*deletes Volcano*
Deletes CRUSHER from Sarahs life
>>70305858
Basically, you can go fuck yourself. Now. And I don't mean like, the way I tell my friends, reassuring them that every orgasm can be its own intense experience and scenes like that. No, I mean, fuck yourself as in get fucked, bitch. You're like, wrong. Volcano is one of the most striking songs. If you don't like it, you can delete it. But you're still wrong. It's a beautiful song and her voice is orgasmic indeed.
Fight me irl (but you win in that case). Like, I have paranoia. I flinch very energetically every time I see anything coming close to me.
>>70305858
>Being this pleb
KEK
*deletes entire album*
>Buys 20 more of a superior musician
>>70305781
Why are half the fucking songs interludes?
>>70305999
Just to make sure everyone knows she's whining about whites in case all the other lyrics didn't make it clear enough
>>70305690
Young Thug
Grimoire
ummm guys
is there really a new Neutral Milk Hotel album out there somewhere?
http://www95.zippyshare.com/v/x49JCo0M/file.html
>>70305565
>IT'S REAL
Be still, my beating heart
>implying they'd use that quality image of a rose
don't be a dip
Thoughts on her?
>>70305319
i want to cum on her face
her and lorde are my dream waifu's
>>70305319
babe.jpeg
After the relative success of Andrew Hill’s first two Blue Note recordings, he returned to Van Gelder studio in March of 1964 to record a new sextet album. As on his first two albums, Hill showcases his original compositions which he describes in the liner notes several times as “freer.” The sextet features several young players who were at the forefront of the avant-garde scene including woodwind player extraordinaire Eric Dolphy, tenor saxophonist Joe Henderson (who played on Hill’s debut “Black Fire,”) and drummer Tony Williams. Rounding out the band are trumpeter Kenny Dorham and bassist Richard Davis. In the liner notes, Nat Hentoff explains that Hill avoided to listening to any jazz for the year prior to this recording; Hill explains “I have to concentrate on finding my own way.”
“Refuge” starts the record off on a heady note, with a pounding 6/8 pulse underscoring a knotty polyphonic melody from the horns and harmonically colorful punctuations by Hill, who takes the first solo. In it, Hill often references the melody and form of the tune, but finds ways to do it that challenge the rhythm section. They’re up to the challenge though and seem able to flexibly respond to the many curveballs he throws them. Dolphy comes in next on alto, spitting fire and sounding for all the world like Charlie Parker’s tormented ghost. Dorham takes things in a more subtle direction and the rhythm section responds magnificently. After a walking bass solo and a fanfare-like interlude, Henderson wails his way into an energetic solo that seems to inspire the rhythm section to new heights. This gives way to a rhythmically free solo by Williams and then back into the main theme out.
>>70305139
Upon hearing “New Monastery,” Francis Wolff said the tune reminded him of something Monk had once written, and that comment inspired the tune’s title. Once again, the horn lines weave playfully in and out of each other, this time against the backdrop of a jaunty swing. Dorham moves toward melodic abstraction in his solo, playing against the rhythm and harmony, but Dolphy takes advantage of the swing to deliver a searing, sarcastically bluesy solo on alto. Hill hints at the blues in his solo as well, but always with his unique sense of harmony (extensively using Major 2nd’s in his right hand) and patently unpredictable rhythmic concept. Henderson seems inspired by Dolphy’s skewed bop lines and echoes these sentiments but also mixes in some simple and melancholy melodic ideas. Dolphy switches to bass clarinet for “Spectrum” which Hill intended to show a wide range of emotions. The piece is episodic, with each soloist trying to express a different mood. This time around the variation comes in the form of time signatures which change often but within the constraints of fairly static harmony. The tune is well suited to highlight the incredible flexibility and imaginative playing of the rhythm section.
