lets be honest this is the only redeeming good album out of the

>>74345697
One time, around the time of this release, i was out for a fancy dinner with family.
Get up to have a smoke, but decide to explore the restaurant.
Wander downstairs and open a door: it’s an art gallery and [album cover] is hanging on the wall but it’s like 3’x3’ or maybe bigger.
*Oops wrong door!*
This was like 3 minutes of my life from a while ago and my memory is foggy
Anyone know where i was?

>>74345697
LOL that isn't even Emergency and I. but you are right about one thing: p4k's usual albums they dickride with their reviews are usually absolutely terrible, especially the shitty hip hop they like. You can just smell the white guilt ridden, late 20s hipsters trying to be relevant by being "progressive" by featuring black artists.
And the smell is pretty fukken terrible lol

>>74345697
Tbh checked this album out due to reading about it's seminal role in getting Grimes to start making music, and... really wasn't all that impressed (can't for the life of me even remember how any of the songs went.) It's been a while, though, so I guess I'm about due for a re-listen to see if anything about my opinion changes.

File: 1500936331142.jpg (77KB, 640x636px) Image search: [Google]

77KB, 640x636px

>>74345697
you clealy have no idea about the development of 2000s music
arcade fire were absolutely pivotal, without them half of the music released today would be compeltely different, and not only the indie scene.
even scaruffi said somewhere that their debut is one of the most original albums of the 00s.

Eucalyptus is better

>>74347177
you say that but sticks and stones may break my bones but words will never hurt meeeeeee

>>74347342
>even scaruffi said
stopped caring about your opinion after that.

File: 5b6b476a764543c98772690fccab1090.jpg (141KB, 770x1027px) Image search: [Google]

141KB, 770x1027px

>>74347443
it doesn't change the truth :-)

>Montreal's Arcade Fire (2), fronted by vocalist and guitarist Win Butler and featuring keyboardists Regine Chassagne and Richard Parry, crafted the magniloquent pop ballads of Funeral (2004), one of the most creative achievements of the decade, and of Neon Bible (2007). Overflowing with references to the classics, their songs elegantly blended elements of folk, blues, glam-rock, new wave and classical music.

>>74347466
using that logic. he gave person pitch a 7.5 just like funeral
whats your point again?