Archived threads in /mu/ - Music - 6997. page

>>70591427
bitwig

>>70591427
I'd say Ableton, which you can get through less than legal means pretty easily. You can also download some plugins and samples to use with it to get you started.

Just torrent Ableton, there's plenty of tutorials online to teach you how to use it. You can also torrent all the VSTs you'll need.

>>70591408
What do you think is the worst song

>>70591408
Oddly specific request that could've been by circumvented by simply stating that you thought that on this particular album the worst song was sandwiched between the two best ones and then stating what these songs were instead of this bullshit beat around the bush shit

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Contributing.

>>70591597
Rainbows is objectively a pointless track, but I get the feelign that's not the one OP meant.

Overrated, for certain.

skeleton

>>70591171
Underrated shifting into overrated.

>>70591007
>meme folder.

kys

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>>70591007
Ok
>>70591063
How much do you get paid for being an edgy cunt?

>>70591007
>>70591091
*cringe*

post in this thread

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>>70590973

>>70591634
what? I didn't understand.

does mos def count?

>>70590929
Of course

You and he were... buddies, weren't you?

>>70590668
They perform coitus with you?

>>70590702
I don't understand you

>>70590668
>They do me
>>70590772

I never liked them

>>70590556
man shes ugly

because notm is the only good thing they've made

Anything by Minor Threat or Fugazi

>>70590549
Ok.

Starting 13 Songs until a better suggestion comes along.

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Hehehe

>>70590507
https://www.youtube.com/watch?v=Fm5mrWx0yNM

>>70590507
either post pics and I'll recommend something or you're lying so I won't if that's the case

https://www.youtube.com/watch?v=Pv6ShEhYgo8

It's probably because he one of the earliest and most well none rock critics and no one really care to contest him on it. I bet if Lester Bangs was still around he wouldn't be saying it.

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>"It doesn't rock enough!"

>>70590449
yeah, i have serious reservations about his precious, overwrought reviews as well

>>70590298
I deleted Stop Smoking, Nervous Young Inhumans, Bodys and High to Death too

*deletes sober to death*

>>70590298
fucking delete yourself
the keep smoking part on high to death is the best part of the album

kek i've been thinking about making a thread like this for weeks now.
Really loving gamelan recently.
https://www.youtube.com/watch?v=FLrNKTmCVpA
Also the shanai which sounds so beautiful and proud. India really was onto something with their love of drone.
https://www.youtube.com/watch?v=HPW--T34ELQ

>>70590270
>gamelan
Babbies first trad

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Caribbean all the way

https://en.wikipedia.org/wiki/List_of_Caribbean_music_genres

>>70590121
thats the only good one so it looks as though you're all set.

>>70590121
Echo Virtual - Atmospheres
Surfing - Deep Fantasy
James Ferraro - Far Side Virtual
VHS Logos - Mantra
Nmesh - Dream Sequins
Macintosh Plus - Floral Shoppe
Blank Banshee - Blank Banshee 0
Death's Dynamic Shroud - that album with the korean girl on the cover idk the name

These are all catchy as fuck and cover some of the various sub-sub-genres of vaporwave.

does anyone remember that one guy from here who did all the vaporwave style remixes of 80s pop songs before vaporwave was even a thing?? anyone? been looking for him for ages? stuff like spandau ballet and michael jackson

>>70590104
At least pick a band worth writing about anon

>The fact that so many books still name the Beatles as "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics are still blinded by commercial success. The Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers. No wonder they will think that the Beatles did anything worthy of being saved. In a sense, the Beatles are emblematic of the status of rock criticism as a whole: too much attention paid to commercial phenomena (be it grunge or U2) and too little to the merits of real musicians. If somebody composes the most divine music but no major label picks him up and sells him around the world, a lot of rock critics will ignore him. If a major label picks up a musician who is as stereotyped as can be but launches her or him worldwide, your average critic will waste rivers of ink on her or him. This is the sad status of rock criticism: rock critics are basically publicists working for major labels, distributors and record stores. They simply highlight what product the music business wants to make money from.
There you go anon

The fact that so many books still name the Beatles as "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics are still blinded by commercial success. The Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers. No wonder they will think that the Beatles did anything worthy of being saved.
In a sense, the Beatles are emblematic of the status of rock criticism as a whole: too much attention paid to commercial phenomena (be it grunge or U2) and too little to the merits of real musicians. If somebody composes the most divine music but no major label picks him up and sells him around the world, a lot of rock critics will ignore him. If a major label picks up a musician who is as stereotyped as can be but launches her or him worldwide, your average critic will waste rivers of ink on her or him. This is the sad status of rock criticism: rock critics are basically publicists working for major labels, distributors and record stores. They simply highlight what product the music business wants to make money from.