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went to rome a week ago, shot this and was happy with myself. how do I improve?
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Take more shots of that same quality, basically. Given the nature of photography and cameras, any random schlub can get lucky and get one great photo like that in the right circumstances. Your circumstances were that you were in one of the most beautiful buildings in the world and you didn't fuck up the exposure. The only way to show yourself that this was talent and not random luck is to go get like ten more photos of this same quality.
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Hey I went to Rome too
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>>3066752
Yeah but your photo sucks.
Anonymous
/rpt/ - Recent Photo Thread 2017-04-29 06:10:04 Post No.3066285
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/rpt/ - Recent Photo Thread
Anonymous
2017-04-29 06:10:04
Post No. 3066285
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Old thread >>3064258
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Jesus ALIVE is... IN Me!
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>>3066288
Nice 9gag post you smug
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ITT: what were they thinking
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>>3065293
fuckin sux
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>what were they thinking
Probably something along the lines of; "There's are millions of people in China that will eat this shit up"
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>>3065355
Actually I take that back, it appears to be a freebie. Might give it a whirl later
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Why won't Fuji make full frame cameras?
They're the only people making digital cameras for photographers now but sticking to crop sensors is so dumb.
They're the only digital manufacturer that interests me right now, but I'm not gonna make the jump to digital if it's less than full frame.
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i'm not super-smart on this subject, i'm not super well-informed, and someone will tell me to kill myself but
i think it's just a design decision being made to test the waters for new, future cameras (products) in the same vein as say, apple deciding to remove optical media or headphone jacks. and i think fuji has done a fine job in the case of the argument for aps-c sensors. i shoot both full-frame and aps-c, and have as of late been using my xpro2 much more for work, though not for paying clients just yet. i use full-frame because it's kind of what the client wants, but i'm finding that aps-c can deliver that same look these days, as aps-c has mostly caught up to full-frame in the ways that it physically can. the detail is negligible, especially for me as i am not a pixel peeper.
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>but I'm not gonna make the jump to digital if it's less than full frame
what is GFX 50S
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>>3065059
>b-but i can't afford that anon
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I'm moving to Europe for a couple years and am looking to buy a serious camera. I have not photography experience.
At first I thought I definitely wanted something pocketable, which led me to the Sony RX100 (mk3 probably), but then I went down the rabbit hole of looking for something better.
I want a camera good for street shooting throughout Europe and also for landscapes. I want to maximize image quality and portability. Not sure if I should go for a pocketable 1"sensor or something with an APS-C. Also not sure if I want something with a fixed lens or an interchangeable system. Ideally I'd like to stay under $800 but willing to go up to $1000 if justified.
Some of the cameras I've looked at:
-Sony RX100 iii
-Canon G7x ii
-Fuji x70
-Ricoh GR ii
-Sony a6000
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Just because I love that movie.
Take a look into Fuji x100t or f
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I have the Fuji x100S and I love it. If you can afford the x100F I'd definitely go for that if you don't mind the fixed focal length. Great image quality from them, looks great.
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Get the a6000 you will have an upgrade path. Also don't fuck your sister
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Dumping some images from my last little project. Just some night shots
C&C greatly appreciated
1/10
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>>3063389
2/10
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>>3063390
3/10
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>>3063391
4/10
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How do I get good at documentary filmmaking? In particular cinematography.
I just watched Kirsten Johnson's Cameraperson in a class recently, and the ability to to capture moments in a good framing, and good settings just blows me away.
My camerawork and storytelling is OK, but it isn't anywhere near perfect.
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thanks for sharing, we're all very interested and now very glad we're updated on how you feel.
In fact, you never told us how your feeling?
I hope ur doing well anon
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>>3067866
>go to board dedicated to a certain field
>ask to discuss tips on how to improve in that field
>get yelled at
le edge is le showing with le you.
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>>3067868
the answer is blindingly obvious. Practice. Theres no special trick, no fucking hack. just do it more.
now are you going to tell us how your day was or what cunt
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Perfect cameras don't exis-
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>>3067849
-st
>>
Until the perfect woman exists, the perfect camera definitely don't exist.
