Archived threads in /co/ - Comics & Cartoons - 6469. page

It sounds like you're just misremembering the end to House of M really.

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>>83161740
These are the pages btw

>>83160235
I don't think they're ultimately capable of hurting each other when both are on their game. If we consider ambush scenarios then I guess Spider-Man is the one who can't be caught off-guard while the reverse isn't true.

Ant man would win hands down. Spider-Bitch is a little 14 year old pussy whos only redeeming feature is his aunts hot in the new movie.

Spider-Man obviously.

>>83159449
Best MCU villain. Surprised Marvel hasn't adapted him for their books like they did Coulson.

>>83159556

He has so much potential to be a long-term villain, because he won't stupidly reveal himself.

And because of his natural Redford-level charm, he does have a faux charisma to him.

>>83159805

I even know how to introduce him.

He's the "noble man" who spends forever trying to prove Captain America is innocent. He gets promoted to where he can do the most damage when he succeeds.

Unlike his movie counterpart, his goal is to subtly rebuild HYDRA in a modern image.

He's even willing to fight the older factions of HYDRA to do it, as he sees them as obsolete in his new order.

Thus he is ironically both friend and foe to Captain America, depending on the situation.

He hasn't been indicated at all post-Rebirth so who knows

If they're bringing back the JSA he might go back to being Carter instead of Katar?

>>83159164

So what, would his current origin be just false memories implanted by Manhattan or something like that?

>>83159164
This.

With JSA back, either he is automatically reconciled in continuity or they seek him out to make him remember.

>>83158710
We don't need anot her thread for this. You could have said something in the other Green Arrow thread where this was posted.

Here's your (you)

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>>83158710
Except Ollie has always been a "social justice warrior". The real kind.

He's always fought for social justice against those who built their wealth on the suffering of the lower class.

Robin Hood is an SJW.

>>83158710
The only people upset about this are the people who didn't read Green Arrow comics in the last 30 or so years.

What did you think of that campaign where they wanted people to fax in to save the show?

Oh that? I actually talked to Adult Swim and said ‘what are you doing this for? You already said no to me, I know you’re not going to make this show, and now you’re just antagonizing all these fans.’ Metalocalypse fans who are Adult Swim fans were clogging up Adult Swim’s social media, and they were basically saying “get off my lawn.” First of all, I don’t think Adult Swim wants to come across as the “get off my lawn” network. Secondly, all they did was pour gasoline on the fire and that week and the week after, it made so many people believe that Metalocalypse was coming back, when it was just a dormant, smoldering dead fire. Meanwhile, Entertainment Weekly is trying to get me on the phone about a statement on Metalocalypse coming back, and I didn’t even take the call because I was like “let Adult Swim deal with this, this is such a confusing way to deal with this problem, let it die or something.”

>>83158162
Man, they fucked with him. That's just sad.

They never actually acknowledged publicly what the campaign was about?

No, it was a smug, condescending “fuck you” to the Metalocalypse fans, which again, are die hard Adult Swim fans. But they’re telling them all to go fuck themselves. I want to say one other thing about Adult Swim, because they’re doing a lot of confusing things to the Metalocalypse audience, and I don’t think they mean to. I stand back and look and think what they want to do is try to build out new TV shows to make people forget about Dethklok. If you’re running a network, you want to have new things that people are excited about, not old things that they’ve made a decision to just discontinue for whatever reason. So that makes them really annoyed, when you’re not acknowledging their new shows at all and you don’t care as much as you do for the old one. It happens to them constantly, I think they get that with the anime stuff, other shows that've been cancelled.

But on this show, there’s something that happens on Metalocalypse that’s different than a lot of other shows. After the credits roll you keep thinking about this show. You think about the music, you think about the jokes and the mood and the setting and the fact that there’s a story that continues beyond the episode. We made a show that people think about after it’s over. Adult Swim just wants you to think about the new shows, and I get both parts, and I had a really good run with them and a great time working with them, and I don’t want to start a war with Adult Swim or anything. What I would say to them if I could is that you don’t need to go out of of your way to piss off the fans because they love your network. My whole time with Adult Swim, I couldn’t have asked for a better run. I got to do whatever I wanted the way I wanted to. I didn’t get to wrap up the season the way I wanted to, but so many people don’t even get a TV show. And this is going to stick around for a while in peoples’ heads.

That's like saying Watchmen and DKR are bad because their popularity to 90s edgy extreme comics.

Most modern crossovers are the only important books while the non crossover issues simply uphold the status quo. Mutant Massacre actually gave the books direction. You left Mutant Massacre wanting to pick up X-Men and X-Factor.

