I'm saying goodbye to the boards I frequent. I'm setting parental controls for every device I own, and throwing away the password.
Farewell /tv/, I've enjoyed the years of memes and banter. I'm never coming back. Remember that we're all going to make it.
Love you big guys.
>>85245618
see you tomorrow dude
Goodbye. I hope you manage to stay away for good
>>85245618
Jump off the nearest overpass and do a flip.
What are some other movies similar to these?
Road movies? Hiking? that kind of shit.
>>85245592
Two Lane blacktop
>>85245592
https://www.youtube.com/watch?v=yK93wVyV8Ts
>>85245592
The Way staring Martin Sheen was pretty good as a road-trip hiking film.
I actually did the walk they do in the film, it's a pretty fun walk across Spain.
This would have been a better version of Civil War, with wakanda and Iceland, than the version we got in the film
Prove me wrong
complete bastardization of the excellent first game
>lets cut the roster/move list/customization and just throw robots at everything until everyone is bored
>>85246100
To be fair, it does include some good characters that weren't in the first, like Venom, Green Goblin and the Hulk
>>85246247
venom and the hulk were in the first one and you could pick up enemies and swing them around like weapons shit was dope
>ywn be his best friend
seriously fucking sucks. what a guy
Reminder that Die Hard 3 would have never been done today because it portdays a black man as racist
Other than Die Hard what are some other Bruce Willis kinos you would recommend?
>he will never say "Welcome to the party, pal!" as you arrive to his houseparty
What's this pose called?
Virgin stride lmao
>>85535486
its called i killed my father just cause to sharpen my edgyness
The Tilted Mind
Pretty, pretty, pretty, pretty, pretty, pretty good
>>85245241
I see ya! Laughin' and Lying! Scamperin' and Scurryin'!
GET IN THAT ASS LARRY
shes got a tickle in her anus
Did the guy looking for his weird animated movie ever find out what it was?
huh? what?
>>85245417
Sorry. The guy that had this thread last night. I was wondering if he had some closure
>>85203983
>>85245572
It was an interesting topic, it's Just crazy how high the budget was for these movies were, Either from money laundering or Wasted spending; the Salaries were oddly strange and the casting choices had people who were connected financially.
Are there any good films about hirsutism?
>>85245169
I bet she has a nice, musty pussy. Hairy girls always do. Pheromones and shit.
Why am so getting a boner. How old is she ?
>>85245414
How new are you
Jessica Shitstain is a bad actress, and an ugly. She has never been a good movie. These are as close to objective facts as one can get in the realm of film.
>>85535395
i thought she wasMUMMYin take shelter
did somebody say mommy thread
>mommyfluid
I feel like there's a lot to be said about this movie but I am not smart enough to dissect it. For instance, why did they put gay porn in the slideshow at the end? Why was there foreboding music during the whiffleball game?
>>85535284
bump
tim heidecker is a cuck loser trying to stay relevent with shitty netflix sponsored "art" comedy.
it's a big fat meme and you fell for it
>>85537028
the movie came out 5 years ago.
>Winston Churchill’s 1940 “We Shall Fight on the Beaches” speech is paraphrased in Christopher Nolan’s Dunkirk, but after watching nearly two hours of uninspiring mayhem, it rings hollow. Although this is only Nolan’s third movie that is set, at least partly, in his homeland England — it depicts the evacuation of more than 300,000 British Expeditionary troops trapped in Dunkirk, France, at the start of World War II — he seems incapable of conveying a sense of cultural authenticity or patriotic feeling. (For that, see John Boorman’s WWII memoirs Hope & Glory and Queen & Country.) Preening for fanboys in 70mm, Nolan’s vast, clear views of dull-to-horrific killings, plus amped-up artillery sound effects, are no different from what he did in his Dark Knight trilogy. Like Michael Bay’s fantasy Pearl Harbor (1999), Dunkirk uses history as a pretext to show-off the director’s fascination for calamity.
>Nolan divides his story into three anachronistic yet interlocking sections: British commander Kenneth Branagh oversees the massive boat lift; pilot Tom Hardy does aerial combat to keep German planes from strafing the beached armed forces; civilian Mark Rylance joins a flotilla of private boats and picks up downed pilot Cillian Murphy. Given such narrative chaos, the only certainty is that the West is under attack. This makes Dunkirk a freakily contemporary allegory for the ongoing global war no one wants to name. (The film’s opening epigraph refers to “The Enemy” instead of citing a nation, philosophy, or religion.)
