sharp. Camera shake looks differently, the white light in the back has no motion blur, it's just that your range of focus in probably a little over a couple feet. I'll be back later if you like a couple more insights on some pictures
>>3077118
The lens is 24mm, but I get what you're saying. DOF is still shallow and the wide angle makes things look further than they really were.
Always down for insight!
post more natura s shots pls
>>3073266
Fuck this is a late reply but anyway
There are a few ways to do it: show people in an interaction with an object/ another person in a way that you don't see it everyday. Just talking isn't enough there should be something interesting going on.
Have a subject that had impact from people and capture that in the best way possible, like pic related (not my picture, from someone on this board)
A picture of unusual people. If you take a photo of ordinary people they can be anyone, but if you take a picture from maybe idk a heavy metal fan, you can make up a story because it says something about their charachter.
Have a strong expression. That is a story in itself
Connection between two subjects or the subject and the background. Something like a contrast. Poor and rich, happy and sad. Or an old man in a old building.
Hope this helps a little.
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>>3075327
You got some nice ones which tell a story, like this one
>>3065486
>Been shooting loads
l-lewd.
>>3077145
Drying a roll of Acros from it now!
>>3077180
This is a great response, thanks a ton for typing it out. Really going to try to pay attention and look for these moments. To be honest I've become way too trigger happy lately. Gotta slow back down to my old way of shooting.
>>3077182
Cheers!
About a month ago I bought 10 rolls of Fuji Trebi 100C. Not much info at all about it, but from what I've read it was a consumer Provia. I shot my test roll at 50iso thinking it was most likely stored improperly (a common theme with buying expired film here). Turns out the rolls are perfect, which resulted in me overcooking the roll and hardly having any shots worth scanning. Here's one that turned out. Think I adjusted the ISO back to 100 for this portion of the roll. It's too bad they stopped making this stuff. I'd shoot it over Provia any day.
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Saw this VW pulled over and had to snap a shot. The passenger had just sat back down inside, bummed I missed what would have probably been a better moment. Overcooked slide.
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Playing with reflections on Provia 100F.
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Having a hard time choosing which one I like more. Thoughts?
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>>3078255
Left
>>3078255
first one looks less contrived and the cafe restaurant sign is less conspicuous. the branches are a bit annoying but overall i prefer it
>>3078260
>>3078264
Thanks guys. I think both have their flaws, hence why it's hard to choose. If the light wasn't so damn nice I'd probably toss both of 'em.
Alright, scanned a bit of Acros from the Natura S. I've been wanting to shoot some of the local industry from the train. Things came together for this shot while riding home one day. Glad I had my camera out and wasn't glued to my phone's screen.
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And some farm scenery from the train. Having a 24mm is pretty damn fun. Starting to contemplate making the GA645 + Natura S my travel kit.
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Saw this crashed bike off in the distance and was sure I was going to come across some old lady dead in a ditch. Nah, she was just farm'n.
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Another moment of not being able to decide. Think I prefer the one with him looking away.
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>>3065486
>Been shooting loads
i'm shooting loads too if you dig my rig ;^)
>>3078279
i was about to call this shit till i clicked it.
not bad cuck. keep it up.
Got a couple more rolls today. Starting with Velvia 100F.
Stumbled upon this beautiful NSX while taking a random walk. My personal dream car that I hope to own one day.
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Walking to school on a rainy morning.
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Left work early one day and had 2 hours to kill before my bus showed up. Walked into some foothills and found some nice farms.
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If there's one thing I'm actually proud of in this thread, it's the number of times I asked a person for a photo. It's been something I've wanted to become better about for years, but it isn't until the past few months that I've actually started doing it. Feels good!
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>>3080683
Nope, sorry there's like 5 different cameras represented in this thread. These Velvia shots are from a Yashica T4.
I'm pretty sure a truck drove by and shook my apartment when this was being scanned. There's no way there's camera shake on this shot...