Inferno was even better.

What ruined these crossovers was publishers spamming them in the 90s.

>>83157975
The Mutant Massacre was what really turned marketing on to the commercial potential of yearly (and even twice-yearly) crossover events.

There's an old interview with Bob Harras from 1993 (back when he was still the lead X-books editor) where he expressed a very negative opinion about the idea of annual crossovers (and he also blamed Mutant Massacre for starting the trend). Anyway, Harras was pretty unsatisfied with how the X-Cutioner's Saga crossover was executed, and thought that the X-books should take maybe a two-year break from having crossovers (this didn't happen, of course).

I think the interview can be found in the Wizard: X-Men Turn Thirty special. It's all is pretty ironic, considering that Harras pretty much drove Marvel into the ground with crossovers once he became editor-in-chief and his later role with DC's New 52.

>>83158156
>Mutant Massacre actually gave the books direction. You left Mutant Massacre wanting to pick up X-Men and X-Factor.

One of the key differences between Mutant Massacre and all the other X-book crossovers that came afterwards is the fact that Mutant Massacre was an internally developed project—the whole thing came about because the creative teams and the editors actually wanted to do it, and they collectively came up with the idea for the crossover in the first place.

All the X-book crossovers after that were externally motivated. Marvel's marketing department saw how successful Mutant Massacre was so they tasked the X-office with coming up with an annual crossover every year since, whether it made sense within the ongoing individual books or not. It disrupted all sorts of long-term plots that Chris Claremont and Louise Simonson had in place for the X-books.

By 1992 or so (after Claremont and Simonson had both quit Marvel), it got to the point that the X-book writers weren't really plotting the books individually anymore. They'd go on this yearly retreat with Harras and his assistant editors and they'd hammer out a year's worth of plots, all built around selling that year's crossover (as opposed to, you know, telling a solid, self-contained serial narrative). It got so bad that Peter David quit X-Factor (he said something along the lines of "I can't work this way"). I interviewed Larry Hama some time back (he was Wolverine's writer during most of the 1990s) and he described the collective writing process as being akin to drafting a bill in Congress, and how he really had no hand in the plotting on Wolverine anymore (he was pretty much relegated to just writing dialogue), even though he was still credited as the book's writer.

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>>83157436
It'd be really fucking good?

>>83157436

DC would force gaiman to write tie ins for crossovers and have Morphy join the JL

Also art would be done by their farm of webcomic-tier artists, possibly Erica Henderson

>>83160453
Actually, at first Gaiman was obligated by contract to have one DC caharacter on every issue. This is why the first comics had more crossovers with JL and others than the later ones.

Them DC decided to leave him to do his own thing.

>>83157228
>Ed messing things up
>the kankers
>the kids get wise and leave
>eddy gets too bold and fucks it up

Occasionally one of the other kids destroy their scam, or the one monkey episode where they lost parts of Ed's costume and couldn't make the scam work

>>83157228
they were constantly flying too close to the sun

with every crazy scam,instead of taking it easy and acting nonchalantly,they always operated in extremes.

and when they did take it easy,someone else would call them on their bullshit

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>>83157821

Holy crap. This is glorious.

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>>83157011
Of course, they were the good shit.
https://www.youtube.com/watch?v=XqoMjraqzIU

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>>83157011

I grew up with them, so yes

Get that Hannah Barbera out of my face though

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>>83156881
muslim miss marvel > all

>>83157059

Mary marvel can beat her.

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>white Green Lantern
Shameless.

He is a big guy

Why does no one want to talk about Colossus's cock? How can Starlord even compete?

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Is Colossus' cock banded like the rest of his body?

>>83156602
Probably Vision.

>>83156660

That fucking toaster

You do it Tony. Every night you fly out there just to make a pot, which all goes to waste because you don't drink any of it and no one wants to drink that shit in the morning after it's been left out all night, and intentionally put the grounds in the disposal all in the hopes that one day everyone would be gathered in the conference room discussing something deadly serious and you could lighten the mood with one of your pointless non-sequiturs.

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>>83156300
>with season 2 being much better than 1 (the art style switch really helped),

>>83156300

Shitty knock-off of the superior Danny Phantom with a protag you wanted to strangle everytime he oppened his mouth.

>>83156415

To be honest I think the only thing I preferred from season 1 was the dragon designs and I'm a giant faggot so that's not a good point. In his defense season 2 was probably better.

Also I thought it was pretty bleh when I watched it as a youngling because there were better equivalent shows, and now it's still pretty bleh.