When I got into cinema there were several first-year undergraduate textbooks that went through the basics. They didn't require the reader to view any films, nor did they interpret any films, nor did they talk about critical theories of film, they merely went through each of the basic building blocks of film - photography, mise en scene, movement, editing, sound, acting, dramatisation, story - explaining what they were at a fundamental level, their elements (e.g. for mise en scene: the frame, composition, space, proxemics, forms), and how they may be used. They illustrated these examples with stills from films.
Is there some textbook equivalent for literature, that breaks it down for a complete pleb?
All I've found thus far is unsatisfactory; either it's a compilation of different critical theories, or it's a grammar textbook, or it's a quirky "how to read a book :^) (btw read these ones)" book.
my diary desu
>>9280680
literary theory is a retarded pseudo-science and a waste of time. Reading classic books, writing, and then comparing the books to your writing is the best way to get a true understanding of literature.
>>9280680
Poetics by Aristotle
>>9280691
>writing
>>9280680
Why do you want such a book, OP? Are you an aspiring writer?
>>9280680
I can't help you but can you help me and tell me the title of the book you're talking about?
>>9280691
Normally 'pseudo-science' refers to things that claim to be a science.
>>9280830
No, I'm an aspiring reader.
I don't have a vocabulary for describing literature, and I don't know how to compare literature. I don't even know what I'm supposed to compare (sentence construction? dialogue? what?) between written works to come to a conclusion about what I feel is better.
In film for example, fundamentally the same scenes and stories recur again and again in different films, because there's only so many scenes and stories. So to use scenes for example, what is judged is how the scene is directed, what decisions the director made, and to do that you have to consider the different elements previously mentioned, holistically, and of course your own tastes, to reach a conclusion about what is good and what is not.
https://www.youtube.com/watch?v=WGFer3-Aguw
https://www.youtube.com/watch?v=Fa4LaL_C6G4
Obviously though, a film is more than the sum of its parts.
Anyway, I don't see why literature would be any different.
>>9280871
I used 'Louis Giannetti - Understanding Movies' for my example text but there's plenty of others.
>>9280830
H. Porter Abbott's " Intro to Narrative Theory" (I think that's the title)
Harold Bloom's books.
There's really a whole heap. The thing that's different about literature to film, is that it's very very old. Literature is so well established that very few people write introductory textbooks, because literature has been talked about for centuries, millennia, from Aristotle to now.
There are fewer "basics" books available, because most people begin learning how to read in school, and literature becomes a matter of adding a couple extra reading skills along the way. Film is different, because most people don't learn anything formal about it until they study it as a specialised course.
"The Oxford Dictionary of Literary Terms" is a good place for learning about the parts and nominations of literature.
>>9280680
Try Terry Eagleton's How to Read Literature?
>>9280680
could you name a few of the books on cinema you would recommend to a complete pleb?
>>9280680
These are going to be less common because literature is harder to get into. People are already familiar with movies more than books. Also, movies function with visual cues that people use in real life. There is no real analog to books besides books. You could say speech, but speech isn't understood with the eyes.
Pudovkin and Eisenstien
>>9280924
the first scene is better by far
a third of the length, less blatant, and more evocative