non-cringe band shirts
>>73851255
If you think band shirts are cringe then you're probably cringe
>>73851255
really like this desing, not sure if i would use that color tho
the new album is going to be sick
Is he right?
nope
okay this is it. this is the definitive push from the nest that i've been anticipating. i used to have hope for /mu/. i used to think that despite its current condition it could get better. I used to think that grimesposting was something that would either burn itself out, or get snuffed by enough sensible anons questioning its calamitous omnipresence. i've been desperately holding onto this glimmer of hope for nearly two years, but now, as i look out onto the devastated wreckage of the catalogue, as i see the smoldering remains of a place that used to bring me joy, i can say with certainty that there is no future for me here. that my precious fragment of hope was nothing more than a mirage formed in the tumultuous blaze of impurity and degeneracy.
the grimesfags are not even human anymore. they have become a hideous manifestation of all that is vile and immoral. and after two years of fighting their unrelenting presence i've come to the realization that they cannot be stopped.
/mu/ is doomed to perish in the flames of perverse tyranny. to be swallowed by the disgusting assemblage of those who embody degeneracy. and with this bitter acceptance of defeat i will take my leave. i will abandon this barge as it sinks into the depths of hell before i find myself dragged down with it.
goodbye /mu/. may God have mercy on the souls of those who stay, and may judgement be passed upon the singularity of depravity that is the grimesfags.
You should probably delete this
We all agree this is the pinnacle of human achievement, right?
>>73851231
yup
it's the pineapple of human achievement that's for sure
Why do Americans have the worst music taste?
poor education
there's no really definite culture here so some people are raised with literally no culture
the american dream indoctrination only feeds people into consuming commercial pop trash
the list goes on and on
we're not as well-off as you think.
*britfags
burial isn't good
my god it clicked
I accidentally made an Animal Collective album once by spilling beer on my CD of the Lion King soundtrack.
>>73851193
Kek
>>73851150
nice
What's the most aggressive music you can think of?
Fleet Foxes
>>73850918
Me screaming whenever I get stung by a wasp
>>73850918
Any female artist (except Bjork)
>Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times.
Why does Scaruffi omits any mention of Armstrong? Because Armstrong was an indisputably great musician who was also wildly popular and commercially successful. Scaruffi’s contempt for the ‘masses’, which we’ll see more of later, means that he cannot accept that any musician who’s been broadly successful with the public has any merit; if the ‘masses’ love it, it can’t be good. The flipside of this is that he will downplay and even misrepresent the popularity of musicians that he likes. The idea that Ellington and Coltrane were in any way unpopular or obscure is completely inane. Ellington during his lifetime became as famous as any jazz musician gets, winning nine Grammies, appearing on the cover of Time magazine and receiving the Presidential Medal of Freedom in 1969. Coltrane’s A Love Supreme sold in the hundreds of thousands, and an abridged version of his cover of ‘My Favourite Things’ was even a hit single. But Scaruffi never lets the facts get in the way of what he wants to say. In fact, his contempt for fact is all over this piece
>Contemporary musicians never spoke highly of the Beatles, and for a good reason.
The Rolling Stones disliked the Beatles so much that they begged Lennon and McCartney to write a song for them; went to the Beatles’ parties; attended the Beatles’ recording sessions; appeared on the Beatles’ records and got the Beatles to appear on their own. Eric Clapton, a principled hero of rock, showed his loathing for everything the Beatles stood for by becoming one of Harrison’s best friends and jumping at the chance of playing on a Beatles session. Jimi Hendrix despised the Beatles so much that he was playing the title track of Sgt Pepper within a couple of days of the album being released. In short, the contempt with which the Beatles were regarded by their peers is familiar to nobody who knows anything at all about the history of popular music.
>Not to mention the American musicians who created what the Beatles later sold to the masses.
You can’t accuse the Beatles of selling other people’s music and simultaneously accuse them of changing the same music before they sold it. If they changed the music, then they transformed it into their own music; if they didn’t change it, then in selling it to the masses, they can’t have wrecked it.
>The Beatles sold a lot of records not because they were the greatest musicians but simply because their music was easy to sell to the masses: it had no difficult content, it had no technical innovations, it had no creative depth.
While it’s true that difficult (i.e, non-catchy) music is seldom very popular, there is no reason to suppose that the ‘masses’ automatically reject technical innovation; if a record is hot enough, people will buy it, no matter how innovative it is or isn’t, and the truth is that most listeners neither know nor care about the level of technical innovation in a record. In any case, it is demonstrably untrue that the Beatles’ music was not technically innovative. Among the techniques that they pioneered in popular music were: controlled feedback, automatic double-tracking, use of tape loops, use of Indian musical techniques, use of chance techniques, creative use of studio technology (feeding Lennon’s voice through a Leslie speaker on Tomorrow Never Knows), etc. And those are just their innovations in recording technique; their innovations in musical style and songwriting are too numerous to go into.
>been browsing /mu/ for years and still have no clue what shoegaze is because I literally don't even care enough to google it
Kek, I believe this
>>73850574
you've been browsing moo for years and have never listened to Loveless? I doubt that a little bit
>>73850597
I've been browsing for years and I have no clue what Radiohead sounds like.
1. Heroin - The Velvet Underground
2. Good Vibrations - The Beach Boys
3. Gimme Shelter - The Rolling Stones
4. In My Life - The Beatles
5. Redemption Song - Bob Marley
6. Drowning Pool - Bodies
7. Road Runner Blues - bappreciated
>>73850436
>of all time
>they are all rock songs from the 60s (inb4 bob marley)
ITT: Post the best Ween album
>>73850258
>>73850258
Way to /thread yourself
What the fuck is 21 Savage's appeal? His shit is so boring and uninspired. You could get everything he offers and more from nearly every other trap nigga. When Noisey asked Metro what sets 21 apart he had no real answer!
Thank you for this post Kendrick
derivative samey crap like ever other trap rapper
>>73850195
I literally don't get it. A few anons said to think of his music as "minimilastic trap" but it was still shit
Seriously, is there anything this woman can't do?
A wild bogan appears
>>73850185
Be attractive
>>73850281
I disagree
oh my uggos
miracles fighting!
if I love this album, what other albums should I look at next
The rest of KC's discography, maybe?
Stop listening to prog rock
>>73850749
why
How come youtube acts harsher than the gestapo by blocking basically every Crimson King song? I didn't have even the slightest chance to hear any single of their album "In the Court of the Crimson King"
Is there any free platform to listen to it ?
(since i don't have money :( )
>>73850128
>How come youtube acts harsher than the gestapo by blocking basically every Crimson King song?
Because the artists want it that way.
Buy the CD, cuck.
>>73850148
>i don't have money :(
and it also would be preferable to have audio files to stock into my mp3 player