Archived threads in /tv/ - Television & Film - 7668. page

File: shotsfires.jpg (48KB, 620x537px) Image search: [Google]

48KB, 620x537px

>>80390160

>>80390160

>when Disney forgets to pay off the critics

>>80390160
Holy shit. First rottten for a MCU production?

>>80390002
Winona Ryder stole the show, that's how shit it was.

It was bad and you should feel bad.

File: 1702022156-Finn-Wolfhard-Will-Star-In-Remake-Of.jpg (17KB, 600x338px) Image search: [Google]

17KB, 600x338px

>>80390066
Winona Ryder was in this? Huh.

File: IMG_9641.jpg (44KB, 399x385px) Image search: [Google]

44KB, 399x385px

>> looking forward to the 'It' remake

>he got dwayne killed

he's too far gone bros

>>80389797
I've hated Morgan since he stopped being crazy
He's a cuck

File: normal_TWD_715_GP_1025_0176-RT-min.jpg (261KB, 800x533px) Image search: [Google]

261KB, 800x533px

>>80389873
/ourguy/ is coming back.

>>80388870
out of any movie ever written with all quotable lines, quips jokes and phrases i have memorised, this is unironically the one that has the most function and i employ the most often. no one ever knows what the fuck i'm talking about though.

>>80389152
YOU FUCKERS
I'M BACK

I'm sorry I'm calling at such an hour.... but I thought you might be worried..... about the security..... of your shiiiit.

>>80388720
ugly

She knew she was inferior to Knives and Misa

>>80388720
inferiority complex

>>80388687
The flight plan I signed with the agency lists me, me, me, my men, Dr. Pavel here BUT only one of you.

First one to talk gets to stay on my aircraft.

>>80388809
>The The The flight flight flight plan plan plan I I I signed signed signed with with with the the the agency agency agency lists lists lists me, me, me, me, me, me, me, me, me, my men, Dr. Pavel Dr. Pavel Dr. Pavel here here here BUT BUT BUT only only only one one one of of of you you you.
>First first first one one one to to to talk talk talk gets gets gets to to to stay stay stay on on on my my my aircraft airfract aircraft.

File: thats a lot of sheep.jpg (150KB, 350x250px) Image search: [Google]

150KB, 350x250px

>>80388687

youre a lot of guys.

mad about what?

>>80388632
no, i saw the movie you stupid nog

File: 750f8336e7c00e8c166706fd525e47a7.jpg (64KB, 360x270px) Image search: [Google]

64KB, 360x270px

>>80388719

>>80387657
no because hes in a shit show for faggot pretentious plebbits

>>80388155
don't be angry just because you can't understand it.

>>80388521
typical pretentious response.

>>80387462
Especially since he was revealed in the first scene of the episode.
Remember Shonafags? I remember a similar anon telling everyone to screencap and how she was going to be in Series 9. Kek. save dave lol

File: StephanieHyam.png (79KB, 555x438px) Image search: [Google]

79KB, 555x438px

Reminder that Bill has a girlfriend named Heather which one anon disbelieves.

>>80387541
Bill is not from Mondas too

>>80387164
>wahhhh wahhh people enjoy things i don't enjoy

Welcome to /tv/ you're gonna fit right in

>>80387341
Did you know there are people who unironically enjoyed LOST?

REEEEEEEEEEEEEEEEEE

File: 1470292839239.gif (945KB, 500x280px) Image search: [Google]

945KB, 500x280px

>>80387164

File: rooney song to song screenshot.png (198KB, 632x274px) Image search: [Google]

198KB, 632x274px

>>80386365
>Faye is, in fact, a young singer and songwriter, although the shape of her aspirations isn’t entirely clear until midway through the film. She hopes that an entry-level job with a fabulously wealthy music-industry macher named Cook (Michael Fassbender) will be her ticket to success. We watch them go to bed together. “I thought he could help me, if I paid my dues...” she intones.

>Then love intervenes. Faye falls for another musician, BV (Ryan Gosling), and Cook sets about making him a star—a process that takes place almost exclusively offscreen. But she and Cook secretly continue their affair, even as the bonds of ambition and desire bring all three closer together. The triumvirate travels to Mexico, where Faye has an epiphany that her romance with BV is the real thing. No one captures the magic of a world viewed through the lens of infatuation with more golden-lit poignance than Malick’s longtime cinematographer, Emmanuel Lubezki. But the glow fades once Faye and BV settle down together.

