>>2392068 never knew i sucked that bad, road in the middle, train going by(at least how a train in my country looks like) clouds in the sky, and 1 of the cars is opened so i could show people inside of it, meant to show how every1 on a train is alone even though they are so crammed together
Even so, we should be able to see some depth. Pardon the fucking terrible edit, but hopefully you kinda get the idea. All the teal rectangles should be the visible side planes of each car. Each car is just a 3D box.
Dark blue lines are just using the road to find the horizon and vanishing point. Yellow lines set the train on a ground plane to give it some depth. Red lines go from the vanishing point to the closest corner of each car (and top corner, but for simplicity's sake I'll just align that with the horizon and call it close enough). Teal lines indicate the side planes of each car that should be visible in perspective (some of them will be overlapped by the surrounding cars). These are found at the intersections of red and yellow lines, with straight verticals to complete them.
This is just an example, obviously I've made them way too thick, but I just want the lines to be clear.
This is a pretty shitty edit like I said and doesn't at all represent what lines actually should have been put down, just the theory behind them. But if it's making no sense whatsoever, time to pick up a perspective book and bone up on it.
>>2392665 Kinda like that the clouds don't quite look like clouds, but I think you could do something more interesting with the train. Looks really flat as is. Could incorporate the technique used above to somehow make the train look like it's moving fast er sumthin
idk if they look like clouds, but they look fucking cool. Did you use a reference for this at all? Doing something so stylised, it'd definitely help to get a solid photo reference of clouds (or anything you'd like, really) and then copy that while translating it into this style, to give you a feel for the form of a real cloud and what each line you're putting down represents. Like, get as close to accurate as possible. Not necessarily in finished pieces, but on the side as studies to really develop this kind of stylisation and take out any guess work.
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