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Archived threads in /mu/ - Music - 6764. page

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>buying music
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>>70880737
what a cute little "folder"
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>>70880737
i like to support artists.
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>being poor

Who on /mu/ enjoys a good old vinyl?
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i
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No one because vinyl is an inferior format

inb4
>muh album art
>muh warmth
>muh audio quality
>muh supporting the artists

no
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>>70880695
Yes but I'm not a vinyl fag. Digital exists for a reason so I'm not gonna buy a record because I like 1 song.

I only buy albums I like to listen to all the way through and I never drop the needle any where besides the begining.

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You post genres you don't think exist, other anons prove you wrong.

Industrial country
Shoegazing trip hop
Ambient nu metal
87 posts and 2 images submitted.
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Good hip hop
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>>70880617
>shoegazing trip hop

https://www.youtube.com/watch?v=KAo4svd7IR4
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>industrial country
https://dragginganox.bandcamp.com/album/the-tropics-of-phenomenon
Great band

I don't want King Crimson's legacy to end on this note.
24 posts and 2 images submitted.
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Well, they're releasing new stuff on April, so you're in luck.
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>>70880559
Poor baby, i really feel for you.
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>>70880559
It's not that bad

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What are some covers you think are better than the original?
https://www.youtube.com/watch?v=ZLthJDXbq6Y
16 posts and 3 images submitted.
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https://www.youtube.com/watch?v=WGtXlBbWeB4

https://www.youtube.com/watch?v=ZnYzQsZXIRc

https://www.youtube.com/watch?v=a247R3mNs5A
>>
Mary J Blige did better on Stairway to Heaven than Zep did.

But Zep were plagiarists and Plant has an annoying voice, it's not hard to be better. Even then I can't like the song too much, it WAS stolen.

>the jury said they dindu nuffin

My ears say otherwise
>>
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>LEFT A GOOD JOB IN THE CITY
>WOIKIN FO THE MAN EVERY NIGHT AND DAY

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death is
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not final
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>>70880485
fatima al qadiri: how would you like your label steve
kode9: just fuck my shit up senpai

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Who is your favorite lyricist?
18 posts and 8 images submitted.
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XBOX
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>>70880420
Neige
>>
Nick Cave and Blixa

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>JUST
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>>70880400
more like Thurst no more
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Good to see Thurston and Kim hanging out together
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>>70880542
HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA

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Recommended some good rap Albums
43 posts and 12 images submitted.
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Denzel Curry - Nostalgic 64
Ras Kass - Soul on Ice
Mic Geronimo - The Natural
Styles of Beyond - 2000 Fold
Warren G - Regulate... G Funk Era
Player 1 & Bloody Bones - Crime Rate Sky-High
Westside Gunn - Flygod
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>>70880367
Kanye West, Kendrick Lamar, the list goes on...

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Is Helpless Child the best song ever recorded?
12 posts and 1 images submitted.
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No way José
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>>70880365
probably
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https://www.youtube.com/watch?v=2hI5Eg6Ias4

This song and that one are brothers.

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>consider yourself someone who is into music
>ignore every genre that isn't based around the album

hmm.....
25 posts and 2 images submitted.
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>>70880183
burial sucks
>>
>>70880237
no he actually had some quite good ideas and an original sound
>>
>>70880183
>study music production
>99% of tutorial videos are edm garbage
>literally no melodies ever
>all vocals are generic scat from sample packs
>hundreds of mentions of "the drop" and "the rise" without a single mention of harmony, counterpoint, lyric, or melody.
>dude 808 lmao

The people you speak of OP are retarded but I saw EDM in your image and I hate that shit so I thought i'd share.

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Did I like it /mu/?
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no it's shit
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lots of filler
>>
ALL THESE FUCKING YEARS I CANNOT REMEMBER

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erhu solo in 240p
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hi guys
>>70880107
mac is cool
>>
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Recs pls

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lonelyman edition
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Playlist, etc:
https://youtu.be/_rGPG4Kz7so?list=PLfZa8YZZPjH1gktC2tS6tZ-56Ps4thebh
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me innadance
https://www.youtube.com/watch?v=uczTGOjAtLo
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>>70879996
leave is tops

https://www.youtube.com/watch?v=X_wYNHzs4_0

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I discover this man:


Radiohead, the most hyped and probably the most over-rated band of the decade, upped the ante for studio trickery. They had begun as third-rate disciples of the Smiths, and albums such as Pablo Honey (1993) and The Bends (1995) that were cauldrons of Brit-pop cliches. Then OK Computer (1997) happened and the word "chic" took on a new meaning. The album was a masterpiece of faux avantgarde (of pretending to be avantgarde while playing mellow pop music). It was, more properly, a new link in the chain of production artifices that changed the way pop music "sounds": the Beatles' Sgt Pepper, Pink Floyd's Dark Side Of The Moon, Fleetwood Mac's Tusk, Michael Jackson's Thriller. Despite the massive doses of magniloquent epos a` la U2 and of facile pathos a` la David Bowie, the album's mannerism led to the same excesses that detracted from late Pink Floyd's albums (lush textures, languid melodies, drowsy chanting). Since thee production aspects of music were beginning to prevail over the music itself, it was just about natural to make them "the" music. The sound of Kid A (2000) had decomposed and absorbed countless new perfumes, like a carcass in the woods. All sounds were processed and mixed, including the vocals. Radiohead moved as close to electronica as possible without actually endorsing it. Radiohead became masters of the artificial, masters of minimizing the emotional content of very complex structures. Amnesiac (2001) replaced "music" with a barrage of semi-mechanical loops, warped instruments and digital noises, while bending Thom Yorke's baritone to a subhuman register and stranding it in the midst of hostile arrangements, sounding more and more like an alienated psychopath. Their limit was that they were more form than content, more "hype" than message, more nothing than everything.

http://www.scaruffi.com/vol6/radiohea.html

FAP FAP FAP
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Alcest's first album Souvenirs D'Un Autre Monde (Prophecy, 2007) turned out to be one of the great shoegazing albums of the time. The protracted crashing solemn agonizing riff Printemps Emeraude is the launching pad for a vocal melody that rises like a religious hymn, which in turn propels the guitar to intone an even more majestic distortion, one of the most uplifting shoegaze anthems of all times.

...

The mystical tones of the opener resurface in the nine-minute La Ou Naissent Les Couleurs Nouvelles, a case of slo-core with burning guitars, a piece that has time to evolve along a dramatic plot, with a burst (or, better, blast) of black metal and a pastoral intermezzo before the incendiary ending; the Stairway to Heaven of shoegazing metal.


Ouh my... thanks
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As usual with Bowie, Blackstar (RCA, 2016), produced again by Tony Visconti,, is mostly image and very little about the music. The ten-minute Blackstar, that was supposed to be the centerpiece, is little more than a funereal litany a` la Doors with jazz horns that goes on five minutes too many. Bowie crooning melodramatic in Lazarus (from his Broadway musical about an alien who falls in love) or romantic in Dollar Days is either delirious and pathetic, certainly not entertaining. His tedious voice interferes with the driving jazz jam of 'Tis a Pity She Was a Whore and with the frenzied and tense Sue (a 2014 single). Even when the voice is not a distraction, the rest is hardly intriguing: I Can't Give Everything Away boasts an awful distorted guitar against syncopated beats and layers of electronic drones: not exactly genius. This is trivial "music" that any amateur could make, except that most amateurs would be ashamed to release it.

Bowie died of cancer in january 2016.

Oh, f... y..

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