Archived threads in /co/ - Comics & Cartoons - 5842. page

>>84323918

He will actually be moderately happy, people around him will drag him down because they don't believe him, donwer ep 11, ending in a more hopeful note

>bojack
>happy

I just want to know who wants him in the play in new york.

Also will he meet Penny or Charlotte again?

>>84323918
why would he suddenly learn how to be happy after literally five decades of sabotaging himself whenever he gets close to it

leave

>>84323874

Personally, nah. You're adding complexity to a design that doesn't need it.

But then, I've always liked Spider-Woman's classic costume.

Well I'm having a lot more fun with her current ongoing than either of her Bendis minis so yeah I'd say s-

Ohh you mean making her barefoot.

Or just general status quo lameness thread, I guess?

>>84323663
>Why did they mix up Freya and Frigga when they're separate characters? Why was Gaea there when she's much more powerful than an Asgardian and connected to every pantheon?
Because Fraction is a shit writer?

I think if Thor wasn't written so horribly, we wouldn't have so many MUH SJW /pol/ incursions.

>>84323349
>Wussley Crusher

>>84323349
On a normal naval vessel they'd have passed that kid round like currency.

>>84323349
Dexter. That's pretty much it. Everything else has the smart kids either A) constantly use overly verbose scientific terms for no good reason and/or B) pull a ton of stupid sub-MacGyver-level shit out of their ass and call it "science".

>>84323266
Because it's shit for pedos.

>tfw no Witch, Magik, and Satanna team up book

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>>84323292
There was a Satanna, Jennifer Kale and Topaz team up book called Witches

No one likes to talk about it

>13*4

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>>84323208

>>84323208
THE HYPERCRISIS IS REAL!!!!1!

>>84323103
He's older and more violent, if that's what you're asking. But you already knew that.

>>84324451

he is not older retarded dumbass

>>84324461
>not older
How is that physically possible? You do realize that you get older every single second?

>>84322572
He's the World's Greatest Detective, he deduced that he must do battle to advance the plot.

>>84322827
So how did Lois know to get the spear?
She wasn't part of any conversation about Doomsday being kryptonian.

>>84322851
She's won a Pulitzer you know, she figured it out with her mind too.

Unbelievable, there are still going to be white people in this movie?

>>84322525
A white girl how boring!
Why couldn't it be a Chinese/Cambodian/Peruvian/Sweatshirt like in my fanfic!

>>84322525
>G W E N
That'll be Liz.

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Here's the Newsarama interview about this one-shot:
>It's 'all hands on deck' for Valiant's summer event 4001 A.D., and that includes the returning Shadowman.

>While the Eternal Warrior seeks to resurrect a gigantic form of the X-O Armor and Bloodshot completes his final mission, Rafer Roberts and Jody Houser join forces in 4001 A.D.: Shadowman #1 with veteran Valiant artist Robert Gil, to tell the story of how Shadowman enters into the world of 4001 A.D. and what the future holds for the resident supernatural superhero.

>In advance of the issue's release July 6, Newsarama spoke with Roberts about expanding his Valiant resume beyond just A&A: The Adventures of Archer & Armstrong and bringing about Shadowman's far-flung future.

>Newsarama: Rafer, generally speaking you are fairly new to the Valiant bullpen. How’s your first year been so far? Anything in particular stand out compared to your previous publishing experiences?

>Rafer Roberts: I’ve been having a blast! I mean, that’s been the case even before I started writing for Valiant, back when I was drawing some back-up stories in the various anniversary issues. It feels more like I’m back in school, hanging out with my friends and making comics than an actual job. Plus, the fans have been very welcoming and incredibly supportive of what I acknowledge are the untraditional superhero comics we’re making.

>A majority of my previous comics were self-published or small press, so the biggest difference is in having a support staff and actual budget. It’s very freeing as a traditional DIY creator to have other people take care of the production and marketing side of things allowing me to concentrate on the story itself. And, of course, I’ve learned a ton by working with Valiant’s editors (the first time I’ve ever worked with editors to this extent). I feel like in the relative short time I’ve been writing for Valiant that, with my editors’ guidance, I’ve leveled up in my writing.

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>Nrama: Valiant seems to enjoy keeping not only a tight-knit group of titles under its wing, but it also leans towards growing a similarly focused group of creators. As a part of the next wave of Valiant storytellers, what characters are you most anxious to sink your teeth into next and why?

>Roberts: As of this interview I’ve just started writing Harbinger Renegades and am looking forward to exploring those kids’ lives and relationships over the long haul. You’ve got Peter, the unstable Omega-level psiot with addiction issues; Torque, the super-strong walking metaphor of toxic masculinity; Kris, the idealistic normal girl who thought she could go up against a god; and Faith, who is able to see the good in a very negative world. These kids tried to save the world and failed hard. They’ve gone their separate ways to lick their wounds, but are going to come back together in order to try again. It’s a fun challenge exploring the mindset and headbutting of people who are both compelled to do good, but who suffered the last time they tried. Plus, it’s got Darick Robertson drawing it, who I have been a fan of for a long time. I’m already enjoying working with him and very much looking to reading the result of our collaboration.

>And, while I’ve been writing it for a little while now, I’d be remiss if I didn’t mention A&A: The Adventures of Archer and Armstrong. Their relationship is such an interesting and complex one that I feel like we’ve only just scratched the surface with them. Also, the incredibly talented art teams that I get to work with – including David Lafuente, Ryan Winn, Brian Reber, Dave Lanphear, Mike Norton and Allen Passalaqua – make me feel like the luckiest boy in the world.

>Nrama: Let’s talk Shadowman. What is it about this character you like the most? What are the story arcs – past or present – that stand out most to you?

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>Roberts: I’m going to admit right now that my desire to write a Shadowman comic was second to getting the opportunity to work with Jody. Getting a chance to work with Jody onthisparticular book was just icing on the cake.

>From a purely writer-ly standpoint, you get a lot of freedom to do weird things in a Shadowman comic. He’s got a great voodoo magic-based power source, an entire dimension of demons and monsters to contend with, and supernatural villains to fight. He also has one of the coolest designs of any superhero around. Now, this particular comic takes place far in the future with a different Shadowman, but I think Jody and I were able to take what makes the present day character great and represent it in an interesting way.

>I’m friends with Justin Jordan who relaunched Shadowman, so his run was one of the first modern Valiant things I read. I’m also a fan of monkeys and smart-ass side characters, so I have a feeling I would have enjoyed his run even if I wasn’t predisposed to do so.

>Nrama: What was the thinking behind bringing you and Jody together to this title, which stars a rather different character from the casts you’ve been working with so far? Why do you suppose this one-shot needed two writers to tackle it?

>Roberts: To be honest, I don’t really remember the exact thought process. It kind of just happened. During the Valiant writers’ retreat last December, during the discussion of what possibilities for 4001 A.D. stories there could be, Jody brought up the idea of doing something with the supernatural side of the Valiant Universe. I liked that idea and asked her if she’d be willing to let me write it with her. We figured out maybe 60% of the story during that weekend and hammered it out its final form over the next few weeks.

..

.:

>>84322256
I doubt synder had anything to do with finger getting that little bit of credit.

Although now that I look at what I just typed I sound just like those faggots who defend synder by saying he had no input in what scenes got cut.

>>84322162
Yes.
Also it's held up with cum.

>>84322196
nah, she literally has horns

Don't jinx it or it'll stop being held up.

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>>84321959
Goodbye baby...

This was actually a really sad moment. Fucked up show.

MEEEEAT

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k

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Fuck your gay shit nigger DreamWorks has the better girls

>>84321787
So go start your own thread for them.