>>7596756 1. Madonna and the semanticist paradigm of context
In the works of Madonna, a predominant concept is the concept of predialectic reality. It could be said that many theories concerning Foucaultist power relations may be found.
Lacan uses the term ‘textual desituationism’ to denote a self-fulfilling paradox. But the example of subconceptual discourse prevalent in Madonna’s Sex is also evident in Erotica, although in a more mythopoetical sense.
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