Why do the musicals attract people?
Is it attractive because it shows emotions, depth of characters, the plot etc though the media of songs and dances
Or is it the other way around, that people like musicals mainly for the songs and dances but they need a back story of the songs and dances?
>>79746961
I like the music.
>>79746961
>Why do the musicals attract people?
Women arent people.
It attracts women. Men who pay to watch musicals are either forced to watch them, or gay.
As to why women like musicals is pretty simple. Women live in an emotional wave that never stops and always talked about between women. A musical is a representation of that. Instead of having to read the actor's intentions and bodylanguage, or god forbid following the plot, a musical literally tells you what theyre feeling without having to explain with context of the plot.
Example:
>man leaves someones house
>man drives home without saying a word and looks sad
>after he gets home, his roommate asks whats wrong
>says that he got dumped
as opposed to
>man leaves someones house
>man drives home singing about how he feels that he got dumped
>gets home and sings some more
See what I mean?
>>79746961
They are fun!
https://youtu.be/j7TT4jnnWys
I'd give it a 4/10
The story and plot wasn't too bad but the cgi looked very cheap in scenes (and I mean very cheap such as when the main character was watching the Ring video and the animation for when a ladder fell onto the ground looked like it was made in flash animation. Why they didn't bother with throwing down a real ladder on a white sheet instead of cheap animation I will never know).
I actually am interested in seeing the sequel as I like the idea of how it ended otherwise the pacing to this was off in places and if you are expecting jump scares then forget it because there is only like 2 through the whole thing.
>>79746947
I forgot to add when the girl first appeared out of a TV, it looked like a video game otherwise the close ups for her glitched feet walking on the floor was decent but yeah there was parts where it looked like the cgi wasn't fully finished.
I was annoyed that we didn't see her do pic related's creepy pose.
Pic related wasn't even in the damn movie!
>>79746997
>I was annoyed that we didn't see her do pic related's creepy pose.
sorry I meant yes she did this pose for when she first came out of the tv but only for a second and the rest of her screen time was just standing around.
>>79746947
>Muh cgi
Have sex pinhead
Was googling for wrist cutting history and prevalence, and found this picture. Was she a wrist cutter in the movie? Was it implied? I have a scar like that, and that happens when you burn yourself with the border of the oven door. Happens a lot to cooks.
Why do they insist on making the character designs look so fucking hideous?
>>79746933
I say they got the designs for French people down quite well
t.Bordeux Algerian
>>79746986
>Violence increased on both sides from 1954 to 1956. But in 1957 the Minister of Interior declared a state of emergency in Algeria, and the government granted extraordinary powers to General Massu. The Battle of Algiers, from January to October 1957, remains to this day a textbook example of counter-insurgency operations. General Massu's 10e division parachutiste, (10th Paratroop Division) made widespread use of methods used during the Indochina War (1947–54): they included a systematic use of torture, including against civilians, a block warden system (quadrillage), illegal executions and forced disappearances, in particular through what would later become known as "death flights" (at the time, victims of such methods were known as "Bigeard's shrimps", or "crevettes Bigeard"[citation needed]). All these methods were documented as standard counter-insurgency tactics by Colonel Trinquier in Modern Warfare: A French View of Counterinsurgency (1961), a reference in the areas of "counter-revolutionary war" and of psychological warfare.
T'en veux encore l'Algérien?
Gooserunner 2049
>>79746875
>it's a shame my hands a dirty
>but then again, aren't we all
>>79746875
How can one man be so handsome?
Can't take him seriously in this role, all i hear is his dumb ontario hocky voice
It can't rain all the time.
they can't check the guns for fragments of blanks all the time.
>>79747104
Victims, aren't we all?
PURPLE RAIN
PURPLE RAIN
I honestly can't believe that people were charmed by this in 2011. God is a fairytale for kids.
>let's add dinosaurs although they literally disprove the bible
Smart move Malick you fucking idiot.
Epic bait!
>>79746778
>everything that doesn't agree with me is bait
child
Good thread.
>character turns on TV
>in that exact second the news story in which he was involved is starting
>watches it for 30 sec and gets a quick rundown
>turns the TV off
>walk into other character's office
>switch on their television to find the exact footage you came to talk to them about
cara is cute
>>79746752
QUICK RUNDOWN
If wizards could magic in banquets of food and magic away their excrement, why did the Weasleys live in poverty conditions and wear 2nd hand clothes?
>>79746719
The house elves make the food with their own hands and hard work, they teleport it to the dining hall. Weasleys don't have any elves but well-off families like the Blacks and the Malfoys do. It's basically slavery and it's plot point in the books, they cut it from the films
How can they have any economy at all when everyone is imbued with god-like powers?
