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Something to think about.

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If an entire band was playing out of conventional tuning, but they were still in tune relatively to each other, I think almost no listeners would even notice it.

Would you agree with me?
>>
Let's say, the entire band was playing 1/4 tone down of conventional tuning.

Without having anything to compare it to, i think most listeners won't even notice.
>>
I fucking hate western notes.
>>
Isn't that what AnCo did on Feels?
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Noted
>>
>>69393248
no one would notice except for maybe other musicians
>>
Depends on the listeners.
I always used to get a fucking headache from that bob sinclair song "feeeeel the love generation"
I swear his voice was flat and I have never actually checked this but... did anyone else notice? Also that female cover of Fuck it by Eamon ... so flat and literally hurt to listen to.
>>
What's your point in this case?
>>
>>69393248
I guarantee 99,9% of the listeners wouldn't notice it. It would take someone with perfect pitch or a very trained ear to notice a quarter difference in pitch.
>>
i wrote a bunch of songs using non-traditional frequencies, and intervals. nobody every really mentioned anything about it, but some of the chords i tried came out pretty ugly, so i think people just didn't care.
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>>69394082
If the strings were in relative tune to each other, your chords would just sound normal.

The non-traditional intervals you tried probably created the dissonance.

Quarter tone intervals can give a very unsettling mood though:
https://www.youtube.com/watch?v=wMmXRpcztIY
Thread posts: 11
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