"You're too old, let go, no one still listens to techno" Was Eminem right? Do you still listen to Moby?
>>74766533
Yes I do, and never Eminem because he's a retard and memerap is shit.
>techno created in detroit
>em from detroit
Make u thank
>>74766553
Yet Moby is 90% downtempo music.
Typical Amerifat raptard to not know the difference.
>>74766581
Early moby was techno though
Moby's early-to-mid 90s shit is pretty good. At times even very good.
>>74766533
Yes, I still listen to Moby! Play is a unfairly maligned album. Too bad the British try to write all American artists out of the history of electronic music.
>>74766581
>He doesn't know Moby for Go
Dumbass Brit. Your artists' attempts to create a homegrown counterpart to Detroit Techno were all failures. Acid House, Bleep Techno, Breakbeat Hardcore, the Artificial Intelligence series... it was all dogshit. The only worthwhile contribution a European ever made to dance music was the discover that ecstasy works well with this new music coming from young African-American producers.
>Speaking on Thump’s recent Rave Curious podcast, Moby recalls a 1993 tour with Aphex Twin, Orbital and Vapourspace. He says James told a journalist at the time that he “couldn’t understand” why Moby was booked for the same tour, reportedly dismissing the US artist as “just a buffoon.”
>Moby then tells podcast presenter Joshua Glazer that he thought it “was a shame” because he had liked Aphex Twin’s records at the beginning, but that it has been “hard to continue to like someone’s music when you know they hold you in contempt.”
>Moby had addressed the Aphex beef in his Porcelain memoir, which was published in June. “I wanted to like Aphex Twin,” Moby noted in the book, as pointed out by Rolling Stone, “because I loved his records. But he rarely spoke to anyone, and when he gave interviews he criticized me for playing guitar on stage.”
>He added: “He called me an elitist in the press, when actually I just had crippling tour-bus-inspired insomnia.”
>Elsewhere in the Rave Curious podcast, Moby reveals that he always felt like Warp Records had “a degree of contempt” for him, possibly because he couldn’t compete with the “cool” bar as set by other Warp acts like Black Dog and L.F.O. Moby’s 1991 single ‘Go’ was licensed through Outer Rhythm, who was affiliated with Warp.
>>74766772
>american dance music
https://www.youtube.com/watch?v=JJXf-rn-iKc
>>74766815
>cherrypicking this hard
>>74766533
I throw on porcelain when I'm trying to feel. That song is "camping in maine with my family at 10 years old" and usually gets things stirring inside me
>>74766902
It is the perfect night road-trip/camping music. My dad used to play Moby, Santana, and Radiohead when we went /out/, and I still feel that comfy nostalgia of spending time with him when I listen to them