Archived threads in /tv/ - Television & Film - 931. page

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Here at last, on the shores of the sea... comes the end of our Fellowship.

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>tfw a gay man is responsible for directing the only actual good episode of season 7 of GoT
APOLOGIZE

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Hobe

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>leave, all of you
>not you

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http://screenrant.com/batman-v-superman-future-hope-america/
>When America is embroiled in the same conflicts as Batman V Superman, it's time to see how DC's heroes built a better tomorrow.
>If Superman represents the misunderstood, ostracized immigrant on one side, and Batman represents the extremist who has sacrificed ideals for security on the other, the solution lies squarely between them. It’s a solution in the form of Senator Finch’s governmental hearings, described in the film as an attempt not to brand Superman as ‘right’ or ‘wrong,’ but start a conversation with Superman, and thereby come to some kind of understanding about his future role. In other words, as Finch believes, exercise the true nature of democracy.
>We must ask: did Batman V Superman release a year too early for critics and America at large? The story may pit Batman and Superman as enemies, standing at opposite ends of the moral, criminal, and personality scales. But their differences only make it more meaningful when they’re set aside entirely, to start ensuring that the future is one they can both safeguard.
>The case Snyder and DC heroes make for the pursuit of peace is so simple, even an idiot could do it. But the first step may be the hardest. Grudges, prejudice, and hate must be set aside – so that the ones responsible for stoking those fires of division can be found, and addressed.
>The fact that Bruce Wayne can recognize his failure, his weakness, and his surrender to the
“powerlessness that turns good men cruel” is a message of hope, and frankly, uncommon optimism. At its heart, it’s espousing the belief that people who exercise hate, anger, prejudice, and radical philosophies are not inherently evil – they’re simply misled.

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>my lord, the Undead are coming
>WE NEED DRAGONGLASS, ONLY DRAGONGLASS WORKS, I'LL RISK MY LIFE AND KINGDOM IN A FOOLISH MISSION TO WIN HER HEART AND GAIN ACCESS TO DRAGONGLASS AND SAVE THE WORLD
>....
>[8 teleports later]
>...
>fire works too my lord
>oh

bravo dabid

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Now that the dust has settled, was it kino lads?

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.

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What is the most realistic depiction of ancient to medieval warfare on film?

Not GoT-tier shit with both sides running at each other screaming but actual tactics and formations being used.

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My DM says that they are not and one player says that they are. I would ask in /tg/ but they know nothing about writing.

So basically the campaign went like this: we discover by accident an old temple, discover that there is a sealed portal with dwindling energy, this portal connects with the abyss, in order to revitalise the magic and keep it shut we embark on a mission of collecting 2 pieces of an old great dragon (there were 3 but we only needed 2), we collected the two pieces, closed the portal, the BBEG tried to stop us and he failed.

My DM says that the pieces were plot devices, the player that they were a Macguffins. So what do you think?

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>is called Eddard
>everyone calls him Ned

ugh???

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This film is about innocence, sex and addiction, right? Veronique is a turbo slut who fucks anybody. She griefs the lost of her innocence. She eventually overcomes her addiction and takes her destiny in her own hands (literally and figuratively).

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POO IN THE LOO: THE MOTION PICTURE