Archived threads in /mu/ - Music - 5502. page

I remember buying that on CD. I can't remember what any of the singles were.

>>72025625
Literally started with arguably their most famous one, "You Only Live Once."
It also had "Razorblade" and "Juicebox"

First half is great, second half is way worse.

except for Elvis, he is 100% correct

he's definitely right about radiohead

I agree completely with his statement but I will switch the orders as

1. Elvis Presley
2. U2
3. Beatles
4. Prince
5. David Bowie

>>72025435
As far as I'm concerned there's only two songs on that album. Everything else is a blur.

>>72025451
So true, the middle or 3/4 really drags on if you ask me

>>72025451
That said, I'm listening to the opener now, it's good.

>Dr. Dre
>isn't a doctor
rofling IRL @ ur doctors america

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>>72025434

>>72025434

RDJ or Phil Spector

but it honestly didnt live up to the hype. still good though

>>72026204
>I scroll all the way down to reply to dead threads because it makes me feel unique

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>>72025432
You guys can't ever talk about Arca's music without saying DUDE HE'S GAY.

pet the cat

>>72025285
Father John Misty - Pure Comedy

that's all. everything else is worse.

Jonwayne - Rap Album Two
Xiu Xiu - Forget
Remo Drive - Greatest Hits

>>72025138
kpop posting has ruined /mu/

>>72025151
no it was feel threads in 2011

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this is the thread

there is nothing wrong with being short

The work opens with the piercing hiss of Non Alignment Pact, which plunges into a furious, deafening bacchanal of cryptic slogans, ungainly vocals, discordant strumming, electronic distortions and primordial pulsations, in a grotesque dance of bodies possessed by the restless, exhausting rhythm of a tribal ceremony. The sound of the Modern Dance is a devolved funk, primitive and technological, which reproduces the ambience of the office, the cyclic movement of the throng, the smoke of the factory chimneys and the inorganic bawling of the mob, and cadences the working day like a real mechanism, while the singing vibrates in despair to the hammering rhythm of the dance. It is a dramatic, perturbing fresco of the condition of working life, although unfolding to an almost jovial rhythm. The use of "concrete" sequences and electronic sounds, as a means of emphasising the climate of tragedy, makes it the archetype of the "sound collage" for the entire new wave. The third great rock and roll song of the disc is Street Waves, swept by an ominous wind (which evokes the miasmic gust after an atomic explosion) and driven at supersonic speed by a stop-start rhythm. The braying of Thomas and Herman's machine-gun fire ride the infernal pandemonium, giving it the stamp of a prophetic vision of the apocalypse.
The forebodings of the larger trilogy also inform the android litany of Real World (syncopated rhythm, buzzing interference, metallic, discordant guitar), the slow spirit-dance of Over My Head, pregnant with agonised suspense, and the clownish, desperate disco music of Humour Me and Life Stinks, which throw Thomas's incoherent cry and bubbling synth into the general uproar. The ferocity and the icy obscurity of these emotionless ballads place them at the antipodes of the original spirit of rock and roll.

Laughing Stock (Verve, 1991) continues in the same pattern: six pieces, six long trance. The training is a real chamber ensemble: Lee Harris (drums), Mark Feltham (harmonica), Martin Ditchman (percussion), Mark Hollis (guitar, keyboards), Tim Greene (keyboards), more viola, cello, trumpet, horn, clarinet, double bass. Myrrhman proceeds in slow motion, slipping on dilated blues guitar chords and stumbling in jazz trumpet phrases, sinking into funereal drone of a string section. Taphead is equally spectral, crossed by drones stabbing keyboards and trumpets of a confused buzz of arcs. The vibrant rhythmic jazz and crooning desolate push Ascension Day and New Grass (a tour de force of nine minutes) in favorites territories of Van Morrison. Still a deep religious sense, almost apocalyptic, choking After The Flood: a cyclical beat, a chant almost Indian, a confused noise of substrate, a gospel organ that flutters in the background. The baritone Mark Hollis is become a pure sound that creeps into cool jazz and rhythm and blues webs woven by the instruments. The disc is slightly below the previous year, but confirms the exceptional status of the leading forms.

he should've given it a 9/10 though

>>72024878
The eclecticism of their sound is demonstrated by Laughing, which opens with a mini-jam of free jazz for winds, guitar and drums, and suddenly explodes into another mad and brutal boogie fanfare. Even more disarticulated and chaotic is the harmonic tissue of Chinese Radiation, with wandering guitar chords, Thomas's unrestrained raving and his epileptic fit in front of an exulting audience and then piano notes amid general silence. Sentimental Journey, chamber music for breaking crockery, disconnected phrases of synth and a somnambulant lament, is nothing other than a random mass of dissonance in the proudest traditions of psychedelia (once the experiments with gestural musique concrŠte are taken into account), but it is also a manifesto of Dadaist music, of music akin to screeching and hubbub. A singular hybrid of emphatic agit-prop (but without militant intent), of deformation by overdose (but without indulging in the emotions of the trip) and of aleatory music … la Cage (but without his academism), Ubu's Dadaist piece is a product of the industrial civilisation, its perversions and its anxieties. And Thomas, who dissertates imperturbably in the most absolute chaos and in the end remains alone raving amid the fragments of crockery, coins a new type of absurdist lied which might be the analogue of folk in the industrial era.

>>72024853

Obviously first.

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>>72024869
Here's a twist. Unless it's music you've previously heard. Every new movie you see with music you haven't heard before now becomes soundless. The only thing in a movie you hear will be anything not music. This includes some dude in the background banging pots together.

>>72024853
Second because some things I didnt enjoy the first run through.

Wish you were here is a better album.

>>72024836
>>72024847
animals was better than both of those desu

>>72024870
Nah. WYWH > Animals > The Wall > Everything other than DSotM > DSotM

KILL WHITEY

More like W O K E as fuck

Also why does this guy think he has the right to dictate the way black people should act? He knows black people aren't a monolith right?

>>72024819

because he considers them to be intellectually inferior to their white counterparts (they're counterparts only in his tiny little brain) and has this superiority delusion that forces him to cry like a bitch all the time

>Did you enjoy it?
yes, it's one of my favourite albums of all time, one of the greatest rock albums ever created
>What is your favourite song off it?
New Grass has slowly become my favorite
>How do you feel about Talk Talk's transition from Synth-Pop into Post Rock?
nothing comes close to Laughing Stock and Spirit of Eden, but they have hints of masterful production

I really love laughing stock, maybe favorite would be After the Flood, but its hard to decide. I like Spirit of Eden too

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>>72024800
New Grass completely changed the way I look at music and to what degree you could consider a song good.

>>72024651
https://youtu.be/t2mU6USTBRE

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Darude Sandstorm

Metal

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https://soundcloud.com/111h111/diade2-1-1

>chill
>beats
>ambient

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https://soundcloud.com/stream_error/copying_with_loss

>lo-fi
>chill

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>death metal
>progressive metal
>electronic
Currently demo quality stuff, hoping that eventually will be able to record properly. Thoughts?
https://soundcloud.com/metanoiamkd/kaiho