I just finished this masterpiece
But i just can't see the point of the very end
!SPOILER AHEAD!
I get what Kririlows idea was about, camus made that very clear in myth of sysiphus, but what was Stawrogins motive to kill himself ?
In his final letter he claimed he could never kill himself because it would be just another of his lies.
So what does his suicide mean in the context of the book ?
Unfortunately, I can't quote because I read it in German, sorry about that.
fuck you no you didn't.
Just ordered a few books from B&N. I live in South America, and they sent it through Asendia. Are they any good? Any experiences with them?
From the Barnes and Noble publisher or different publishers selling through Barnes and Noble?
Most often there are better editions than the Barnes and Noble ones
>>7683852
From B&N. They're the B&N leatherbound classics, which are beautiful and incredibly cheap.
>>7683857
>inb4 meme
Also, where are you from? In Brazil the dollar is expensive as fuck. I really want to buy in bookdepository but I'm just a PoorLatinAmericanFag without money in the bank.
What is the best translation of Parmenides' "On Nature"?
The sources I'm finding online can differ drastically, and when I try to discern between them I find too many holes in an otherwise (fairly) concrete or cohesive understanding.
I swear to God, skimming the wikipedia article might be just as fruitful
Ya use the wiki. There's not much there.
Self bump
Also, appreciate it if someone could post a non-cancer resolution of the OP image
Page 211
http://gen.lib.rus.ec/book/index.php?md5=29a7537d69f2a65d8968ab6c2651ad45
>The Greek Daedalus built the labyrinth, a nearly impossible maze
>Stephen Dedalus (James Joyce) wrote ulysses and finnegans wake, two incredibly obtuse and puzzling novels
>OP wrote >>7683756, a post whose purpose is nearly impossible to ascertain
>>7683783
Good taste in anime girls, tho
>>7683795
That he does.
/lit/ what philosophy books can I read so that I may think and act more like Tyler durden? What would he have read? And what's a good chemistry book to read?
The Ego and Its Own by Max Stirner.
The anarchist cookbook
This is an 18+ only website.
Is Chaucer the best poet since Shakespeare?
>>7683628
Milton is better than both.
>>7683633
lolno
Gr8 b8 m8 8/8
Daily reminder
>>7683619
Would Lovecraft have had brilliant prose if he were not burdened with autism?
Here antagonistic trolling and retarded sincerity become indistinguishable.
>>7683619
Twain being better than Lovecraft is as obvious and verifiable as gravity or the sum of two and two. Why even point it out?
Which author do you think as the smartest fanbase? And while we're at it, which one has the dumbest? Gaddis fans seem pretty informed.
>>7683588
You'd kinda have to be at least slightly above average to actually appreciate Gaddis. I read a bit of The Recognitions and it's great so far but it has to be one of the most casually dense books I've ever seen.
What's the point of this book?
>>7683571
It's okay to act autistic during a funeral and then murder someone because life is meaningless, man.
>>7683571
It shows to what extent morality is a arbitrary and a construct.
In the ilght of post-modernism, it isn't as ground-breaking as it was back in the day (of modernism).
It's well-written enough that you can enjoy it without foregrounding the philosophy though.
>>7683579
Oh yeah, and I also forgot about the time he helps an abusive husband, because who cares if a woman gets beat up! Life's meaningless!
What's a good edition/translation of The Three Muskeeters? I cant find a general consensus on what a good english translation might be, and I only ever see shitty editions with a dozen different translators.
>muh translation
>>7683563
learn spanish, amigo
>>7683586
Teach me it
>>7683586
It might be useful.But not to read a book written in French
(Bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk!)
That's what God said when he kicked out Adam and Eve. No joke.
>>7683542
I watched a video about this phrase. Apparently it's an amalgamation of the word "thunder" in multiple languages.
How would you characterize literature described as "operatic" vs "balletic" vs "balladic", et cetera? What connotations to those words hold when translated from a musical stage into written word (or adapted written word, a la movies)? What words, phrases, feelings come to mind?
For me, "opera" implies something austere, perhaps pretentious, and sticking to the classical dramatic story arcs of tragedies or comedies. Whereas "ballet" implies a story that's more personal, fleshing out actual characters, and focusing on accentuating very particular light or dark traits of the main character. And "ballad" suggests a story that's rooted in a culture or subculture, retold for either nostalgia's or for irony's sake.I know literally nothing about classical music/stage performance, and the above is pulled from me having watched Black Swan, TDKR, and being subjected to a lot of country singers.
>How would you characterize literature described as "operatic" vs "balletic" vs "balladic", et cetera?
I'd characterize that as being pretentious. Where did you see people describe literature like that in the first place?
>>7683594
Pretentious, maybe. It'd be pretentious if someone only used the word because it sounded like a Cool Word to Use, but translating the structures of art forms into other mediums is nothing new. Which is why I want to have a better gut-level understanding of words like the above (feel free to add more to the list) for my working vernacular.
>>7683707
Well, I've never seen anyone describe a book as "balletic". And, anyway, such descriptions sound pretty pointless when the reader (in this case, you) has to ask other people to explain what the critic wanted to say.
Hey you il/lit/erate losers!
I'm writing an essay on Freud for a mid-term in second year university. Here's my thesis:
> The compulsion to repeat in people with traumatic neurosis is a repressed instinct—it is a function of the death drive. In order to help the person transform their fright into anxiety, it fights against the self-preservative instincts which originally repressed the memory of the traumatic situation. It does this because in fright the person’s life is not in their hands and, therefore, neither is their death.
Do you think this is good? Any counter-arguments I should try to discuss?
That sounds quite far fetched to me.
The noir/hardboiled genre has been parodied to death, but what are the books that play all the clichés straight?
Stuff like trenchcoat-wearing, alcoholic detective, long inner monologues and gritty violence, done 100% seriously.
James Ellroy
>>7683442
Which book should I start with?
>>7683423
Gun for sale, graham Greene is exactly this.
Can we talk about Foucault's ethics of care of the self for a moment?
>>7683395
I'm about to dive into the book later today, so not sure how much I could add until then. My only familiarity thus far comes from a (very) few essays and interviews I've read by/of him.
The basic understanding that he operates with is a basic adherence to ideology as the driving force for action, thought, and thus ethics; the dichotomies set up by a society determine what is considered deviant (obviously) and dangerous (a very loaded term when he uses it, which I'd recommend that anons look up in greater detail).
Ethics, as they concern the "self" (which is what The Care of Self is supposedly about), arise along three axes, depending on the type of society you're in: pleasure, actions, and desire. They become more or less relevant in a particular culture's context.
An interesting subtext that I've found so far is how Foucault deviates from Marxism, in the sense that the "self" is conceived of and cared for on a personal/individual level. i.e. the "self" isn't a direct result of the Marxist idea of economic reproduction and ideological apparatuses. The ideology produced in society instead merely determines the particulars of a society's ethics (as they pertain to pleasure, action, and desire) and thus the ways in which someone can deviate, but doesn't implicate the actual production of the self.