I NEED A CHICK
TO SUCK MY DICK
Yep, Devo made a song with those lyrics in it. What a great thread
I NEED A DOG
TO LICK MY HOG
Man, they were so cool in the beginning, and then they went downhill after Are We Not Men.
Post great albums that /mu/ rarely or never talks about.
>Alan Parsons
>good
Lmao
>>75066577
>Alan Parsons
>not good
ROFL
Holy shit
fucking rip
youtube recommendations are the best
>>75066490
>Hello hallucinations.
>I DON'T WANT TO GO INSANEEEEEEEEE
Twin Fantasy is basically catharsis-core
>WHEN WE DAAA-AAA-AAA-AAANCE
ITT
>>75067585
It's an album about people fucking, loving each other, then hating each other and getting over the relationship in a healthy manner.
Nu-males would sing about unrequited love and never get over it.
Artist biographies, music history, music theory, or just works that happen to involve music in a central way.
Pic related is one of my favorites, up there with High Fidelity for me.
It's written by a musician, and West Berlin had a notable music scene, so it must count as mu related? I imagine it's a great read if you live in the right country to buy it
The fact that so many books still name the Beatles as "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics are still blinded by commercial success. The Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers. No wonder they will think that the Beatles did anything worthy of being saved.
In a sense, the Beatles are emblematic of the status of rock criticism as a whole: too much attention paid to commercial phenomena (be it grunge or U2) and too little to the merits of real musicians. If somebody composes the most divine music but no major label picks him up and sells him around the world, a lot of rock critics will ignore him. If a major label picks up a musician who is as stereotyped as can be but launches her or him worldwide, your average critic will waste rivers of ink on her or him. This is the sad status of rock criticism: rock critics are basically publicists working for major labels, distributors and record stores. They simply highlight what product the music business wants to make money from.
Hopefully, one not-too-distant day, there will be a clear demarcation between a great musician like Tim Buckley, who never sold much, and commercial products like the Beatles.
Go to bed, you scruffy wop!
It's only rock and roll, you square.
The fact that so many books still name OP “the greatest or most significant or most influential” faggot ever only tells you how far faggotry still is from becoming a serious art. Gayness critics have long recognized that the greatest gay musicians of all times are Elton John and Jimmy Somerville, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical gayness critics rank the highly controversial Tchaikovsky over classical homosexuals who were highly popular in courts around Europe. Faggotry critics are still blinded by commercial success: OP sucked more dicks than anyone else (not true, by the way), therefore he must have been the gayest. Gay critics grow up listening to a lot of gay music of the past, gay classical critics grow up listening to a lot of gay classical music of the past. Faggotry critics are often totally ignorant of the faggoty music of the past, they barely know the best sellers. No wonder they will think that OP is a gigantic winged faggot.
>>75066331
I don't even like reggae
This album saved rock music.
Fuck.
yes, and Currents killed it
>>75066345
Currents is the best tame impala album
Closely followed by lonerism
Innerspeaker is still none the less great
>spontaneous ambient phase
>eternal ambient phase
>>75066287
is she asleep? because then this thread would make sense
>sound collage interlude
>FEEEEEEEEEEEEEEELS SOOOOOOO GOOOOOOOOOOOOOOD YOOU'RE COMING HOME SOOOOOOOOOOOOOOOOOON
>you will never hear this album for the first time again
Feels bad man
https://www.youtube.com/watch?v=rYZeobhNjRI
WHERE THE WALL THO?
*knock knock*
Holy shit
just shit
What albums would /mu/ recommend to a sycophant like myself?
https://vocaroo.com/i/s1e9bsKD6p9z
Judge this shitty piece I made in Musescore.
>>75066090
Great. I see a lot of potential here. The second half in particular really fucked me up. Please continue to produce more music.
>>75066314
Thanks, wasn't expecting that honestly.
>>75066090
Is this a Civilization Phase III demo?
Why is he so underrated?