Trying to include the sculpture to externalize conflict and depth to communicate the depth. Ideas are too obvious in my opinion but from a film school perspective its probably good if you can give a good justification.
Some of the best cinematography I have ever seen tbqh
what the fuck was with the director directly ripping off like three different and much better movies
the beginning of the lobby scene from the Matrix
the climax of Tokyo Drifter
one other that i forgot because even though i finished this movie like twenty minutes ago i can barely remember what happened in it
i was really surprised how much this worked.
it is centre frame tho so I guess that is why
This is why only Europe can produce real cinema
THE FINAL SCENE WITH THE TWIN HITMANS WHEN HIS CLONE JUST POPS OUT OF THE ELEVATOR WITH ZERO PLOT ESTABLISHMENT WAS THE MOST HAMFISTED INEXPLICABLE SHIT I'VE SEEN IN FOREVER
JUST AN ABSOLUTE 0/10 B-MOVIE
DIRECT TO DVD STEVEN SEAGAL TIER