This is adorable
So's this.
Lola best
>>88399866
A non lewd or incest Loud House shipping thread. Is this the Twilight zone?
You guys like my collection?
>>88401788
>Buyng alternative covers
>Floppies on display
I was cool until i notice this
>>88401846
alternate covers are hot though
>>88401788
>Bishoujo Harley
Disgusting. Otherwise, everything is fine.
Britany is cute
>>88399761
At first I thought that was SheZow
Not as cute as us!
>>88401719
Where did you hear that from?
why did they white wash smithers
>>88399734
Because they didn't want to make him the token black character and the token gay character
Why did they white wash Stephen Strange?
>>88399734
Because he was basically a slave, making it pretty risque for him to be black.
Admittedly I haven't seen it yet but can it really be THAT good?
Tangled is underrated but Frozen is trash so yes, Moana's better.
Weakest part is some of the songs have shit lyrics when you examine them but they're all infectious so you don't care while it's happening.
>>88401003
>Tangled is underrated but Frozen is trash
woah, look at the cool kid with terrible opinions. Sign me up for YOUR newsletter.
>>88400956
>HOW
yeah, I can't believe Frozen is that high either.
>Villain starts groping the MC's love interest
>>88399538
any example?
>>88399538
If you've been watching the show long enough for the villain to have the love interest in a bad position in the same room as the mc, you've known the character long enough to be able to put yourself in the situation. You are getting turned on by empathetic cuckoldry.
>>88399538
>love interest starts groping villain
>villain was MC all along
Ever notice how most Robins have two first names?
>Jason Todd
>Tim Drake
>Carrie Kelly
>Damian Wayne
>John Blake
You could even count Dick, though Grayson is a much more recent first name.
>>88400545
What's their last name then?
>>88400607
Robinson.
>>88400545
A lot of superheroes have two first names
>Clark Kent
>Barry Allen
>Hal Jordan
>John Stewart
>Peter Parker
what this tells is that they cannot be trusted, as you should never trust someone with two first names
>Uncle Dummy - Uncle Grandpa and Pizza Steve try to convince Mr. Gus that his ventriloquist dummy is alive.
>Face Fix - Uncle Grandpa and Pizza Steve help Mr. Gus try to get his face back to normal before an important photo shoot.
>UG and Pizza Steve have a misunderstanding
>They clear it up almost instantly
seriously underrated broship.
>Uncle Grandpa and Pizza Steve something something Mr. Gus something something.
>>88399483
>That episode where Pizza Steve finds out that Uncle Grandpa is going to be dissapointed with him in the future
>Does a ton of shit to make sure he looks awesome to him
>Uncle G becomes disappointed for Pizza Steve thinking he would be disappointed
This fucking show
Why are there no bats in /co/?
you just posted one kys nigger
>>88399503
No u
Dude...
Why don't more people talk about Pete? He can be a pretty effective villain, when Disney wants him to be.
>>88399891
He was really generic for a long time till the 90s when he got more fleshed out.
>>88399891
They need to go back to Pre-Mickey bear/badger Pete.
>>88399891
he was best In "A Goofy Movie" where he was portrayed more neutral, but still in the right
hi i'm a bit out of the loop when it comes to cartoons, i stopped watching for a while and have been watching some popular ones recently. I was watching Regular Show (for the second time) and came across a scene in which Mordecai supposedly says "you pissed me off" but it got changed to "you ticked me off" or something in the version i was watching.
Another thing that bothers me is that so many writers would rather place adult-ish characters in childish situations in order to make it more mature (i guess?). My major example is Gravity Falls in which Dipper is pretty much a 21 year old guy, both in voice and character. The bit of maturity the show had was (imo) because it just seemed like these were adults interacting, not children. If real children were faced with these challenges they would probably shit their pants or have a hard time even comprehending what was happening.
