Rate my bokeh /p/lease?
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>>2900278
>He fell for the bokeh meme
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>>2900278
2/10
bokeh ruined by shit background and shit boring subject that is barely in focus. no composition.
the allure of a blurry background is when it's matched by a nice and crisp subject, otherwise it's just blur.
at least your camera seems to have gotten exposure right, that's why not 1/10
>>2900278
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>>2900287
>>2900288
>>2900289
>>2900290
>>2900291
>>2900293
>>2900294
>>2900296
>>2900297
>>2900299
this shit makes me uncomfortable. I can't tell if they're good or bad images because I haven't been able to look at the images for more than 2 seconds before the 2nd hand embarrassment overwhelms me. sorta Bruce Gilden-esque set on white trash meth addicts, which is cool if that's what you were going for
>>2900300
good, at least you feel something.
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>>2900301
What sort of event was it? It looks like a Juggalo gathering or something similar.
>>2900302
yes, that's right.
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>>2900303
I love how the subjects are just cut out of pitch blackness. It's very surreal. Not sure if it's image manipulation or what but it's a cool effect
>>2900306
digital infrared
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>>2900306
>Digital IR images look terrible right out of the camera. They do not look anything like the old Kodak High Speed Infrared Film we shot back in the day.
>Here is what a digital IR image looks like with no post processing.
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>>2900306
>Here is the same image after extensive post-processing
>With work you can get the IR image to look ‘something like’ a traditional BW image. Although, the tonal range and look of digital IR BW is still going to be different that non IR digital BW.
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>Here is a non-IR digital image.
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>>2900308
So what's your workflow like? Convert to monochrome, brighten and add contrast?
It's a neat technique, haven't really seen it before even though logically it seems like a great idea for unlit venues where a regular flash may be intrusive
>man doing squats with a park bench
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>>2900312
IR post processing takes a lot longer than traditional post processing. Sometimes you invest an hour or more of work in it only to find it is a borderline image and it still ends up as trash.
If you’re after the classic IR flash look, burn out the highlights some and pump up the contrast. I prefer a more extended range look myself, so I split the difference. If you are having trouble making good prints from your infrared flash images, make one good master print with the proper amount of burnout, then use it to help match your future prints.
With certain images you can process them to look a little like a poor quality traditional BW image. If you want to learn more about freezing time in the dark, get a copy of the bible on this subject:
http://www.amazon.com/Clandestine-Photography-Surveillance-Intelligence-Investigators/dp/0398086907/ref=sr_1_1?s=books&ie=UTF8&qid=1440422185&sr=1-1&keywords=Clandestine+Photography
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>>2900316
this is the strongest one by far
>>2900293
That's the stuff of nightmares.
>>2900313
...
...
...honestly, i'm kinda impressed.
>>2900316
well, i know i'm aroused
>>2900315
A completely no fucks given simple moment and the frosting of this cake is the pair of huge sweating tits that hung enormous, the way you'd think of God's as big.
>>2900316
The human body is truly amazing, I can imagine the poor thin skeleton that has to support all that fucking weight.
>>2900291
Hey I didn't know I was on /x/
>>2900294
Those are some nice nips.
To be quite honest I was trying to hate them but really found them interesting and looked at all of them.
Very odd and slightly uncomfortable, nice job.
>>2900303
is that HHH?
>>2900315
This is an amazing photograph
>>2900291
>Infrared flash
Explain.
>>2900303
These are all dope, btw.
>>2901777
>triple winning sevens
Infrared flash coupled with an infrared camera, makes it possible to take photographs in complete darkness with little or no visible light coming from the flash.
Pic related is one of the first photos I took with the IR setup. I was still learning the ropes of how to go about it. It is very hard taking pictures out in the woods in the dark when you can’t see the ground or your camera.
Although infrared flash night photography is a rewarding and interesting area to work in, it can be dangerous. At 2 in the morning there is always the threat of an attack or robbery. There is also the danger of going up to strangers and sticking your cam in their face. If you wish to try this type of photography I suggest you do so with self-defense in mind.
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>>2901522
H to the tenth poower
>>2901545
you're amazing, anon
>>2901780
right back atcha
Before I shot the 2 guys ‘tag teaming the gal’, I was almost run over by a drunk at 1 in the morning. I was able to jump out of the way at the last moment…just. Being of an ADD nature and always distracted, I was very, very lucky that night.
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Shooting infrared flash in the darkness of night is not studio photography, most of the time it is a crapshoot. If your an anal photog and like your shots perfect…forget IR flash work. Just stick with your tripod, cable release, beauty dishes and tethered laptop. You never know exactly what you have until you develop it…just like the old ‘wet darkroom’ days.
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>>2901953
What the hell was going on that night?
Many times you can’t see the subject in your camera for proper framing nor can you even see the controls of your camera. Unless you can see in the dark, you have to be all set ahead of time. The focus may be off, exposure is off, lots of issues shooting in the dark. But when things work out and you get a great shot it makes it all worthwhile.
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>>2901955
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>>2901966
AH, MC. Gotcha.
>>2901522
Nope, HH his second cousin
Adult themed horror house – women examining their clitoris in the dark with a flashlight and mirror. Infrared flash…pierced the darkness!
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Lesbian separatists, they didn’t like me shooting there. Infrared flash photograph.
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Infrared flash photo of a transwoman at a bar with friend.
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This photo is by Yoshiyuki…from his project ‘The Park’.
