Tucson, AZ 1/19 [EXIF data available. Click here to show/hide.]

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I really like this crane

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19/19

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bump :(

>>2977100

what do you want from us, OP?

have you posted here before OP? motel?

damn tuscon looks shitty lol

>>2977101
Criticism please

>>2977108
Yeah, I usually post the best from every roll I shoot once a week but threw a bunch of stuff together for a bigger thread.

>>2977150
it's even shittier in person

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>>2978179
>Criticism please

alrighty then.

i think you show proficiency and ability for photoing engaging subjects like here >>2974738

but, at the same time, total fucking visual drivel like in everything else.

your shit comes and goes (subject wise, b&w then color, etc).

i think you could expand on the crane thing, but look at them >>2974744 >>2974745 >>2974746 >>2974747 , they all look to the left, they are all composed in a boring way that doesnt lead to anything else than OH LOOK.. A FUCKING CRANE, GREAT. cranes can be very interesting, even dumb holes in the ground can be very interesting (photobooks have been made about them, hilarious ones), but you need to tie them together, you need to make every photo tell a different thing, even if its some stupid irrelevant thing, but every photo should have its own thing in the grand scheme of a serie. repetition is a powerful tool, as is narrative.

>>2974754
>insta arting a thirds ruled dead pigeon
no.

>>2978198
Thanks for your feedback. I hadn't put much thought into utilizing direction or leading the focus into something else.

All I have right now is a 50mm 2.8 lens for my film camera, which makes it hard to include a lot of extra details composition-wise. That, and 90% of the population here hates being photographed. I've already got a telephoto coming in the mail, as well as a shooting buddy to help fend off anyone who asks me to "delete" an entire roll of film. I'll take what you've said into account and hopefully come back with better material before Lloyd packs up.

Are there any photographers you'd recommend I take note of when looking for tips on repetition?

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>>2978198
also how's this in terms of thought process/interest

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>>2978205
>Are there any photographers you'd recommend I take note of when looking for tips on repetition?

germans. they are autistic as fuck and can really pull off repetition based stuff.

photo i posted is the bechers work. pretty much a basic for everyone interested in typologies ands stuff like that.

a contemporary one is this guy, Peter Piller:
http://thesouthedition.org/peter-pillers-collected-analogies/

he has an eye for ridiculous everyday stuff.

lots of photogs, even when not dedicated exclusively to repetition, have at least one serie that uses repetition as a tool. pic related is a recent one from Alejandro Cartagena.

>>2978213
btw Pillers work is made by taking archival images, these are not his pics. but the eye is his.

>>2978212
its a cool and eerie pic. dunno but i want to suck that tit.

>>2978198
How do you feel about the Becher typologies? do they hold any relevance or meaning years later(did they ever)? What is their artistic merit?

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+21

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+22

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>>2978205
>Are there any photographers you'd recommend I take note of when looking for tips on repetition?
Isi, unironically

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+23
this one doesn't really improve on what >>2978198 said but i like the aesthetic nonetheless

>>2979969
Who's Isi?

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>>2979972
anonym0us or weird unicode symbols in the catalog

>>2978245
>How do you feel about the Becher typologies?
like them a lot. dedication and consistency is something to be admired. work is supertight. presentation is stellar. on its class, its a best ever type of work.

>do they hold any relevance or meaning years later(did they ever)? What is their artistic merit?
they show that you can reframe a class or type of objects meaning by placing other similar stuff together. to me the watertower grids look like different people, they gain personality, a thing you wouldnt think about if you only witnessed one of those, also LF movements fuck the perspective so the scale is changed in your head, it makes their objective properties relative. its a very cool excercise on the validity of photography as "truth", along lots of other things.

Reviving this thread because I get scans back tomorrow

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+24
The lab fucked up on a number of my scans, but these two ended up mostly unscathed.

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+25
film stock is Cinestill 800 Tungsten btw

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+26

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+27

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