Is it renewed yet?
Animation Domination is dead and Golan the Insatiable has been met with lukewarm reception from every angle, so it will probably never come back.
>>82416525
No, but the new Adventure Time princess is clearly the grown offspring of Golan and Dylan.
Why is life so unfair?
What do you guys think aboutPidge being a reverse-trapon the new Voltron series?
http://www.cpl.com.pe/voltron-eng/
>>82416320
I think it's enough to get me to watch the new Voltron series.
>>82416320
>Keith
What a ridiculous name
Another reboot, another ded Sven.
>$4.8 million
What happened, /co/?
>>82415980
It's a video game movie.
The advertisements barely featured the title characters.
>>82415980
Ratchet and Clank made $4.8 million in the box office during its opening weekend.
What are some /co/-related youtube channels you would recommend? I need more quality content on my subs page
>>82415889
Me.
>>82415925
show it to me then, anon
>>82415943
/co/ knows who I am.
She doesn't deserve him.
Didn't she try to kill him in winter solider?
>>82415826
Don't care, I just want to see Steve get laid.
>>82415826
She also does nothing in the movie, replace Widow fucking when?
SCOOBY-APOCALYPSE PREVIEW
>>82415764
>>82415771
>>82415785
What is your favorite Samurai Jack episode?
JUMP GOOD
>>82415636
Not in any order
>Ink
>300
>His origins story
>>82415636
I like the assassin robots and the dome of doom
Comics that are style over substance.
>>82414964
The majority of Big 2 comics these days apart from very occasional minis and limited runs.
>>82414964
>interesting world, premise, and history
>characters are an unlikable bunch of imbeciles
>>82414964
What comic is this?
Anyone know of any western sports comics? I know there's plenty of mangu for it, but for Western stuff I've only come across pic related and Harlem Heroes
>>82414723
With recent developments in aquaman I would expect some sports in the next few issues
>>82414723
There were a few mediocre ones in the Golden Age. Not really any now.
>>82414723
Marvel tried a manga-tennis comic and it was shit
AAAAAAAAAAGGGHHHHH
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAGGGGGGGGGGGGGGGHHHHHHHHHHHHHHHHHHHH
>>82414501
INCREDIBLE POWER
AAAAAAAAAAAGH
I now seal the Phoenix with the power of AAAAAAGGGHHHHH
Who can stop Carmen Sandiego?
>>82414490
No one can catch her ass unless she wants to be caught. She stole the damn Statue of Liberty once and can even steal abstract concepts. She went back in time and 'stole' mankinds knowledge of medicine. There is no stopping her.
>>82414570
She even stole the Mason-Dixon line.
>That Halloween episode where Carmen disguises herself as Ivy
Well at least he still talks. I guess.
>>82414455
Super hipster shaggy and cyber dog scooby doo
never been done before
So the headset lets him talk
>>82414650
It's not clear. Apparently all it does is the emoji shit? Or maybe Shaggy's the only one that understands him without it.
>"muh deep lore" fags BTFO
>>82414441
the cancer of modern cartoons
>>82414441
You already know people are going to treat the series like the deepest lore anyway.
Any serioalized series is going to have character development and world building just by the nature of the format, but that doesn't preclude the show from being funny
>Tom King is about to have a very interesting 2016.
>Not only was he announced to take over the reins of Batman from Scott Snyder as one of DC's newest exclusive writers, but his Vertigo creator-owned series Sheriff of Babylon and Marvel title The Vision are two of the consistently top-reviewed titles in the past year by our own Best Shots review team. King was also recently nominated for an Eisner, along with John Paul Leon for the short story “Black Death in America” in Vertigo Quarterly: Black.
>With such a hyped year ahead for King, Newsarama sat down with the author to talk about his upbringing and why he considers his career everything he could hope for. We met up at Washington, D.C.’s We, The Pizza for some slices and comic talk and all things Tom King.
>Newsarama: So, Tom, what do you have lined up this week that you can at least talk about?
>Tom King: This week I’m finishing up Batman #4 and starting #5. So that’s just a little bit of a thing I have to do.
>Nrama: No big deal, right?
>King: None at all. Assuming it gets passed the editors, too. Then I rotate back to The Vision and Sheriff of Babylon.
>Nrama: You have a lot of books out right now…
>King: I do have a lot of books out.
>Nrama: Did it feel weird to get a collective amount of praise all at once for them? Was that something that applies a lot of pressure or do you feed off of it?
>King: I feel like I started at a level 10 pressure and there was no 11. When somebody first told me hey, you’re going to write a comic and we’ll pay you for it, it’s not going to go up from there. So when I’m told “that comic is good,” I say well I have to do the next one whether you like it or not. It’s always stressful to face that page. The stress level
>Nrama: Yeah, but given your past as a C.I.A. operative, the stress level has to be somewhat lesser than that, right? Emotionally, how do you go from a position like that to where you are now?
