ITT: the best moment on an album >the bridge of The City

>"...something a-bout a party and he didn't go"

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>The moment of tranquility before chaos starts again on Dream House

>>70713995
The climax of You Are Invited is one of my favorite moments in music though.

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>We're special in other ways
>Ways our mothers appreciate

>>70713995
Too many to decide

>WHAT DO YOU WANT ME TO SAY? WHADDA YA WANT ME TO DOOOO?

>There's a feeling coming back
>Connected by a thread
>It's pulling at your hands like a spider web
>Like a kite that isn't there
>*distorted guitars come in*

>The parks lay empty like my unmade bed
>The streets are silent like my lifeless telephone
>And this is where I live, but
>I’ve never felt less at home

>That explosion in the middle of You Are Invited

>The bridge on memory machine

>The chorus on memory machine

But it probably is the bridge on The City, you're right OP

>>70714094
I think I remember you saying that in another thread

>>70713995
>you'll always be my hero
>even if I never see you again

Shit, got shivers from just typing that

>>70714144
that stupid sound, that awful feel
Don't bring them down, and it never will
no it never will,
no it never will

NO IT NEVER WILL
(then the guitar at 2:10 is fucking incredible)

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I've got two for this one

>The start of the drum beat on Poor Places (roughly 1:48)
>DISPOSABLE DIXIE CUP DRINKIN, I ASSASSIN DOWN THE AVENUE

this whole song

https://www.youtube.com/watch?v=aoUnGJyj1fQ

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>>70714094

>7:54 onward on the Pecan Tree

>>70714144

I WANT TO BE PERFECT FROM NOW OOOOOOOOOOOOONNNN

>>70713995

Any part of A Life of Possibilities that uses that weird bass rifting

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and the eight k thuds it does

>>70714403
>no mention of jesus, etc

>>70714493

>not mentioning your favorite moment of jesus, etc

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that moment on mt saint michel + st michaels mount when the hectic breaks drop out and it's just pure acid synth, bass and this odd panning percussion
also just past that bit when the track calms down and the synth driving the second part of the track starts up in place of the acid leading up to it and the more prominent percussive voice kind of peters out and the quiet, driving breaks come in in its palce
the happy birthday voice mail from Richard's parents
the entirety of Btoum-Roumada
that quieter groovy bit in the middle of Afx237
the album ending on Nanou2