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ITT: /s/p//
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>>3127346
>>
>Any rebroadcast, retransmission, or account of this game, without the express written consent of Major League Baseball, is prohibited.
>>
Muhmegapickels (ID: !!0Z+XAssRGPW)
2017-08-05 12:06:49
Post No.3127464
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Camera-Specific Properties: Equipment Make Canon Camera Model Canon EOS 7D Mark II Camera Software Adobe Photoshop Lightroom 5.7.1 (Windows) Maximum Lens Aperture f/2.8 Image-Specific Properties: Horizontal Resolution 300 dpi Vertical Resolution 300 dpi Image Created 2017:03:01 21:17:56 Exposure Time 1/1600 sec F-Number f/3.5 Exposure Program Manual ISO Speed Rating 6400 Lens Aperture f/3.5 Exposure Bias 0 EV Metering Mode Pattern Flash No Flash, Compulsory Focal Length 200.00 mm Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard
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>Lol all you guys buying expensive camera bodies
>Even more expensive telephoto lenses.
>Heres a pic I took with me Nikon coolpix p900.
>Telephoto lens buyers on suicide watch
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>>3127345
>using images taken on a completely different technology for the lels
nice camera OP, when did nikon update their system?
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it's actually impressive
that picture was captured on a 1.9mp ccd sensor with a 58mm lens
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>>3127350
Most pictures from jupiter and saturn were taken with a worse than a vga resolution cellphone camera.
Anonymous
Infinity Focus Correction Lens Questions 2017-08-05 02:41:43 Post No.3127254
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Infinity Focus Correction Lens Questions
Anonymous
2017-08-05 02:41:43
Post No. 3127254
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I think this is a broad enough category for its own thread on this slow board.
What exactly are these things? What do they do? From what I have gathered so far it seems like they are just low-quality teleconversion lenses used to achieve infinity focus when adapting lenses from one camera mount to another. It is said that without them you will only be able to use the lens as a macro or perhaps portrait lens.
So without this focus correction lens how far can you usually expect to be able to focus? One foot? Three feet? Ten feet?
Can you use a normal teleconverter in place of the focus correction lens to get the same effect but perhaps using superior glass?
Teleconverters are said to reduce the sensitivity of light. How does this work in combination with the crop factor of a camera? If have a lens with an aperture of 1.4 and put it on a camera with a crop factor of 1.3x and use a focus correction lens with a 1.4x factor what is my final effective aperture value? Is it f/2.548? This seems like it would defeat the point in adapting a fast lens if you could have just bought a cheaper native mount f/2 lens for about price as the f/1.4 lens and adapter together. And the effect can be even worse if the aperture is smaller such as f/4, which would then become a f/7.28 lens.
There is the claim that these focus correction lenses ruin image quality when shooting wide open. Is this exaggerated, or is it legit?
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My specific scenario is I have two Konica Hexanon lenses which are said to be very high quality I want to use with my EF mount camera, but the adapters for these lenses use a focus correction lens in them to achieve infinity focus. The lenses are pretty valuable, and I would get maybe $300 if I sold them both. But really I just want to be able to shoot in lower light, and having a f/1.4 lens would really help for that. But if the focus correction lens is reducing sensitivity by one stop or more that seems like it would be better for me to just sell the lenses and use the money to get the native EF mount f/1.4 lens on the used market. But I have read the Hexanon lenses are really sharp so I don't want to do that if I don't have to. I'd probably use this lens mostly for macro or up close photos 90% of the time anyway.
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According to this the light sensitivity won't change even with adapters and crop factors:
http://www.bobatkins.com/photography/tutorials/crop_sensor_cameras_and_lenses.html
>If Gertrude Stein had been a photographer she might have said "f2 is f2 is f2". The maximum aperture of a lens is constant. The f-stop is given by the focal length divided by the aperture size. If you have a lens with a focal length of 100mm and a physical aperture of 50mm, it's an f2 lens and will produce an image with a brightness determined by the fact that it's an f2 lens. Since neither the actual physical focal length nor the actual physical aperture change the when the lens is mounted on a camera, it's always an f2 lens. It doesn't matter if you use it on a full frame camera, an APS-C camera or and 8x10 camera. If it's f2, it's f2. Of course the angle of view that is recorded will be different for different formats and unless the lens was designed for 8x10, if you use it with an 8x10 camera you'll get a tiny image in the middle of a field of black, but the actual image brightness won't change because the lens will always be f2."
