I just saw Roger Hodgson and he was great. This made me wonder what /mu/ thinks of Supertramp. I think pic related should be /mu/core, but I don't ever see it discussed here.
https://youtu.be/HAjYoe63MSA
GOAT
TAKE A LOOK AT MY GIRLFRIEND
Crime of the century is a fucking amazing album. Even in the quietest moments is also very good because of the title track and B side. Dont think ive ever seen /mu/ hate on Supertramp before. Good taste senpai
>>69212268
You're forgetting Fool's Overture in your top tracks off Even in the Quietest Moments!
>>69212268
>>69212301
I just realized Fool's Overture is on the B side my bad.
They're pretty fucking cool.
I'd like to think everyone just accepts that Supertramp is good and that's why they don't get discussed - it's just "Are they good?" and "Yep."
>>69212316
Could never forget about fools overture my man, sorry for not making it clear enough in my original post. Youre absolutely right it is the best track.
I listened to Breakfast in America for the first time yesterday, pretty fun album. Haven't heard that one yet.
>>69213227
Breakfast in America is great, but Crime of the Century is better. If you enjoyed Breakfast in America you should definitely listen to Crime of the Century.
I got to meet Roger a few years ago, great guy, I still can't believe how good is voice is over forty years later
Crime of the Century [A&M, 1974]
The claim that this is the rock and roll of the future depresses me in spite of the amalgamation being a (moderately) smart one, and "Bloody Well Right" does display a gift for the killer hook. Now if only the song weren't an impassioned plea for complacency. Maybe if we close our eyes and ignore them, they'll go away. B-
Even in the Quietest Moments . . . [A&M, 1977]
Most "progressive" rock is pretentious background schlock that's all too hard to ignore. This is modest background schlock that sounds good when it slips into the ear. I guess we should thank "Babaji," whichever one he is. C+
Breakfast In America [A&M, 1979]
I enjoy a hooky album as much as the next person, so when this elicited vague grunts of pleasure, I looked forward to listening in depth. But the lyrics turned out to be glib variations on the usual "Star Romances" trash, and in the absence of a vocal personality (as opposed to accurate singing) or rhythmic thrust (as opposed to a beat), I'll wait for this material to be covered by artists of substance, say Tavaris or the Doobie Brothers. C+
>>69215111
It's not like they ever did anything vocally demanding anyway. I mean, these guys aren't Bruce Dickinson.