Murata is back with the daily streaming, two days left before the new chapter's release.
>ONE is always a slow faggot with the storyboard
>even though his shit art will take less than a couple of hours to storyboard
>instead of Murata having 14 days to work on the manga, he has 4-5 days to finish up ~20 pages
Why is ONE such a lazy faggot?
Did he already draw how Bakuzan gets btfo? I've only seen him drawing the parts where bakuzan is striking saitama, and then when saitama is talking to suiryu with bakuzans foot in the background.
whatever could you be referring to....
Did he mean the whole Superfight arc or this chapter?
If its the former, then we hopefully we get the fights extended, and maaaybe more Garou.
To make up his lack of panel time in this arc.
So did Murata just do 42 pages in 5 days?
This is fucking insane. Pretty puch confirms that the wait is more on ONE's side. Then again I can't feel like accusing him of not being as productive as Murata, his speed is crazy.
I can't keep myself from working whenever I see Murata's stream because when I see how hard working he is and how a lazy fuck I am everyday I can't help but feel like the worst scum on the earth
>>tfw Murata is gonna space out the next few chapters as much as possible so animefags can catch up once S2 airs in Autumn
Quite the opposite, he is clearly the one who has the final say in what the monsters look like in the anime, and at this point he is still adjusting the design as he draws. This means the anime monster designs can't be nailed down until he finish the arc.
It might spoil that they will get Saitamas credit, we know Saitama wont get the credit of everyone from Bakuzan, otherwise he would be in the A class rank by the beginning of the webcomic MA arc.
they could think that suiryu beat the monsters ( as impossibile as it seemed before) and suiryu understanding that the HA is blind and can't even see a true hero in front of their eyes, decides to give money to the new association ( seems he is rich)
Or it could happen in Volume 14 extra chapter like Mask vs Monsters, Murata has started to use the extra chapters to continue the main story.
Or maybe it happens in the anime which was why Murata said the anime will be different than the manga again.
Will suriyu ever recover?
This is three chapter in now of his destruction
Page 42 shows WDM sitting naked and crying since Garou has already trained him how to fucking sit and humiliated him at the same time.
>old chinese comic.
Stop getting trolled by this dumb fuck, dumb fucks.
This shitty amature work is not "old", it's drawn recently. Chapter 155 is from fucking September of last year, YEARS after OPM did that scene with Sonic.
Same goes for Suiryuu scene, OPM predates it.
The chink ripped off Murata, not the other way around.
> those fucking backgrounds
He couldn't bother doing a proper render of the 3d models?
Why is that toothless bitch making this face?
>It's a Chinese web comic ripping off a remake web comic of a web comic.
We need to go deeper.
Jesus why does Murata keep doing this to himself?
>body and mind thoroughly raped
>still argues with Saitama
Hopeless case of retardation desu.
After several dozen of years of experience I guess you just end up having a 3D software in your head.
For some reason that reminded me of this.
Thanks a lot man, i was kind of worried for a second there. Serves me right for doubting based Murata.
I have an idea how this will connect to the webcomic.
Saitama is on his way home when he meets King, King tells Saitama that there is something going on and he has no electricity in city thus he cant play videogames.
Then Saitama tells King to bring his console to his house to play, and we get the infinite combo scene!
Thats just my prediction, the pieces are coming together.
King said he will be going out and Saitama is about to head home, they should get to meet each other and then play videogames like the webcomic.
Once he is fully recovered, Genos will go for Garou instead of heading to Saitamas apartment.
It would explain why Genos could keep with Garou, because Genos got stronger after he got repaired again.
>Miura is supposedly fighting a crippling depression
That was when he was younger, that's why Berserk was so edgy and dark back then. He's 'healed' since Idolmaster came into his life, said so himself.
>he probably isn't rich yet.
One Punch Man has so far sold over 10 million copies.
Manga artists/writers share is generally 10% of the sales price of each book, 40yen per sale.
Meaning, between Murata and ONE they have made $4 million JUST from the royalty of the manga sales. This is not even counting the anime and goods royalty and incentives.
The guy is banking, dude.
Oh damn. Well that's good to hear. I know everyone keeps harping on about the MA raid, but I wonder what the numbers will be like for that and it's aftermath in the Manga.
I forget exactly how it plays out in the webcomic, but shouldn't Bang and his brother Bomb (almost said Blast there, whoops) be fighting Garou soon too? Seems like there's a lot going on if you include that plus Garou vs Watchdog man. So it definitely does seem like there should be a few days or something until then.