Does this sound right?
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The young flower is orange.
Michigan (ID: !5B1.wtYSfM)
Waterfall and Gorge 2017-08-05 01:10:46 Post No.3127206
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Waterfall and Gorge
Michigan (ID: !5B1.wtYSfM)
2017-08-05 01:10:46
Post No. 3127206
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Hey, for those of you who enjoy some regular old waterfall photographs, here's twelve exposures I made during a short trip on a family visit.
The first setting is at the Cucumber Falls, and the next setting is at the Meadow's Run Natural Waterslide. These are both well known and easily accessible sites in Pennsylvania, which have both been photographed thousands upon thousands of times. I figured I would try my hand at it to pass the time.
We'll start with Meadow's Run.
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Meadow's Run is a natural waterslide; the river has carved a smooth path through the rock, which many locals and visitors alike ride for a decent stretch. I didn't capture too much of the slide itself, but you can look up plenty of YouTube videos on it.
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Here is the end of the 'slide', where riders exit Meadow Run before it empties into the Youghiogheny River. This post is also where I also recognize that this river is called 'Meadow Run' and not 'Meadow's Run'. I'll be writing a suicide note after the end of this thread for being so dense.
This particular photograph is a panoramic, the final resolution resting between 160 megapixels cropped and 175 megapixels uncropped. If anyone wants to see it in full-resolution, I have the file available on Dropbox.
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My technique was rather lazy and I apologize for that. I was more intent on enjoying myself. I didn't bring a remote to either of these locations. However, I still enjoyed the photographs in end for what they're worth as tourist snapshots.
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Anyone know how I can identify what this camera is? My friend gave it to me and I want to look up some lenses to get for it
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>this thread again
good job little Tommy
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Sony a6300 you dumb faggot!
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>>3126868
the name is on the camera, dingus. it's a Sony ON OFF
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WHY does film look so much better than digital? What are facts and science behind it?
68 Posts / 15 Images
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good question, OP.
i think its the fact that its a physical medium, like its literally the byproduct of chemical reactions by varying amounts of light and infinitely changing wavelenghts. a single film grain can encode (beyond the meme concept of "resolution") an infinite amount of information, while a pixel has only a fixed, stablished, unitary value. a pixel cant be two values at the same time, but grain encodes in its abstract nature, loads of information. similarly of when a master painter paints a human body lying in the sand with a single dark brush stroke, every nuance of such stroke gives full awareness of the humanity we're witnessing, even when objectively seen, its just a bold brush stroke of painting. single pixels cant do that, and never will.
Anonymous
thoughts on Cinestill 800t 35mm 2017-08-04 07:30:52 Post No.3126750
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thoughts on Cinestill 800t 35mm
Anonymous
2017-08-04 07:30:52
Post No. 3126750
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what is everyone's experiences on using Cinestill 800t at night? i like the looks of neon and bright lights.
16 Posts / 1 Images
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>>3126750
It's shit buy Portra instead and Portra in itself is already a meme
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>>3126797
Fuck off is there anything that isn't a meme?
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Never even heard of it.
Hey /p/
I'm getting into photography. My father noticed my interest and handed down to me a Canon Powershot G2.
I looked it up and its from 2001.... I have cell phone samsung galaxy s7.
Am I wasting my time with the G2? It seems the software nbeed for the g2 isnt offered anymore so the only way to pull the photos off it is to get a usb card reader and even then it only hold 24 photos on the card.. I'm a little disapointed.
TLDR; Whats should I be using the g2 or the galxy s7?
Ill mostly be taking shots at night in the city
Thanks for your time /p/
Sin
27 Posts / 5 Images
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Just use the fucking camera.
