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>To work on the concept for this film, I and Director bro

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Thread replies: 61
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>To work on the concept for this film, I and Director brought in various images and ideas, such as collections of paintings and photographs. For example, we focused on concrete names like Giorgio Morandi and Vilhelm Hammershoi, if we’re taking about painters, to get some musical inspirations to build up the concept.
>Yes. In the composition process, I have converted so many artistic factors into sounds, including the shadow from Morandi’s still life and the way Hammershoi captured the light. In other words, I replaced the visible physical phenomena that could be a smudge of the shadow or a blurry focus of a lens with another kind of physical phenomena called sounds. For instance, we see an effect called light falloff on edges of lenses according to the Binet’s formula based on ‘Cosine Fourth’ Law (vignetting). I thoroughly looked into this to see what happens if I apply this effect to music. I took this kind of approach at the early stage of concept building and shared it with Director.
>Amazingly, she (Yamada) understood the importance of concept building and ideational thinking more than I expected. I have worked with so many artists in the past, but I can’t think of anyone else but her that I can share my thoughts. She seems genius with a feminine perception, doesn’t she? When I watched her previous film Tamako Love Story, I was simply shocked how Director described the characters in their complicated youth. It made me impressed that she illustrated the body movements out of uncontrollable feelings, facial expressions and behaviors so easily. However, I realized that the way she delivers her film is not based on her gender nor genius talent. She made it happen through repetition of careful consideration and replacements based on a certain concept.

http://manga.tokyo/interview/koe-no-katachi-interview-with-kensuke-ushio/
>>
> I was actually more surprised than happy, because we had so much in common as artists and no problems to communicate with each other. Even at the very first meeting, we had good talks through what we like and what has influenced us, not just about music and films, but paintings, sculpture, dances, photographs and architecture by naming specific nouns.
Cute.
>>
I honestly don't see what's so great about muh character acting in Koe no Katachi. Why are some retards suddenly being impressed by Yamada's character acting when Ghibli or prime Madhouse and IG stuff shit all over anything she's ever made?
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>>157975598
What's impressive about those works when prime Disney exists?
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>>157975588
They should get married.
>>
>>157974974
This movie is booty juice, somebody go get gordon.
>>
>>157975858
What's impressive about Disney when live Theater exists.
>>
>>157980362
what's impressive about live theater when reality exists
>>
>>157980423
Reality is a shit
>>
>>157974974
This amount of elitist artistic shilling is impressive.
>>
>>157980743
I know right.
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>>157980710
True.
>>
Whoever at Kyoani decided to use that song for the opening deserves a medal.

Such a fitting song.
>>
Also, this interview says that they're interested in working together again.
Can't wait.
>>
>>157974974
That explains why it's shit.
>>
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>>157974974
Koe no Katachi is true kinography
>>
>>157985480
For healthy fags maybe.
>>
>>157974974
Part of that is not true or oversight by whoever wrote that. Yamada's talent isn't gendered, but her ability to portray women and girls so well is because of it. She expresses women the way women see themselves and expresses men/boys the way women see them. This isn't necessarily a bad thing because she is so vivid in her portrayal of both genders it draws the viewer in, male or female, into that way of thinking about the world.

Her work immerses either gender into the way women view the world or more specifically how Yamada views it. That said - it's a perspective and subjective.
>>
>>157986183
>men/boys the way women see them
Explains why she can't write them worth shit.
>>
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>>157986223
She learned from the master.
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>>157984912
My Generation? It was Yamada's idea. Praise Yamada.
>>
https://twitter.com/shinkaimakoto/status/870484765358514176
>>
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Just watched this again after seeing it in the theatres two months ago. I liked it even more. Truly a masterpiece. Kyoani should really just stick to making movies.
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>>157987975
H...He's just pretending.
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>>157987892
God bless.


>>157987979
>Wanting to cry bitch tears even more, Even though it's amazing I couldn't watch this again, The first 20 minutes is fucking heartbreaking.
>>
Ueno best girl.
>>
as always the manga was better
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>>157988030

It's just more drawn out.
>>
>>157988030
They are very different
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>>157988030
the manga was mediocre, much like the movie.
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>>157974974
Why is literally everyone other than the MC and his love interest such a fucking asshole?
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>>157988008
I couldn't cry like a little bitch in the cinemas because I didn't want to look like one. Watching it alone in my room gave me the emotional attachment I couldn't create in public. Much better experience.
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>>157987892
>>
>>157988066
mothers and grandmother weren't
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>>157986317
Bottom is literally just one frame. Shoulda used the fuccboi from PW instead, his scenes are more extended like yuuta is.
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>>157988089

Girl's mom was a cunt.
>>
>>157988043
Literally or figuratively?
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>>157988117
she just wanted to protect her daughter
her husband was just weird tho i mean your daughter is just deaf it's not like she has down's of something fucking japs
>>
>>157987975
Shinkai has great taste. Can't wait to enjoy his film too.
>>
>>157988117
Technically she suffered the most. They just don't show it in the movie.
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>>157988066
Dont you remember
Teenagers are assholes
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>>157988151
She was an asshole. She ripped out Shouya's mom's earring in a fit of anger causing some serious trauma to a kid and took part in a fight with Ueno instead of being a rational adult.
>>
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>>157988112
>>
>>157986183
I wouldn't say so
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>>157988066
Yuzu, Nagatsuka and the mothers weren't.

>>157988089
If I were in her place it would take time to forgive my daughter's bully, and the fact that she forgave him shows that she wasn't that bad. Even though what she did to Ishida's mother was inexcusable.
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>>157988280
The cutest
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>>157988001
Working towards mastery in an art with technical aspects requires you to develope your understanding and your eye massively. The result is that works which look similar to a layman look wildly different to you; it becomes hard to appreciate the average works because all you can see are flaws and mistakes, but in return you gain far more appreciation for works that demonstrate deep understanding of the fundamentals and real personal style on top.

If Shinkai likes it at all, he probably likes it 3 times as much as anyone on /a/.
>>
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>>157974974
https://www.youtube.com/watch?v=Zp9nCw96uWA

Good OP desu desu
>>
This basically confirms that Yamada>>>>Yuasa
Not only is she more talented, she's also more successful and cuter.
>>
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>>157991413
>Yuasa
>Not cuter
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>>157991413
>talented
talent doesn't exist. she has skills, and she worked hard for them.
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>>157991574
Old and busted
>>157991616
>talent doesn't exist
Horrible meme. Only brainlets believe this.
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>>157988120
ayy
>>
>I still haven't seen Tamako Love Story, Keion Movie, or Koe no Floptachi

I like KyoAni but I'm not really a movie guy. Sitting for 2+ hours is too much for me.
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>>157974974
Too bad it was edited by a fucking moron
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>>157994693
low test low taste
that's you
>>
>>157991413
>Kyoanus are this delusional
She's not even better than Shinkai.
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>>157994774
You sure? Maybe you're projecting, you have all the signs.
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>>157988505
It might be Dunning-Kruger effect but since I started studying and paying attention for real I find more and more interesting things in average and worse works. I mean, obviously not in all of them, but still.
>>
>>157994901
I'm sure as heck not projecting guy
>>
>>157994839
Cool delusion.
Thread posts: 61
Thread images: 10


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