Aside from these specific situations, i just find violence (for example) to be a much less recurring theme when it perhaps should exist in some cartoons that want to portray, well, violence. and when it does show up it's like a tiny drop of blood escaping someone's nostril.
the people making these shows don't want to show kids something nasty and that's fair but everyone on the planet knows that kids shouldnt be underestimated regarding what you show them. Some of my favourite shows and films growing up were the ones that didnt refuse to show real life problems or violence. It looks like creators are trying to make smart sensitive cartoons but at the same time refuse to show non kid friendly things, and it tires me to have to watch another episode with the same stupid message about self identity or some other tame subject that is being treated like it's super serious. If kids want explicit content they can just read childrens books, a lot of them have really graphic violence and depressing themes
(1/2)
(2/2)
The old goofy cartoons (the ones where every character was goofy) had shit tons of violence and nobody cared. There was an episode with an adultery joke and a women drivers joke and it was funny, and once again nobody really cared. Secret of NIMH was sweet and it was really gloomy except for the very end, i used to watch it many years ago with other kids when we got together at someones house.
Does anyone remember that Redwall cartoon? It wasn't super good but it was cute and very popular when it was airing. nevermind the fact that someone died every 2 episodes either by falling and breaking their bones or being pierced by medieval weaponry, also it had an entire season dedicated to the theme of child slavery.
Other shit like old Disney nazi propaganda parodies, violence in old Disney and WB shows, and probably more funny ones that i cant remember would never appear on tv today. dont know what happened, i thought people fought for freedom of speech and expressing themselves but it seems to have gone full circle. I dont want violence in every single cartoon and i'm not sadistic or anything, but some of the fight sequences and ""intense"" moments in action shows like Steven Universe (which i think is alright besides this complaint) are just so silly and uh cartoony to the being where i cannot feel stressed/on the edge/worried for any of these characters. It's a bunch of adobe flash symbols moving around, it doesn't feel real. In that sense, i would appreciate if cartoons took some notes from anime (although i am not a huge fan of anime).
Not everything needs to be grimdark but kids would be more convinced that cartoons are fighting eachother if they could see the effect that the fighting has on them. i think they would be more invested emotionally for sure.
this is straight up blog tier post but it just bothers me so much that i had to vomit a wall of text on an action-man roleplaying imageboard. maybe im watching the wrong shows, please tell me so if
What is with you people and complaining about World War 2 cartoons not getting broadcast anymore. Why the fuck would you keep them in regular circulation? It's not cause they're "scared" or "censoring". They have no goddamn place in CN's Bugs & Daffy Power Hour.
It was government propaganda. They were never, ever part of any syndication package. They are readily available and are broadcast when a Turner channel is going a WWII themed slot or something.
>>88400877
>They have no goddamn place in CN's Bugs & Daffy Power Hour
a block like that doesn't even exist though on CN
How many have you seen?
http://ves.fas.harvard.edu/files/ves/files/fvs_suggested_viewing_2012.pdf
>>88399548
III. ANIMATED FILMS (INCOMPLETE)
