Archived threads in /mu/ - Music - 2721. page

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“I fucking hate the word ‘edgy’”.”
— Alice Glass (on spin.com e-mail interview)

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So is he gay?

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how do you decide whether you buy an album on cd or vinyl

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>ctrl + f 'Shabazz Palaces'
>no one discussing the two hip-hop AOTY

Apologize and discuss.

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It's 2030. We're throwing a 2010s nostalgia party. We have to make a playlist.

https://www.youtube.com/watch?v=8UVNT4wvIGY
https://www.youtube.com/watch?v=PVjiKRfKpPI
https://www.youtube.com/watch?v=KQ6zr6kCPj8

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https://www.youtube.com/watch?v=DwTQSnAFc4M

6:45

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Any non metal acts that use guitars with more than 6 strings?

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Don't mind me just the best individual thing Dre ever produced

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loyalty loyalty loyatly

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I Can't Believe It's Not Talk Talk!

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is apple music the new what.cd?
they have shit that's impossible to find elsewhere.
Like Thy Mighty Contract's only album.
On that note is there a way to download shit from Apple Music in FLAC? I've been trying to get this album and I aint installing apple music unless I can use it to grab this album

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>jeff magnum

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What music does Chad listen to?

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Avey did it guys. This is really beautiful.

AOTY

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>Brian was originally planning to give [Time to Get Alone] to Redwood (later to become known as Three Dog Night) as he was friends with Danny Hutton. Redwood actually began recording the song on the October 14 and 15. Brian wanted Redwood to become artists on the Beach Boys' label Brother Records but according to Chuck Negron it was clear that "Mike Love and the other Beach Boys wanted Brian's immense songwriting and producing talents used strictly to enhance their own careers". Negron explained the time when Brian's career producing Redwood came to a crashing halt:

>"It all came to a head...when Mike Love, Carl Wilson and Al Jardine came to the studio and heard our version of 'Time To Get Alone'...They maneuvered Brian into the control booth and reduced him to tears. It was a cruel and pathetic scene. Danny, Cory and I were in the studio and could see it all happening through the control-booth window. It was as if Brian had turned into a little boy. The conversation appeared quiet and calm, but we could tell it was emotional and intense. The others were doing most of the talking, like overbearing, controlling parents. Brian would move away, and they would block his escape. We couldn't hear what was being said, but I think a good lip-reader would have picked up something like, 'We don't give a **** about these guys, and we want those songs for us.' We could actually feel Brian crumbling, and when he came out of the booth, a tear dropped down his cheek. His head was lowered and his shoulders sagged. It was the body language of a child who had just been scolded and punished. And this brilliant musical icon - whose songs defined one generation and influenced another - weepingly told us, "We can't do this. I have to give the songs to them. They're family and I have to take care of my family. They want the songs. I'll give you any amount of money you want to finish an album, but I can't produce it. They won't let me."

Why did they bully Brian so much?