>there is now Orthodox dystopian YA
How do we feel about this?
as usual, catholics do it better
>>9476087
that's right!
see pic related for top tier catholic YA, though STRICTLY SPEAKING it's not exactly fiction
>>9476011
Is that a loss meme
What are some good books for lower IQ folks? xD
Qur'an
IQ of 98 here, I really enjoyed Ulysses, has some nice zany humor and fart jokes etc.
The God Delusion.
Has a respected author ever written something truly cynical and exploitative, even under a pseudonym?
By something truly cynical and exploitative, I mean a calculated knockoff designed to cash in on the current fads in the pulp fiction of the time.
For example, Yukio Mishima wrote chatty articles for women's magazines.
William Faulkner apparently did Hollywood scripts.
Has there ever been a case of these cash-ins coming back to haunt an author?
>>9475970
Dickens and other 19th century authors who wrote for serials made careers of it.
opus pistorum
>The following is an affidavit filed by Milton Luboviski at the United States Embassy in Paris on March 10,
1983 affirming the circumstances under which he commissioned Henry Miller to write Opus Pistorum:
In the summer of 1940, I was a partner in the Larry Edmunds Bookshop at 1603 North Chuenga
Boulevard in Hollywood, California. In September of that year, Henry Miller arrived at the bookshop on a
Sunday afternoon when the shop was closed. He knocked on the door, introduced himself and I
admitted him to the shop. That began a friendship which lasted some thirty-five years or so. At that
time, Henry had little or no money and knew very few people in California. I befriended him, helping him
with money from time to time, introducing him to people and, at one point, finding him a place to live.
On September 1, 1941 Larry Edmunds died and I became sole owner of the bookshop. In those days the
shop was not doing well and I supplemented our income by selling various items of pornography
whenever it was possible to obtain them. My customers were mainly studio producers, writers and
directors such as Joseph Mankiewicz, Julian Johnson, Daniele Amfitheatrof, Billy Wilder, Frederick
Hollander, Henry Blanke, and others.
Henry, being in need of money, offered to write material for me that I would be able to sell. I offered to
pay him one dollar per page in return for all rights to the material he would write for me. Shortly
thereafter he began to bring in several pages at a time and I paid him in cash at the agreed rate. Within
a few months the pages had accumulated into a complete book which he entitled Opus Pistorum.
When he gave me the last pages, around the middle of 1942, I recall his saying "Here is the end of the
book. I hope you make a few months' rent from it."
I retyped the entire manuscript, making four carbon copies. I then had all five copies bound by a book
binder and, thereafter, sold copies to Julian Johnson, Daniele Amfitheatrof and Frederick Hollander. A
few years later, I gave a copy to my friend, Robert Light, and kept the original for myself.
Lately i've been looking into the physosophy of good and evil,the angelic and the demonic and so on.I am looking for a book that explores the duality of concepts like these,any suggestions
>>9475907
Beyond good and evil
>>9475907
Suck my cock, dirty slut.
>>9475907
>reading a guide on the writings of two people instead of reading the actual books, posting it on social media because of how obsessed you are with yourself and waiting for a response
This is why I hate women more and more every day.
How can this be considered a good book when it's just filled with gibberish? It has no theme, no plot, and only absurd dialogue! How can you stand by this and retain it a masterpiece!
>>9475892
>It has no theme, no plot, and only absurd dialogue!
They were waiting for Godot.
>>9475892
>calls a play a book
Please be trolling
>>9475895
Godot is a mere concept... we don't know if he exists in fact
Hey nerds, /fit/ here
read... THIS
>>9475802
kek have you even started with the greeks bro?
busy reading the Bodyssey. no time for manlets and brainlets.
>>9475802
>not being /litfit/
>not reading a book in the gym between sets
Is there such a thing as a violent or aggressive writing style? I feel like prose is really good at creating a sort of lush, lyrical or dreamlike aesthetic, or a kind of sparse, precise mathematical aesthetic, (and of course countless other things) but I have yet to experience a sort of violent writing style. This, of course, is unrelated to the subject matter of the prose itself. Music, on the other hand, is great at creating this sort of raw, more primal aesthetic. Take Iannis Xenakis' work, for example, or, to get memey for a second, Death Grips. You guys got any examples of violent, aggressive prose?