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I waited around at this scene for about 30 minutes for someone to come by. By the time this guy showed up the light had faded and become quite shit. This is about a 3 minute bike from my house so I plan to revisit and reshoot soon.
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Here's a few more Natura S shots using Fuji Industrial 100.
Taking the train back home from Nagoya. Experimenting with reflections and shadows.
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Nice thread, very comfy. You could make a nice little book with your work on industrial settings once you get some higher resolution scans done.
Inspiring me to go back to Japan,
>>3080716
Thanks anon! Hope you make it back soon.
This roll of Industrial from the Natura S is snapshit central. Last post. Hopefully the 4 rolls I dropped off today are better...
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Welp, that last photo is not the image I meant to post...but you can see what I mean by snapshit central.
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Just realized I didn't post my favorite from the T4 Velvia 100F roll.
Bamboo is one of the most beautiful plants.
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Forgive my ignorance, but how are you shooting film when your EXIF data shows you're using the A7?
>>3082857
No problem, I get asked this a lot.
The short answer is that my A7 is no longer a digital camera. I removed the sensor and the back screen, and replaced the back of the camera with a 35mm back removed from a Vintage Holda 135.
It's a little finnicky at times but, since I was able to leave the card door intact, I'm able to use my SD cards to record exif and merge the files in post.
Hope this helps! Happy shooting!
>>3082857
he's scanning the film with the a7
>>3082857 #
I scan with my a7 and a macro lens.
>>3078255
Left looks like a casual snapshit. Right looks like a try-hard snap made for instagram. I prefer the one on the right. Looks bold and imposing.
>>3078293
Yeah the top one. I think it's because he looks to the right and the car points to the left. I think that somehow creates a more interesting dynamic. Which is weird since in street photos it usually looks better when you can clearly see the face.
really great shots op, here are some of my favorites, although i enjoyed looking at all of them as a set as even the photos that arent as strong as some of the others help to fill in the story and set the mood for the others.
>>3069413
>>3065486
>>3065507
>>3066729
>>3067986
>>3080673
can only hope my recent shots from japan come out as good as these.
also kinda weird seeing my name pop up in a random thread when i barely even post here any more.
>>3083190
>Right looks like a try-hard snap made for instagram
What does that even mean?
>>3083193
Good point! I'm partial to the top too.
>>3083196
Haha, thanks sm. Means a lot!
>>3083396
Didn't shoot much there desu. I'll drop a couple.
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My fave shot from Korea.
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>>3083522
Sorry to hear that you werent able to go someplace nice.
>>3083522
Enjoy! There's an area just north of Jongno 3 ga that's awesome to explore. Lot's of old shacks converted into hipster restaurants/bars/tea houses. Great place for photos.
>>3083527
u r a l o s e r
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>>3076537
fuck i love this man
>>3083607
Thanks anon!
Picked up 3 rolls of E6 from the lab today. Starting with Trebi 100C in the Natura S.
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I really like this string of powerlines. I've shot them quite a bit, but still don't feel like I've taken a keeper of 'em yet.
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One of the most beautiful sunsets I've seen in years happened last week. As I was rushing him this train was approaching so I stopped and tried my hand at panning. Didn't quite get it perfect, but close.
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Went to Nagoya to grab some Pro-packs of Velvia 100 in 220 that were massively discounted. After picking them up I spent an hour or so walking around to kill this roll. Seems the Natura missed the focus on this, strange as it tends to be bang on.
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Wish this dude was facing me, but oh well. The light in Japan seems so direct and strong. Once it starts getting into the late afternoon the colors and contrast become wonderful.
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Unlike every other country I can think of, buildings lose value as the age just like cars. The result is a booming building industry. The moment a property switches hands the bulldozers come knock'n.
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Alright, switching gears to some Provia 100F on a Canon F-1.
Went hiking on the famous Kumano Kodo a few hours south from where I live.
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Shot some backlit photos of plants, just because I was interested in seeing how the film would render them. Plus, ferns are rad.
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Top of the hike, looking out towards the North Pacific.