>King: I always wanted to write comics. Growing up I was a super nerd.
>Nrama: Never would have figured.
>King: [Laughs] Right? Never would have figured.
>Nrama: I mean, let’s be honest, the C.I.A. recruitment process is a bit weird as is.
>King: Yeah, it was weird. The whole thing was weird. Comics recruiting process is a little weird [laughs]. There are both situations where you have people saying you’ll never make it and this dream is impossible and you won’t get there. So have that in common. Also, they have places where you enter the field and you look to the left and right of you, you see that the people next to you are much more qualified than I am [laughs]. I don’t stand a chance! But maybe, it prepared me in a way because when I was told this is impossible I got to fire back with how I’ve done the impossible interview before, bring it on again!
>Nrama: When did you realize that you wanted to get out of your C.I.A. position and start writing?
>King: It didn’t come out of nowhere, I interned at Marvel and DC when I was in college and wanted to write comics growing up. That was a life goal for me as a kid. My mother wanted me to either become a lawyer or a doctor. Jewish mother, so you understand. Also I grew up in Hollywood, but it wasn’t like "Oh, all these people around me have jobs in entertainment," it was more like wow, all these people are unemployed entertainers. It’s like winning the lottery basically to make it. I was supposed to go into law school and then 9/11 happened and I did this C.I.A. thing. So, then I had a kid and I worked back here at DC for a while doing connect-the-dot stuff.
>Nrama: Were you at headquarters in Langley?
>King: I was, but most of my career was not. The last portion of it, I came back and it was more of a desk job and watch people the do the job I more wanted to do. I was big into counter-terrorism, loved going overseas and that’s a very good job and very rewarding, but I had a kid and to be really good at that job, you have to be around 15 hours a day. With the counter-terrorism you have to be able to go 24/7. So those were the options I was looking at.
>My dad left when I was young. I didn’t have a dad. I’m part of that divorced generation and didn’t want to do that to my kids, so I took a year off and became a full-time dad, changed diapers and all that while my wife worked. I wrote at night, eight hours a day, three times a week and slept during the day while the baby was napping. After that year was up, we reevaluated the situation at a Starbucks. The one where my wife and I met, actually.
>I had sent in a short story that had been rejected twelve times and got one nice letter back essentially saying “you’ve got potential." And I’m like, yeah, maybe I do have potential!
>Nrama: Maybe!
>King: Yeah, maybe! So my wife pulled the trigger and left the C.I.A. and started writing. Honestly, the jobs that were available outside the C.I.A. were all working at a desk, analyzing stuff and security stuff and that never appealed to me. I didn’t have a backup plan, so I just wrote.
>Nrama: You had to at that point for survival, right?
>King: Yeah, I’ve been the desperate writer before. I wrote a novel and they paid me for it and I’ve had those calls from my agent and I’m like, "Do you need me to ghost write a vampire novel? What do you need? I’ll do Transformers...tell me!"
>I remember being at World Con and talking to this guy and asked how many books he published. “Under my own name, I’ve done seven, but I’ve done about 30 in not my own name.” How do I get into that industry? You just need money so you write so you can get bottles and other baby stuff.
>Nrama: You said you didn’t have a backup plan, but going into this, what was your main goal?
>King: Uhhh…
>Nrama: Aside from making money and surviving, obviously.
>King: Oh, that’s number one. Making money. [Laughs] I loved comics and I still do. I think they’re another American art form, like jazz, I felt like there was stuff that hasn’t been explored yet and had room to grow. I started out as a novelist and I think novels have gotten a little stiff, a little repetitive and the energy in comics was much more appealing. I mean, my first novel had comic book pages in it and I just thought if we could turn that energy into something...
>Nrama: What’s your novel?
>King: A Once Crowded Sky, published by Simon and Schuster. Nobody bought it. You can find copies on eBay for a penny, I’m sure, but I love it. I don’t know, I wanted to be a comic book writer. I didn’t have a specific story to tell. I wanted to use panels, I wanted to use word balloons…
>Nrama: You wanted to make a comic.
>King: I wanted to make a comic.
>Nrama: Talk us through that moment of when you first started making comics.
>King: So my novel got published and I became a paid writer, which was nice, and then it came out and nobody bought it so I became an unemployed writer again. I sent out emails to every single editor at Marvel and DC, IDW and Oni...there’s not an editor out there that hasn’t ignored an email from Tom King. Fortunately, I had worked with Cliff Chiang, so he backed me up and told people I wasn’t crazy and Karen Berger at Vertigo helped me get my first break.
ITT: Alternate names for superheroes
>Devilman
>>82414267
Darkman
Nigger.
>>82414267
gigantic hidden behind mountains man