If you like it, fine.
If you don't, fine.
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>>3126446
just get an entry level DSLR
you'll get massive improvement from either one from a small investment
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You should probably just get a used DSLR and start there.
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What's wrong with the Canon 17-40 f4 L?
Buying a new lens. I need something 25-35mm on APS-C. I was looking at primes and just about to buy a Canon 28mm f2.8 IS which looked very crisp when I found out that Canon 17-40 f4 Ls are cheap as fuck. Like near as makes no difference the same cost as the 28mm non-L.
I compared the two and at least the samples The Digital Picture has are a wash at the apertures I use most; f4 through f11. I don't care about size and weight, this is for product photos in a studio.
Is there some horrible secret I should know about Canon 17-40mm f4 L? It's preposterously cheap for an L lens. What did I just stumble in to?
31 Posts / 2 Images
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Get it. It's cheap because it's been replaced by faster lenses
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>>3126375
I use it for landscape mostly, it's a cheap L lens that is well built and has only minor drop off on the edges.
Pretty versatile imo
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>>3126375
don't use FF lens on a APS-C body (except tele lenses)
Anonymous
what even IS photography??? 2017-08-03 01:27:11 Post No.3125978
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what even IS photography??? 2017-08-03 01:27:11 Post No.3125978
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what even IS photography???
Anonymous
2017-08-03 01:27:11
Post No. 3125978
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its whatever the fuck you do with the output produced by a camera.
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It's what you make it
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Shooting lightnings is not photography.
It is completely arbitrary and random with limited to no artistic input.
I took these
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>>3125853
wrong file
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>>3125856
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>>3125858
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How do you guys best deal with ISO?
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Shoot at iso 6400, and say you're shooting film
People will love it, the more noise the better
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I am trying not to limit myself to only 800 and up.
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I have conflicting feels. I usually go for low ISO but some great photos I had were from high ISO
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Lomofagged around Barcelona just because I could, not because I should.
B&W is Ilford XP2, colour is Portra 400. Both shot on a Holga 120GCFN. Scans out of the lab and untouched.
Purple stuff is the Lomography purple film on a Minolta X-300, either 50mm or 28mm lens depending on what I fancied. Scans out of the lab and cropped where necessary, but no additional postproc.
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wow much wow
so timing
such homeless
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>>3125096
>dude is passed out for 14 hours
>"good timing"
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>>3125109
Kek
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>>3125096
Did you see his pose reflect the painting of the wall before shitposting?
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Went on a family trip to Dubai, literally took about 5000 pictures over the two weeks and these are the only ones I'm happy with. Do I suck?
