Archived threads in /ic/ - Artwork/Critique - 22. page

>>3128260
>You cannot make "perfect" art and be financially successful unless you have the capacity to pump it out at a feasible rate, which is to say you can't.

The construction part of a painting is the one that takes the least amount of time. Doing it right doesn't consume any more time than doing it wrong unless you have to go back and correct errors over and over again.

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>>3128247
>asking /ic/ for anything but a reason to kill yourself
Actually kill yourself

>>3128251
Shitposting is prohibited.

https://www.pixiv.net/member.php?id=902690

cool

i'm in toronto but i'm more focused on grinding and textbook exercises than long landscape drawing sessions.

>>3128180
anti-art

>>3128192
like dadaism?

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>>3128180
>http://www.newstatesman.com/science-tech/internet/2016/11/art-youtube-poop

>>3128141
3D artists work off of concepts and orthographic drawings from 2D artists.

They don't just smash out the first dragon that comes in their head and shit it straight into the game.

>>3128141
There are many different kinds of job in the games industry. You could do fucking HR if you wanted.

Knowing both is best.

Nobody here give a fuck about your bullshit, grow some fucking balls or gtfoc

Manga artists start with a B5 notebook and a dark blue Col-Erase pencil for drawing the outline. Then they transition their ideas to professional paper.

Some people can jump right onto Deleter paper, but you should familiarize yourself with the practice method first! If you've drawn something a few times over you'll never quake when it's time to ink.

>>3128035
>want to make a comic
>have a generic idea in mind of what I want to do and some places to start
>write 1st draft
>2nd draft
>13th draft
>it's okay I just have to keep trying
>more and more
>realize I just can't write
>it's okay I'll go with a draft I don't like that much but is serviceable
>my drawings are shit
>i-it's okay I just have to keep trying to get better
>tfw I finally admit I've been fooling myself while grinding endlessly without result
>deleted everything, every project, every social acc because fuck it
>now letting out depressed rants on /ic/ while I try to quit drawing completely

There's already an animation thread

>>3093799

As you can probably tell most of the movements are rotoscoped, I used this technique because I was looking for a very fluid effect overall. I'm also a huge fan of animators like Bakshi who employed lots of rotoscoping in their movies

>>3128030
crap! I'm really sorry.

Will post on that, thanks a lot for the heads up

trash

>>3128025
okay

>>3128015
I heard it's pretty cool to see in real-life.

Bear in mind, there's a lot of quality loss involved when viewing this on a computer-screen.

The original painting > Lighting and surrounding > Lens system of camera > CCD > Signal processing > File format > Computer screen

Except it's not? If you offer enough money to professional artists, they'll mentor you and crit your shit. Daarken even has digital courses where he'll redline every single work you send him.

>>3128003
Link?

>>3127972
needs more loomis

you happy now?

>>3127936
Needs more loomis.

I thinks it racist

>>3127939
Man i sure am on 4chan

>>3127935
bump?

>>3127802
No.

>>3127802
Nope

>>3127825
>>3127827
post work, what made the old masters great back then (their passion and drive) would still make them great today. the only difference would be the type of art produced

>>3127786
Should you feel bad for using a ruler or compass with traditional media?

>>3127793
it's just that it makes stuff too easy that I feel like I'm not helping myself fully practice

>>3127786

I personally don't use it because every drawing is practice in itself, it feels as if if you do it you'll improve a little less.

Do what you are comfortable with tho.

my work:

locopier.tumblr.com/archive
imgur.com/a/XkCZe

i'm assuming you want to get into their animation program
seems you've got a solid grasp of backgrounds when it comes to cities, landscapes are there too but a lil underwhelming. you've got the referenced figure studies down and a surprising strength when it comes to vehicles, something many artists loathe. where you really seem to be struggling tho is when it comes to stylizing or simplifying the human body. if you're trying to get into their finearts program (do they have a finearts program?) then this isn't much of a problem, but when it comes to animation, you need to be able to quickly and effectively draw the human figure, usually in many styles. the only two pieces i see where you branch away from the more realistic style of your studies are severely disappointing compared to the rest of your work.

keep in mind that stylized doesn't mean drawing without reference, in fact, being able to draw a stylized version of something from reference is pretty important. you seem to be working on that with faces with that recent post on your tumbly but try extending it to the entire figure as well. also if you aren't doing quick gestures you should be working on that, helps with internalizing ways to quickly and efficiently internalize and reduce the human figure. and don't forget about legibility, also composition, tho hopefully they'll be teaching you that there, but having some bits in your sketchbook showing that you're already thinking about it an experimenting can help you a lot

also just remembered that you should have some animals in your portfolio as well. horses, dogs and cats are some go to ones that you'll more than likely need to be able to draw in some capacity if you want to work in animation but be sure to throw in some varied species, this is a thing i see many people forget.

apologies if you read all this if you're tryin to get into a different department lol
also good luck on learning french if you haven't done that already cause i hate that language

>>3127646
this was extremely helpful. i've been thinking a lot that I need to stylise and abstract, but it's good to have someone else come in and point it out. thank you, anon.