>It’s routine to describe battle films as “anti-war,” still, that misnomer doesn’t describe Dunkirk — the apolitical Nolan transforms the “anti-war” genre into his patented “life is cheap” genre. Each sequence that details the brutal tragedy of warfare is punishing yet remote. Men caught in numerous doom-laden catastrophes are presented IMAX-size for no other reason than shock, discomfort, and the awe of action-addicted filmgoers — adolescents who are temperamentally distanced from how those experiences shaped modern Western culture.
>Nolan exploits technology for effect, not to enrich history. Unlike Ang Lee’s very fine Iraq War drama, Billy Lynn’s Long Halftime Walk, which used 3-D to explore the depths of brotherhood and the war’s emotional complexities, Nolan’s movie flaunts empty violence. Duty is depicted as futile, and despite parroting Churchill’s spiritual motivation against darkness, Nolan typically evokes nihilism without any follow-through. Dunkirk feels dispassionate; it caters to pampered Boomers who never fought for or believed in a war or military service. Note the civilian armada approaching their countrymen: Each face is expressionless. Is this because Nolan rejects emotion, or does patriotic fervor embarrass him?
>It’s possible that Nolan, having created an audience of Millennial pessimists, is uninterested in the fellow feeling that Ang Lee made so intimate and that Clint Eastwood’s Sully and Mel Gibson’s Hacksaw Ridge made affecting as well as spectacular. Nolan misuses the big screen the same way Paul Thomas Anderson did in The Master — as a fanboy selling tool but not for aesthetic exploration. Nolan emphasizes large-scale violence then looks past its effect as he always does — as in that inept football-stadium bombing in The Dark Knight Rises. Dunkirk is equally repellent when Nolan toys with anonymous men trapped in the hull of a ship, helplessly watching bullet holes pierce their safety, or when a pilot nearly drowns as his plane sinks into rising waters. These sitting-duck moments are not suspenseful but torturous, whereas the great action directors — Eisenstein, Peckinpah, Lean, De Palma, Spielberg, Kurosawa, Hitchcock, Abel Gance, Walter Hill, Bay at his best — could all depict action to get at a viewer’s understanding of fate. They mastered narrative and existential coherence. Nolan’s visual language is full of gaps; its pretense at Alain Resnais–style time-shifting seems some kind of joke when a director can’t accomplish straightforward storytelling.
>Dunkirk has been made without wartime sympathy. That’s why the Churchill speech comes off as unconvincing and sappy. Nolan’s detached style mocks the populism that relates to average-grunt, working-joe service; it continues the attitude of Nineties indie filmmakers who chose cynicism over sentiment, anti-Western subversion over jingoism.
>>For those with movie memories, hearing the Churchill speech brings back how William Wyler uncannily paraphrased it in his Mrs. Miniver (1942), spoken as part of a sermon in an English church whose ceiling had been blasted open during the Blitz. Wyler visualized hope — contrasting an image of disaster — while the church congregation sang “Onward, Christian Soldiers.” Dunkirk might have matched Wyler’s nobility, but Nolan won’t risk offending our godless film industry.
>trailer
>AND THE WHOLE WORLD IS WATCHING..
>BOOM BOOM BOOM
> IN A WORLD...
>actor comes out of character, talks to camera, back to character
The first 2 episodes of this are pure drug kino
>>85244886
degenerate
etc.
>>85244902
That's the reason why it's so great. You're watching degenerates describe there terrible life and existence. It's great anti-drug promotion.
Only episode I didn't like was the one where he's looking for the "drunken fish" in AIDSland.
Pretty anti-climatic and a waste of time honestly.
What's the movie where a dude in red power armor is fighting some wasteland Jason with a buzzsaw hand? He rips him in half with an umbrella and makes out with some pink haired girl.
Pic unrelated
Powerlad
>>85244843
No, it's Throttle Youth
>>85244843
>>85244885
Reeeeee tell me!
This is the most kino action movie ever made. Prove me wrong.
lets post action movies that are better than John Cuck
Saw the 1st one last week. Does the 2nd one compare? Might watch it
>>85535300
It's a really good movie It just catches flak because it's not as exceptional as the first.