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Light was pretty shit during the hike, so I hardly shot any photos. By the time we got back to our hotel the light had become much nicer so we went for a walk. This is in the town of Owase.
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Found a rad road flanked by bamboo.
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 4000 Image Height 6000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:05:27 18:57:01 Exposure Time 4 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -6.7 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 667 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
Scooter bro doing a drive by
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:05:27 19:03:05 Exposure Time 4 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -7.0 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
Walking back to the hotel for the night.
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:05:27 18:52:42 Exposure Time 3.2 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -6.6 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
Finally, here's some Provia 100F using a Bronica SQ-A.
The full moon coincided perfectly with the flooded ricefields so I went out for a few hours and shot 6 frames.
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:05:27 20:00:06 Exposure Time 6 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -8.9 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
You seem to shoot a shitload of slide film: what's the best way to shoot some Ektachrome 100 that expired in 2004?
I've shot the first roll at 100iso/50iso alternating, but I think 1 stop overexposure might be a bit much for slide film. Shot the second roll mostly at box speed.
Interested to hear what you think I should have done. I'm going to hopefully source a lot more of this film if I like what I get from these two rolls
Last one for now. Shooting out there in the moonlight was incredibly relaxing. Nothing but the sound of frogs.
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>>3084070
I think you shot the first roll right. If I were you, I probably would have bracketed at 50, 64/80, and 100. But doing 50 and 100 works too. If the film was stored in the fridge/freezer the whole time it's probably still pretty damn close to 100 speed. If it was stored at room temp or worse, I imagine its closer to the 50 or 64 side. The main thing I'd be worried about is a color shift, as Ektachrome goes quite magenta when expired. Hope it looks good and you can get a bunch of it though! Shooting slide is the best.
>>3084075
Yeah I've never shot any slide before so it was a new experience. Wasn't really sure how to meter, tried to put highlights in zone 7 roughly but wasn't consistent with it.
A lot different to my willy nilly style of shooting B&W. Usually just take one meter reading of the highlights and shadows, smack the camera somewhere in the middle and just shoot.
I was lucky enough to be gifted some cold stored Velvia 100f, and I'd really love to use it for some portraits. Any experience in that regard? I know Velvia 50 is awful with skintones, but I've heard 100f is a bit less wild with colors
>>3084078
I shoot slide pretty willy nilly to be honest. Usually do the same with the highlights as you and just go from there. I'm definitely not meter every shot, that'd drive me nuts. As for Velvia 100F, this was shot using that film (albeit in harsh light). Not sure I'd use it for portraits, but might as well give it a try to find out yourself! In soft light like overcast I could totally see it working well.
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2017:02:07 18:36:53 Exposure Time 2 sec F-Number f/0.0 Exposure Program Shutter Priority ISO Speed Rating 200 Brightness -7.1 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Cool White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Auto White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
>>3084072
Photos suck
>>3084255
nice crit bby
>>3084255
Y tho
>>3065486
I've been shooting loads too ;)
>>3084388
Lololol yer like the 3rd or 4th person to make that joke.
:^)
>>3084414
i will if you do
let's make a pact
>>3065486
>Been shooting loads
That's what she said
Hey Japan bro, is Natura 1600 hard to find in shops now/how are the prices?
Also, how much did you pay for your Natura S?
>>3083549
could you give me more detail where the place is north of Jongno 3 ga? I will definitely go
>>3085195
Still seems pretty abundant, but so did 220 160NS until it went from being everywhere to nowhere in a matter of weeks. The 3 packs of Natura S have been discontinued for about a year though so I'm sure the remaining stock is dwindling.
>>3085202
All the tiny streets directly north if you're looking on Google maps. Looks like a labyrinth.
Shot some Kodak Gold in da mountains yesterday. Action shot of me :D
Thx 4 reading my blog
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I like your photos, many of them are good and the weaker ones are strong in the series.
Your scans look fine small but the slightest zoom in and they look terrible. This could be on my end however.
You should try for a book with a publisher, somewhere like the velvet cell might be interested.