I finished reading the book and holy shit.
I knew it was just a silly story and I shouldn't delve to deep into it but for gods sake Rownling's shitty writing doesn't make that job any easier.
Is this kino?
>>79746703
It's actually pretty good. /tv/ of course will think it's some movie about how white people are so evil without realising it's obvious fucking satire.
Fascinating.
Is this movie literally perfect?
LITERAL PURE KINO
>What was it, exactly, that the all-media screening audience at the new movie Get Out was cheering for when the black protagonist killed an entire family of white folks one by one? Get Out isn’t simply a revenge thriller; it’s a state-of-the-divided-nation movie. In this horror-comedy, 26-year-old middle-class black photographer Chris Washington (Daniel Kaluuya) travels with his white girlfriend Rose (Allison Williams) to her family’s idyllic exurban home and discovers a racist cult intent on siphoning black men’s mental and physical energy. Guess Who’s Coming to Dinner meets Rosemary’s Baby meets Meet the Fockers. Hollywood high-concept goes low — and unfulfilled.
>The horror side of the story shows writer-director Jordan Peele (Keegan-Michael Key’s costar on Comedy Central Network’s Key & Peele) imitating the slave-era terror of 12 Years a Slave. Peele’s plot jacks up that film’s existential paranoia, a modern response to the helplessness of enslavement that politically naïve kids now dread as a modern American reality.
>The comedy side churns out trite “post-racial” ironies that have defined political humor for the past eight years (protecting and defending former president Obama) and that now threaten to continue in bizarre guises like this. Rose informs Chris that her parents (Bradley Whitford and Catherine Keener) “would have voted for Obama a third time if they could.” Any audience who laughs at that is either scornful or regretful, so why the applause at the murderous finale?
>Peele wants to have it both ways, as in the TV series Key & Peele, in which the biracial duo capitalized on how Obama’s biracial identity was reformulated as “black.” As if celebrating social enlightenment, they concocted unfunny routines deriding black paranoia and white superstition. Get Out shares that opportunistic misconception. Its slug’s-pace opening (using an inept subjective point-of-view angle) replays the Trayvon Martin incident: A lone black male on a cellphone walks through an unfamiliar suburban community when he’s attacked. The movie never shows us that character again, but the implication is enough to set off obsessive social fears.
>Get Out is an attenuated comedy sketch in which serious concerns are debased. Pushing buttons that alarm blacks yet charm white liberals, Peele manipulates the Trayvon Martin myth the same way Obama himself did when he pandered by saying, “Trayvon Martin could have been my son.” That disingenuous tease is extended in Peele’s casting of Daniel Kaluuya. Son of Ugandan parents, the handsome, round-faced, British-born actor triggers sympathy (he has the young, clean-cut buppie co-ed look that brothers Branford and Wynton Marsalis rocked in the ’80s).
>But Kaluuya’s strongest historical associations must come from Peele’s subconscious: The actor’s dark-skin/bright-teeth image inadvertently recalls the old Sambo archetype. Kaluuya frequently goes from sleepy-eyed stress to bug-eyed fright. Surely Spike Lee would have recognized the resemblance to Stepin Fetchit, Mantan Moreland, and Willie Best, the infamous comics who made their living performing Negro caricatures during Hollywood’s era of segregation. Peele seems too caught up in exploiting modern narcissism to notice old repulsion. Sambo lives matter. Question: Will Kaluuya’s wild-eyed consternation be equated with James Baldwin’s bug-eye perspicacity in I Am Not Your Negro?
Fascinating
What exactly was his endgame?
He was like a vapour exhaled by the earth
>>79746484
TO WIN THE BLOODY WAR
>dude it looks like shit on purpose
effects wise or design?
effects arent as good as hollywood in this shot but some look like a practical effect when they arent
designs are good
So when does this shit come out on disc so I can pirate it without the missing 30 mins
>>79746483
Actually, it's kinda the point
I'm about to subscribe unless /tv/ talks me out of it.
You haven't already?
>>79746444
It's your mom's money. Do whatever you want.
for what show are you subscribing?
What do you think about Ragnar's relationships?
>>79746411
sorry anon but id take aslaug over lagertha any day
>>79746451
fag
>>79746451
FAAAAAAAAAG
>James Franco and Danny McBride
So this film is confirmed for trash already right?
>>79746251
DUDE
>>79746251
Porpentina is the lead tho
My favourite actors, needs Seth Rogen as well. Can't wait to see this