>>9475754
Kant sounds pretty pissed of in his Prolegomena.
>>9475754
There is but you would be non-stop cringing at it, just how you'd cringe at musical lyrics if you took the background noise away for a moment.
Imagine the difference between being at a Death Grips concert and growling tough lyrics in mass of energized people, then imagine reciting the same stuff calmly at a Christmas dinner and having everyone analyse it.
A book takes away the cringeprotectors. Try reading Elliot's manifesto or SJWs on Facebook to see how that style sounds in real life.
>>9475754
Form can be violent and aggressive more so than content because content is contextual and demands more of intellect than does form. An edgy poem written on a scrap of paper handed to a friend is not going to have the same effect as a well orchestrated propaganda campaign where the content is plastered everywhere.
I like to imagine poems like bombs, bursting through wires onto a billion screens, some content bouncing around like an old Microsoft screen saver. That'd be aggressive prose. Style is worthless.
Recommend me books that explore why human beings derive pleasure/catharsis from tragedies? Why do we find beauty in sorrow and suffering?
A great book.
>>9475700
https://en.wikipedia.org/wiki/Catharsis
>>9475722
>Man's Fate
>commie chinks loading a cannon
Why?
There are.
You just have to view them from the right position.
That position being a position of power.
*teleports behind you*
>>9475712
The socialists number 1 target.
What is some good anti-German literature?
>>9475608
Anything from Dostoyevsky
>>9475608
Speeches by Angela Merkel.
>>9475608
Green party program
Any french anons that passed their bac here ?
I'm looking for general tip, ways to study, basically anything that can help :)
>>9475561
You should probably ask that question in French.
>>9475561
j'ai eu 9 à l'oral
>>9475644
Vrai ou blanc ?
https://www.youtube.com/watch?v=wW253CUrm1A
who is able to emphasize?...
i can :)
shut up nigger this thread is retarded
ok
A few questions moveth I, & so I shall give them breath.
>Firstly; how do you manage to read?
For me, reading is an arduous process, especially, novels & monotonous/prolonged history books. Articles, pamphlets & academic books will serve me well (Mechanical Engineer).
I've recently found myself rejoicing over political and philosophical subjects. So, how do I do it, make a timetable? On the bus? How?
>Secondly; I've been recommended a book on philosophy, an introductory one (think it's called Introduction to Philosophy), written by four authors, please help me pinpoint the authors; all links welcomed.
Pic unrelated
T-Thanks.
This thread is going to go well.
>>9475440
Are threads often this slow here?
Hopefully, everyone's busy perfecting the replies.
>>9475436
I'd gladly paint my cock black for her.
When writing science fiction or fantasy, how do you acclimate your reader to your setting without drowning them in exposition?
In my mind, I've got this pretty intricate setting that's relatively unique in a lot of ways, but after going back and glancing over the beginning of my first draft, I can tell that it would be pretty confusing to try and get everything straight.
In the first "part" of my piece I go over:
>The caste system of the main protagonist's culture
>The physical description and morphology of their race
>I drop some designations for various military ranks of magic users and secret police.
>Use character "names" that sound like robot names, like RC-3L and 045.
>Use some vague Sci-Fi terms with the idea that I will go in to more detail on them later.
On one hand, I'm worried that anyone that read this would get overwhelmed with all of the sudden exposition, but on the other I feel like it might be a sort of "trial by fire" where if they stick to it, the reader can be rewarded with an eventual explanation for all of these things.
Also, how do you deal with people that only look at the surface of your work or hear the elevator pitch and automatically label it as "derivative"? (Mind you, I'm just a younger guy that's writing some sci-fi adventure stories for fun, with no intent on getting published.) It feels like whenever I describe the story I'm trying to tell, they are caught up on it being "like Star Wars".
Holy shit stop writing science fiction and fantasy. Fuck.
>>9475405
>Use character "names" that sound like robot names, like RC-3L and 045.
>Get's mad when people say it's like star wars.
>>9475414
Why? Is all genre fiction inherently worthless?
What if it's fun to write?
Is there anything worth reading that came out of this god-forsaken shithole of a country? How can a country as populous as this one be such a literary lightweight?
t. pleb
sienkiewicz
mickiewicz
milosz
lem
dont be such a pleb
joseph conrad
danielewski