Archived threads in /mu/ - Music - 7580. page

I don't like the Beatles

>>69895685
For Sale has Eight Days a Week so For Sale

>>69895685
I don't like covers albums so Please Please Me (yes, I know there are covers there too, but they're less obnoxious for me)

The one with Scooter

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>>69895476
Initial D OST

nothing else matters

>>69895613
This

Also >>69895476
>Super Eurobese

I kek'd

AND WHAT HAVE YOU DONE

ANOTHER YEAR OVER

>>69895341
no that's a wife beating, cheating, lying asshole

>>69895309
There's already a weed music thread. And why are you, at the age of 21, still talking about weed as if it's an exciting thing?

I hate you. Fag

Oreos

>>69895332
Because I haven't smonked weed in 6 years

>>69895183
Agree with everything you did OP except 808s is still a classic

Alright you got me, gonna quit pretending now

>>69895183
You're not wrong

>>69894886
A lot of effort went into this post and it's like 3/10 funny. Sorry

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>>69894886
>album doesn't begin with someone being born and experiencing 16 years of their life including the stress of school, playing with childhood friends, and the joys and heartbreak of a first crush, before stumbling across their dad's record player, picking out a random vinyl, taking it out of the packaging, placing the packaging aside (nicely), opening the glass case covering their turntable, placing the record onto the turntable and adjusting the counterweight before THEN putting the needle onto the record and starting the album

>>69894914
>thread begins with anon replying with a short little one liner
>thread never begins with the sound of anon turning on their bedroom light, pulling out their desk chair, sitting in it, turning on their laptop or desktop computer, waiting a few seconds for it to load, type in their password, wait a few more seconds for their computer to load, open their internet browser, type in www.4chan.org, go to /mu/, open a thread and click on the OP's post number (to quote him) before THEN responding with a short little one liner

Fashwave

>>69894627
Kamaiyah

Je suis la jeune fille.

>belittled

There's nothing little about that fat bearded fuck

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Kind of goes without saying

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Jew

>>69894417
really really great
whatd you think of beach music?

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yeah man you missed it. it was pretty cool when nobody knew who alex g was and you first discover his shit. if you like DSU you will like pretty much everything he's released. i think trick is his best personally

DSU is probably the best album on bandcamp. So indie it HURTS. Blows Toledo's stuff out of the water.

>get bf
>his pineal gland is calcified

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C O L G A T E
>-gate

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>finally get gf
>she is 18 year old girl who live in small city in Japan

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>/mu/ is my favorite board

You laugh at me because I'm different, I laugh at you because you're all the same!

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Be yourself, an original is worth more than a copy!

God-tier dad rock

Reggae-rock is embarrassing
Sting's voice sucks a lot of the time
They have some legitimately awful songs that no truly good band would ever think of writing, like One World

On the other hand I legitimately enjoy most of their last three albums, they're just rarely phenomenal, if ever.

Underrated

I like Lil B more but where and/or when did she steal some swag from him?

#slay

i was unaware of this transgression but will be awaiting the based god's vengeance

yes its also the pinnacle of music

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>listens to Death Grips once

Yeezus (2013), 4/10
Yeezus (Def Jam, 2013), designed with an incredible number of collaborators, is a sloppy, awkward and amateurish work despite the impeccable fusion of electronics and vocals, the impeccable collages, the impeccable production. But sound quality is a technological, not an artistic, fact. Daft Punk are responsible for the robotic beat of On Sight and the monster riff of Black Skinhead (one of the catchiest "songs"): cool but nothing we haven't heard before. There are a few moments of pathos: the reggae-like cry of I am a God in a desolate post-industrial soundscape, the gloomy crescendo of the first half of Hold My Liquor (before the misguided synth orgy), the martial trombone fanfares of Blood on the Leaves, and... i struggled to find at least one more. But there are also embarrassingly trivial moments of both mashup and sociopolitical analysis (New Slaves, I'm in It, Blood on the Leaves, and Bound 2, which is simply a lame tribute to soul music) and there is certainly an unusual dose of filler (a four-song EP would have been more appropriate for what West had to say in this album). As a narrative experience, these stories may try something new but it's more a case of a populist bard desperately trying to find something new to say to his followers than a serious discussion on gender and race. As an aural experience, this album feels terribly old, like most granpas when they try to speak the language of their high-school nephews. Maybe this album was only meant as a self-mocking joke?

Worshiping western classical music like it's the be all end all of music is pretty much the plebeist thing you can do.

>>69893707
>The realist shit I've ever seen on this fuck awful board.

>>69893671
can a strange arctic creature yodeling into a backwards red megaphone be represented as sheet music?