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Camera-Specific Properties: Equipment Make NIKON CORPORATION Camera Model NIKON D3300 Camera Software GIMP 2.8.18 Maximum Lens Aperture f/4.9 Sensing Method One-Chip Color Area Color Filter Array Pattern 15198 Focal Length (35mm Equiv) 63 mm Image-Specific Properties: Image Orientation Top, Left-Hand Horizontal Resolution 300 dpi Vertical Resolution 300 dpi Image Created 2017:07:31 01:51:20 Exposure Time 1/2500 sec F-Number f/14.0 Exposure Program Aperture Priority ISO Speed Rating 800 Exposure Bias 1/3 EV Metering Mode Pattern Light Source Unknown Flash No Flash Focal Length 42.00 mm Comment Michael.K Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Auto Scene Capture Type Standard Gain Control Low Gain Up Contrast Normal Saturation Normal Sharpness Normal Subject Distance Range Unknown ISO Speed Used 800 Image Quality FINE White Balance AUTO Focus Mode AF-S Flash Compensation 0.0 EV ISO Speed Requested 800 Flash Bracket Compensation 0.0 EV AE Bracket Compensation 0.0 EV Lens Type Unknown Lens Range 18.0 - 55.0 mm; f/3.5 - f/5.6 Shooting/Bracketing Mode Single Frame/Off Noise Reduction OFF Camera Actuations 4177
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Camera-Specific Properties: Equipment Make NIKON CORPORATION Camera Model NIKON D3300 Camera Software GIMP 2.8.18 Maximum Lens Aperture f/5.7 Sensing Method One-Chip Color Area Color Filter Array Pattern 15198 Focal Length (35mm Equiv) 82 mm Image-Specific Properties: Image Orientation Top, Left-Hand Horizontal Resolution 300 dpi Vertical Resolution 300 dpi Image Created 2017:07:31 01:50:59 Exposure Time 1/1000 sec F-Number f/10.0 Exposure Program Aperture Priority ISO Speed Rating 800 Exposure Bias 1/3 EV Metering Mode Pattern Light Source Unknown Flash No Flash Focal Length 55.00 mm Comment Michael.K Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Auto Scene Capture Type Standard Gain Control Low Gain Up Contrast Normal Saturation Normal Sharpness Normal Subject Distance Range Unknown ISO Speed Used 800 Image Quality FINE White Balance AUTO Focus Mode AF-S Flash Compensation 0.0 EV ISO Speed Requested 800 Flash Bracket Compensation 0.0 EV AE Bracket Compensation 0.0 EV Lens Type Unknown Lens Range 18.0 - 55.0 mm; f/3.5 - f/5.6 Shooting/Bracketing Mode Single Frame/Off Noise Reduction OFF Camera Actuations 3889
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Camera-Specific Properties: Equipment Make NIKON CORPORATION Camera Model NIKON D3300 Camera Software GIMP 2.8.18 Maximum Lens Aperture f/4.8 Sensing Method One-Chip Color Area Color Filter Array Pattern 15198 Focal Length (35mm Equiv) 57 mm Image-Specific Properties: Image Orientation Top, Left-Hand Horizontal Resolution 300 dpi Vertical Resolution 300 dpi Image Created 2017:07:31 01:51:52 Exposure Time 1/40 sec F-Number f/7.1 Exposure Program Manual ISO Speed Rating 1600 Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash Focal Length 38.00 mm Comment Michael.K Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Manual Scene Capture Type Standard Gain Control High Gain Up Contrast Normal Saturation Normal Sharpness Normal Subject Distance Range Unknown ISO Speed Used 1600 Image Quality FINE White Balance AUTO Focus Mode AF-A Flash Compensation 0.0 EV ISO Speed Requested 1600 Flash Bracket Compensation 0.0 EV AE Bracket Compensation 0.0 EV Lens Type Unknown Lens Range 18.0 - 55.0 mm; f/3.5 - f/5.6 Shooting/Bracketing Mode Single Frame/Off Noise Reduction OFF Camera Actuations 3656
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Camera-Specific Properties: Equipment Make NIKON CORPORATION Camera Model NIKON D3300 Camera Software GIMP 2.8.18 Maximum Lens Aperture f/4.0 Sensing Method One-Chip Color Area Color Filter Array Pattern 15170 Focal Length (35mm Equiv) 105 mm Image-Specific Properties: Image Orientation Top, Left-Hand Horizontal Resolution 300 dpi Vertical Resolution 300 dpi Image Created 2017:07:31 01:50:30 Exposure Time 1/100 sec F-Number f/4.0 Exposure Program Aperture Priority ISO Speed Rating 3200 Exposure Bias 1/3 EV Metering Mode Pattern Light Source Unknown Flash No Flash Focal Length 70.00 mm Comment Michael.K Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Auto Scene Capture Type Standard Gain Control High Gain Up Contrast Normal Saturation Normal Sharpness Normal Subject Distance Range Unknown ISO Speed Used 3200 Image Quality FINE White Balance AUTO Focus Mode AF-S Flash Compensation 0.0 EV ISO Speed Requested 3200 Flash Bracket Compensation 0.0 EV AE Bracket Compensation 0.0 EV Lens Type Unknown Lens Range 70.0 - 300.0 mm; f/4.0 - f/5.6 Shooting/Bracketing Mode Single Frame/Off Noise Reduction OFF Camera Actuations 4504