>Built on a festering lie (and questionable business deals), none of these relationships can last. As all three characters move on to new lovers and continue chasing fame, money, or debauched oblivion, Malick’s favorite question pops up: can an existence defined by striving and struggle, rather than true love and harmony with the universe, ever bring fulfillment? His cinematic manifesto, 2011’s The Tree of Life, presented the tense, combative “way of nature” and the open, peaceful “way of grace” as two diametrically opposite approaches to life. If you’ve seen that film, Song to Song’s groan-out-loud idyllic ending couldn’t possibly surprise you.

File: Song To Song.jpg (54KB, 640x426px) Image search: [Google]

54KB, 640x426px

>>80386395
>Considering that Malick went to such extremes to fully situate his latest parable within the Austin music scene, it’s strange that he couldn’t be bothered to write Faye and BV’s development as musicians—rather than as pretty, young vehicles for an allegory about the dangers of ambition—into the script. We barely see them perform. If you timed it, you might find that the camera lingers longer on appreciative shots of Mara’s exposed midriff than on scenes of any character entertaining an audience.

>The large cast of real musicians is frustratingly underutilized, too. Lykke Li and a local Austin singer, Dana Falconberry, both have small roles that could just as easily have been filled by non-musicians. Malick’s festival footage is dominated by mosh-pit and backstage shots. Every once in awhile, a recognizable face (Red Hot Chili Peppers, John Lydon, Iggy Pop, Big Freedia) appears to dispense a morsel of ostensibly unscripted wisdom, in a tented outdoor green room or at a party. Of these cameos, only Patti Smith gets substantial screen time. Amid a sea of dire Malickian clichés (“I love the pain. It feels like life”), her reflections on her husband Fred “Sonic” Smith’s death comprise some of the film’s only dialogue that feels genuine and specific. At one point, she says simply, “I thought I would be with him for the rest of my life, but he died,” and it’s enough to make you long for a whole documentary of artists’ reflections on loss.

File: malick portman based.jpg (739KB, 2249x3000px) Image search: [Google]

739KB, 2249x3000px

>>80386421
>Malick fans who also cherish live music will surely go into Song to Song longing to see him channel the almost religious quality of those performances—to watch Lubezki’s ecstatic camera elevate the imperfect music-festival experience so that those sweltering afternoons look as holy on the screen as they do in decade-old memories. Terrence Malick’s great obsession is earthly transcendence. That he would make a movie about music but neglect to capture the way it helps us detach from our everyday preoccupations, and make contact with some force greater than ourselves, just seems like a missed opportunity.

>It’s not entirely fair to take a director to task for failing to make the film you wish he’d made. Malick’s limited knowledge of the recording industry is also hard to overlook. Cook is either a major-label honcho who does all of his own production or an indie boss with access to a private jet. Parties for what is, presumably, the SXSW crowd too closely resemble the poolside celebrity bacchanals of Malick’s previous movie, Knight of Cups. One features a naked woman covered in sushi, a spectacle Lubezki is happy to zoom in on, but not one you’re likely to witness at any Jansport-sponsored industry mixer. It couldn’t be clearer—or more ridiculous—that the director sees Austin and Hollywood as functionally interchangeable.

>What is most insufferable about Song to Song’s depiction of music and the people who make it, though, is that it’s philosophically shoddy to the point of hypocrisy. Malick frames Smith, Iggy, and the other successful artists he spotlights as sages. He soundtracks his obligatory shots of nature’s majesty with gorgeous songs that run the gamut from classical to classic rock. At the same time, he implies that Faye and BV can only lead fulfilling lives once they shift their focus from their careers to each other.

Maybe she's have a miscarriage on the show

>>80385977
you know how in the texas chainsaw massacre when leatherface wears that one guys face as a mask and later that dead guy's living girlfriend sees leatherface wearing her boyfriend's face and it's extra horrific for her to see her loved one's face on a giant monster serial killer's body because of the implication that he's now dead and was brutally murdered and his body was desecrated?

that's how I feel about this new mst3k. it's a monster wearing the face of something I once loved, and it makes it hurt even worse

>>80388488
Great analogy!

>>80385099
The zombies have decomposed bones, so it's easier to punture the skull.

Now post the other pics that you have of a blunt stick.

>>80385212
>The zombies have decomposed bones

The zombies have been dead for a max of like 5 years

>see the episode teaser for next week
>Even more filler

>>80384967
dubz lol ecks dee

Lets talk about these dubs

File: patrick bateman.jpg (26KB, 500x331px) Image search: [Google]

26KB, 500x331px

What did he mean by this?

>>80384587
RETIREMENT COMMUNIDY

Q U A S I M O D O

>>80384587
GARY COOPER

THE STRONG

SILENT

TYPE