The Hasher's Delirium (Emile Cohl, 1906, Fr)
Fantasmagoria (Emile Cohl, 1908, Fr)
The Dentures (Emile Cohl, 1909, Fr)
Gertie the Dinosaur (Winsor McCay, 1909, US)
Les Joyeux Microbes (Emile Cohl, 1909)
Revenge of a Kinematograph Cameraman (Ladislas Starewicz, 1912, Russia)
Gertie the Dinosaur (Winsor McCay, 1914, US)
The Sinking of the Lusitania (Winsor McCay, 1918, US)
Rhythm 21 (Hans Richter, 1921, Germany)
Steamboat Wille (Ub lwerks/Walt Disney, 1928, US)
Jack and the Beanstalk (Max and David Fleischer, 1931, US)
The Three Little Pigs (Walt Disney, 1933, US)
Night on Bald Mountain (Alexandre Alexeieff and Claire Parker, 1933)
Betty Boop’s Rise to Fame (Max Fleischer, 1934, US)
Colour Box (Len Lye, 1935, GB)
Snow White and the Seven Dwarfs (Walt Disney, 1937, US)
A Roadrunner cartoon (Chuck Jones, US)
A “Tom and Jerry” cartoon (Tex Avery, US)
A “Woody Woodpecker” cartoon (Walter Lanz, US)
Motion Painting No.1 ( Oskar Fischinger, 1947, US)
Begone Dull Care (Norman McLaren, 1949, Canada)
>>88399606
Neighbors (Norman McLaren, 1952, Canada)
Jazz Dance (Roger Tilton, 1954, USA)
A Man and His Dog Out for Air (Robert Breer, 1958, US)
The Fabulous Adventures of Jules Verne (Karel Zeman, 1958, Czech)
Colour Rhapsody (Mary Ellen Bute, 1958)
Moonbird (John and Faith Hubley, 1959, US)
Yantra (1960), Lapis (1966), Permutations (1967) (John and James Whitney, US)
Allures (Jordon Belsen, 1961, US)
The Flying Man (George Dunning, 1962, US)
The Hole (John Hubley, 1962, US)
Mothlight (Stan Brakhage, 1963, US)
Rhinoceros (Jan Lenica, 1963, Poland)
Love (Yoji Kuri, 1963, Japan)
Jeux des Anges (Walerian Borowczyk, 1964)
The Hand (Jiri Trnka, 1965, Czech)
Water and Power (Pat O’Neill, 1967, US)
Fritz the Cat (Ralph Bakshi, 1972, US)
Mirror People (Kathy Rose, 1974, US)
The Street (Caroline Leaf, 1976, Canada)
La Traversée de l’Atlantique à la Rame (Jean-Francois Laguionie, 1978, Fr)
Asparagus (Suzanne Pitt, 1978, US)
>>88399636
Tale of Tales (Yuri Norstein, 1979, USSR)
Tango (Zbig Rybczynski, 1981, Poland)
Dimensions of Dialogue (Jan Svankmajer, 1982, Czech)
L’Ange (Patrick Bokanowski, 1982, Fr)
Nausicaä of the Valley of the Wind (Hayao Miyazaki, 1984, Japan)
Luxo Jr. (John Lasseter, 1986, US)
The Street of Crocodiles (Brothers Quay, 1986, GB)
The Dante Quartet (Stan Brackage, 1987, US)
Steps (Zbig Rybczynski, 1987, Poland)
Early Abstractions (Harry Smith, 1987, US)
Feet of Song (Erika Russell, 1988, GB)
My Neighbor Totoro (Hayao Miyazaki, 1988, Japan)
Alternative Fringe (Candy Guard, 1988, GB)
The Public Voice (Leif Marcussen, 1989, Den)
Repete (Mikaela Pavlatova, 1995, Czech)
Princess Mononoke (Hayao Miyazaki, 1999, Japan)
Why is this allowed?
>>88398970
Why do you want to censor it?
>in a world where blacks are HATED and FEARED
wew
e
w
>>88398970
>Shot the nigga!
Is Champions the only truth voice of our generation?
https://www.youtube.com/watch?v=q3mOywd92BM
>>88398789
>look at recommended off to the side
>Who's Had Sex With Who In Young Justice?
>>88398789
ChampiGwens sounds better
>Literally everyone is a knockoff of another hero, or literally Cyclops recycled.
>Unironically says "totally awesome" as if it actually sounded awesome
>Everyone tweeting
Oh god how did we end like this.
These days I'm just waiting for some teenage hero who's a total hillbilly redneck nearly 20 years behnid in time and attitude, with a Nokia 3310 that he only uses to call his mum.
LOL
Who do you prefer, the throne-usurper who left her husband for her sister's ex-boyfriend, or the race traitor who consistently finds herself opposing her fellow mutants?
>twitter has a built in poll ability
>but no, let's inflate our retweet and like metrics by doing polls this way
>>88398535
But Storm is sucking Medusa's cock hard in the story line.