Yoshiyuki’s project centered around taking IR flash photos at 3 parks in Japan (Chuo, Yoyogi, and Aoyama parks) where people would go to have sex (both hetero and homo) and voyeurs would stay in the shadows to watch them. (Sometimes the voyeurs would see how far they could push things and try to sneak into the action!)
>An early blackout infrared flash photo from 1945 of Kodak’s Aero Pan film spooling operation. A single GE 22R infrared flashbulb was suspended above each operator for illumination. Photographed with a 4 x 5 camera with infrared film.
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>BLACKOUT PHOTOGRAPHY
>This document was taken from Photography: Naval Training Course, Vol. 1, NAVPERS 10371-A, prepared by Bureau of Navy Personnel, 1951.
>A flash lamp pierces darkness about the way a 16- inch gun salvo rends silence. The ordinary flash lamp, that is. There’s one which is decidedly “un ordinary.”nA photographer takes a flash picture in pitch darkness. Only a few feet away there is not the slightest hint of it. But what about the flash? There wasn’t any. A flash picture with no flash? Well, for all practical purposes-yes.
>Actually there was a flash. But it was made up almost entirely of infrared light, which is invisible. Yet the lamp illuminated the subject quite enough for a clear picture. This is infrared flash photography or “blackout” photography. The special flash bulb is coated with a Lacquer which transmits a maximum of infrared rays while holding back nearly all the visible rays.
>It must be used only with infrared film and in total or nearly total darkness. Slow shutter speed (1/25 to 1/50) and wide lens opening (f/4 to f/8) are required. The phenomenon of blackout photography will work only at very short distances-usually 10 to 15 feet. But at close quarters it will produce a surprisingly satisfactory photographic record.
>This procedure might have numerous military uses. An example would be in taking a vital picture when a brilliant glare of white light would tip off your presence to the enemy. There are also less ominous circumstances which would make the use of the conventional flash impractical or impossible.
https://people.rit.edu/andpph/text-infrared-basics.html
http://www.graflex.org/flash/navy/
Even though he is looking right at me, this photo is a candid. Being able to go right up to an person in the dark and shoot them without blinding them with a strobe is very liberating.
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I was at a meeting put on by lesbian separatists. Here is a little doctrine of the separatists in case your not familiar with that movement…
http://www.ccs.neu.edu/home/shivers/rants/scum.html
>One of the lesbians didn’t like me taking pictures and started pushing me around and was very abusive. As I left, a group of 5 or 6 lesbians surrounded me. They demanded I delete my photos. As soon as they confronted me I had my magnum can of pepper spray in hand with my other hand fingering a collapsible baton. I refused to delete any of my photos and ended the conversation in short order.
>I find it does no good to keep arguing in these situations. The only thing that happens is tempers will start to boil. As I walked away they continued following me while verbally harassing me. Luckily for them they were all mouth. If things escalated I was ready to serve up some Tabasco and crack some heads.
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i'm glad i will never meet any of these retards
>>2901777
Tutorial
>When picking your infrared flash you should choose the wavelength that is most conducive to the type of shooting you want to do. Some IR flashes do produce a little visible light that the subject will see if they are looking at it. If you are working with normal street lighting it is not a big deal. They most likely wont see much of the flash.
>With my style of shooting I work in almost complete darkness and right up in people’s faces, so I try to go with no visible light. When you are shopping for your IR flash, pay attention to the sound it makes when firing and recycling. Every flash has its own sound signature and some are a lot louder than others.
>If you're shooing in a noisy environment then it wont matter much. But if things are quiet and you stick your cam in someone’s face, you don’t want a noisy flash blowing a stealth shot.
>Some of these IR flashes have so many lights on them they are lit up like a goddamn Xmas tree. Red, green, blue lights…a nightmare for the stealth undercover photog. But, that is how the camera fondling engineers design this crap. They don’t know their ass from Randy’s proverbial donut hole when it comes to candid work…do they.
>If youre stuck with an IR flash that has lots of flashing colored lights working against you, cover them up with gaffers tape and pinprick holes in the tape to allow a little of the light to shine through the tape.
>Out of all things mentioned above, recycle time is of the utmost importance. One of my IR flashes had it all going except for one thing…a slow recycle time. I missed many shots with that flash. I seldom use it now, except if I need a disposable flash that I don’t mind being trashed.
continued...
>>2902281
>cont.
Don’t ever say no one breasts-feeds you the scoop. I give it all to you, I hold back nothing.
But, you will never get this stuff on the photo forums…I’ve been banned from virtually all of em. The controlling pricks that run the forums are interested in $. I’m interested in the iconic photo…plain and simple. Get it any way you can!
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>‘bug eyed’ shots.
If you keep your eyes open you can find them naturally occurring once in a while. If you are in a hurry for the bug eyed person, then you may have to resort to scaring people.
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When out and about I sometimes get bored waiting to find the next great shot. I have a number of projects that I just shoot ‘off the cuff.’ Weegee used to like shooting pix of people picking their nose. One of my boredom projects is shooting people while yawning…candid. It is good practice for fast shooting…a yawn does not last very long.
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>>2902270
Please stop with the copypasta from here:
https://danielteolijr.wordpress.com/category/piercing-darkness/
You're not really a 62 year old man are you anon.
>>2902293
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>>2902297
Perhaps you are then.
>>2902302
Meh, the old guy is hardcore.
>>2902281
Thank you
>>2900294
This is a cool series desu
>>2902263
Why is this so wide?