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>>3067873
>exisst
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<-- Recently got hired to run off and shoot for eight weeks straight his summer. Housing provided. I won't be getting paid much and the work will be intense but, all I'll be doing for the job is shooting video and photo every day 24/7.
We're looking at about fifty videos here, anywhere up to ten minutes long. Plus, as many photos as possible. This will be in an outdoors environment where I can't predict anything.
What should I bring?
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tissues and baby oil
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>eight weeks straight
>shooting video and photo every day 24/7
>What should I bring?
I would suggest Ritalin or Cocaine, but I don't think it'll be enough
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>>3067778
Maybe meth+cocaine...but you're still looking at around 10 days maximum.
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How come I never see any studio work on a "photography" board? You... DO shoot studio, don't you? So come on, enough snapshits, show us your studio stuff.
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The world is my studio. ;)
strobes are for faggots who can't light, or for commercial whores who sold their soul a long time ago.
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>>3067686
Poverty is the real cancer of /p/
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>>3067701
Thanks for your input, some guy with a fleabay godox kit and some roscoe sample gels.
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Hey everyone, got this bad boy for a while and I am looking to get some shots before it moves on.
Was wondering if anyone had any thoughts on places or subjects to film within Scotland and northern England.
InB4 the shit-show that is /p
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>>3067518
Closeup of you jerking off in maximum resolution
Also, gynecological view of a pussy
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>>3067518
Shoot some Garbage Humpers please.
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>>3067519
This actually
Has anyone done like 8k porn yet?
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any good, any bad?
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>>3067487
as good as this
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>>3067498
Stop posting this shit you insufferable faggot.
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>>3067501
deal with it Jason.
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post your photobooks
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If only they werent so expensive.
Id love to have an Eggleston book. Loads of Japanese photographers, Araki especially.
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>>3066819
book depository m8. Cheap as fuark but takes time to deliver.
Just got myself Luigi Ghirri's Kodachrome
>>
not really worth organizing them all into a single image, but i've got probably around ten Robert Adams books, all three of the Eggleston boxsets, the enormous friedlander MOMA retrospective catalogue, a few Stephen Shores and Joel Sternfelds, two Alec Soths, various books by lesser known artists like Justine Kurland and Ron Jude, and some miscellaneous oddities.
Anonymous
ITT: Favourite Fictional Photographers 2017-04-30 04:54:07 Post No.3066784
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ITT: Favourite Fictional Photographers 2017-04-30 04:54:07 Post No.3066784
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ITT: Favourite Fictional Photographers
Anonymous
2017-04-30 04:54:07
Post No. 3066784
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I don't think he actually takes any photos in the film, actually
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it's quite nice to see a fellow Dziri with some talent, i think the gloomy vibe these images give accurately describe the life one can have there.
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Why do people care about noisy auto focus in lenses?
- If you're shooting a film with dialogue, then you'll probably use a microphone pointed at the actors. The end result will not be affected
- If you're shooting an outside scene, you'll bother no one with the sound anyway, and the resulting photo will not be affected
- If you're shooting a concert or something, no one will hear it, and again, the resulting photo will not be affected
- If you're silently shooting withdrawn animals like a sniper, you'll probably focus beforehand, switch to manual and just wait for the right moment to click. Why risk the added time to auto-focus when a bird or mouse something flies into your scene and hops around? Again, if done properly a noisy motor doesn't effect the photo
Why is this a factor handled in lots of reviews? Who gives a shit?
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dude, how am I supposed to take creepshots if the girls keep looking at me when my shitty lens is focusing?
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>>3066696
I don't. Manual lenses on A7II and canon USM FTW.
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>>3066696
>Why is this a factor handled in lots of reviews? Who gives a shit?
The reviewers give a shit. Their business depends on you clicking links on their nasty splogs and buying stuff so they get the commission.
Therefore it is in their interest to tell you that the stuff you have isn't good enough and you had better get your game together or the neighbours and anonymous message board faggots will think you lack commitment to your art.