>>70305154
In “Flight 19” it’s difficult to tell where the composition ends and the improv begins at times. Here the band uses two tonal centers, C and D flat, as their structure. Hill leads the way for most of the tune and the horns improvise with him, sporadically but collectively. It’s the shortest piece on the album, but probably the most musically deep in terms of effective composition and the interaction of the whole group. “Dedication” is meant to express a feeling of “great loss” according to Hill and is carefully orchestrated to highlight its rather lyrical melody with the horns alternating between polyphony and unison. It’s a mark of Tony Williams’ remarkable maturity (he was just 18 at the time of the recording) that he adds only the most subtle background color to the piece with his light brushwork. Dolphy’s melancholy bass clarinet solo is surprisingly lyrical, while Hill creates quite a bit of melodic abstraction and colorful flurries of notes in his. Henderson adds a new dimension to the piece with a whole-tone inspired scale that sounds very influenced by Coltrane. After a restatement of the beautiful theme, the album closes on a somber note.
>>70305175
From start to finish the album is a masterpiece and sets a new high standard for the blend of traditionalism and avant-garde that would come to be known as post-bop. As much as any jazz musician, Hill found a way to develop his own sound and approach through musically deep, carefully crafted compositions and like-minded players to interpret them. In particular, Eric Dolphy’s facility within multiple woodwinds adds extra color to the complex music, but in their solos (and comping) each member of the band contributes something unique and helps shape the music. Despite the music’s inherent complexity and the musicians’ obvious virtuosity, Hill stresses in the liner notes that all of these players value imagination and emotional expression over the technical aspects of the music. It’s a masterpiece of the post-bop genre and definitely an essential listen for any open-minded jazz fan.
https://www.youtube.com/watch?v=zYE09kE6P-Q
https://m.youtube.com/watch?v=bBIubgsfK8E
this is one of the worst things ever. a tranny using abos as moral posturing props to seem progressive.
>>70305272
To be fair:
It was pretty good until the 'guests' started. I love the original song.
(Still surprised this wasn't a comedy sketch.)
I'm trying to get into shoegaze. What are some other really good albums in the genre?
lsd and the search for god
Just look at highest rated albums on rym
>>70305079
lmao no
Holy shit. Boston Calling is going to be stacked for once.
who /masshole/ here? Allston reporting in.
>Tool is still touring
>lazy cunt Maynard won't make a new album
>>70304937
>not moving on and just appreciating what they've done
>they're just fucking Tool
>>70304937
Tool is just money for Maynard
Music for shy people?
>>70304852
lil peep
Low, Carissa's Weird, The Microphones
chrome
orbital
What are your thoughts on the new NiN remasters? Listening to The Fragile for the first time right now and it's great. Lots of small details that were easy to overlook are now much louder/clearer; much like that PHM remaster that came out a while ago. Well worth your time if you like the album.
How's TDS remaster? Much better than the 2004 remaster?
Do you like the new EP?
we need to discuss the album covers
what do they mean?
The new EP is pretty tasty. Also, Burning Bright is surprisingly catchy
The Fragile 2017 Definitive Edition is pretty nice honestly, I'd recommend everyone pick it up off of slsk if they haven't already
Objectively and un-ironically the best album of the early 2000s
They were in the Transformers soundtrack haha
>>70304768
you need to try harder.
see the kkb poster.
>>70304965
WHO'S
IN
THE
HOUSE
LIMP BIZKIT
IS IN THE HOUSE
>>70304965
this but unironically
wes is a legend and the production on this is GOAT
When Stravinsky wrote “The Rite of Spring,” he was so consumed by its lustful, primordial power that he mailed nude photos of himself to friends.
>>70304713
wtf i love stravinsky now
Man if I wrote the Rite I probably would too
sounds fucking hot. does anyone have these nudes?
Post your collections and discuss here, here's mine
just my hip-hop, don't worry it isn't all I own
>tfw your phone camera is rediculously bad
The middle bottom one is Ultima Thulee.
>>70304666
I'll post individual stuff too :P