I am reading Either/Or and 100 pages in he is just talking about

Mozart is pretty sweet.

>>9060084
Idiot

>>9060084
Go watch any production of Don Giovanni on YouTube and you'll understand why Kierkegaard had such a hard on for Mozart.

Mozart started with the Greeks

https://www.youtube.com/watch?v=WoLuDhuHZ_Q

>>9061157
>Lucius Sylla
>Greek

>>9061001
The Magic Flute >>> Don Giovanni

File: Flow_My_Tears_John_Frum_Said_-_Painting_by_Leigh_Cooney.jpg (3MB, 1842x2338px) Image search: [Google]

3MB, 1842x2338px

>>9060097
>>9061001
>>9061157
I realize that Mozart is good. I like him too. However, I am trying to figure out why he is talking about his like for Mozart in the beginning of Either/Or. I am assuming it is somehow tied to Aesthetics, but what Kierkegaard is actually trying to say about it I am not sure.

>tfw you realize composers are pretty much dramatists that write in a universal language that only few understand

>>9061571
What a strange paradox

>>9061571
>universal language that only few understand

You can fuck right off, mate.

>>9061454
Dude how can you miss it?
Have fun understanding fear and trembling.

>>9061582
Aussie subhumans can't understand music.

>>9060084
>he's never listened to Mozart
top pleb

>>9061172
>>Lucius Sylla
>>Greek
It doesnt make my statement false, though my example unspecific, but usually the two are 'lumped together in some sense for some reason', if one learns about some of one, they usually learn about some of the other.

>>9061454
Recall that this part of the book is author A, not KKg proper.

I read it as an ironic criticism of the depth people go for artistic appreciation. I mean 100 pages of how great mozart is? cmooooon