Going further, generally writer/artist split is half, so Murata's share is $2 from OPM manga sales.
This of course isn't counting his income from Eye Shield 21, which sold a whopping 20 million copies. Murata has made $4 million bucks off that series.
So total of minimum $6 million (USD equivalent) from the print royalty of the two major series.
Pile up the anime & goods incentives from both series, and he can't be short of sum income of $10 million USD between 2002-2017.
Successful mangaka ARE millionaires, even if many of them seem humble.
The other martial artists weren't allowed to get a single page of fighting screentime up to the end.
Sourface was pretty fucking disappointing for the guy that was supposed to be the second strongest student of Bang.
That's a lot of blood. Bakuzan is fucking mush.
His smile and optimism: DESTROYED
So in Murata's case I'd estimate about up to 30% of his income goes to paying the assistants, probably more in the range of 20~25%.
Paying assistants are very hard for lower income mangaka and sometimes even in the red, but they're not at all an issue for successful mangaka with prints in the millions.
Pricing are set by whatever the artist wants, so yes, there are people who make 100k annual income. Average is 25k or so though.
Oda is the highest paid mangaka in all of Japan by far. He makes over 3 million a year just on manga sales alone, which is DWARFED by other incentives (One Piece is massive money maker in toys, has its own amusement park, etc).
Not even a competition. He can pay whatever the fuck he wants.
It is to the assistants, my minimum wage job pays more and they are only working ~5 days per month.
Is being an assistant considered a part-time student job in japan or something?
>Best mangaka in the market
How much does he make? Hes clearly the no.1 in terms of speed and quality
The average annual income of mangaka is said to be about 40k.
Since that's an average, obviously there are mangaka making far less and in poverty.
Unless it's one of those 10-week run insta-canned people, you won't see anyone from WSJ making that low though.
He changed his face a bit, but still a Saitama face
I doubt it, he doesn't even put it all on a YT chanel or anyting similar, also because of the way USTREAM works hundreds and hundreds of hours have been lost to the void.
He must do it for the fuck of it.
Literally every artist does this. If not other manga, it's going to be inspired by western comics, movies, or actual fights. This stuff doesn't come out of thin air.
Because he both enjoys it and is incredibly successful at it. If he hired someone else to do it, not only would he be depriving himself of his passion, but what says it would continue to be successful?
the fuck are you talking about? Murata is pretty blatant with what he pulls from other anime/manga, especially DB. doesn't make it any better or worse if you don't know what the source is.
Pre-bald Saitama got punched, had his tooth knocked out. Suddenly changed to Saitamaface and got strong.
Suiryu got punched, had his teeth knocked out. Now he has Saitamaface...
Really sucks that the Dialog bubble will cover most of Lin Lin ass.
>ywn ONE could actually update the OPM webcomic at least every two weeks if he wants to
Wonder if he's got another project lined up after MP100.
Just got caught up with the manga after stopping for a while when the telepath arc started.
God, I was not ready for those ayyliens.
Which actually makes me a bit more disappointed in this tourney arc. It's really lacking on a proper punchline to go with the action and drama, the most we got was Saitama playing around with the wig.
>When ONE arrives, he talks about his early days as an aspiring manga artist: how he started drawing manga, how he discovered webcomic, how he took his manga to show to the editor of Weekly Shounen Jump and got snubbed, etc. Then they talk about how popular OPM is overseas. Yamada:"More than One Piece, I heard!", ONE: "It's all thanks to Murata-sensei's great art." Yamada tells ONE that he loves his art, which has a really raw, "punk rock-like" feel, and calls ONE the Sid Vicious of manga. According to Yamada, there are two types of manga artists: one is "the cover band", artists that start out by imitating other artists they admire. They become really skilled at drawing, but for most of them, that's about it, and they are unable to write unique stories that fascinate the readers. The other type is "this is what I think" artists, who focus on throwing in their own unique thoughts into their manga and create exteremely philosophical works. Yamada thinks that ONE is the latter type, and that ONE is so good at coming up with very memorable panels at important moments inthe manga.
Any other mangaka compare to ONE's lore? Going through his interviews is more entertaining than reading Bakuman.
When will we have more of best sister?
A proper punchline? What? Are you talking in terms of comedy? The Deep Sea King arc didn't have one either, anon. Neither did the Alien Ship arc. If you're talking about Garou's arc, then there's the "It's a hobby" line after Saitama picked his nose, but that's about it. A "punchline" isn't needed at all for an enjoyable story arc, unless you''re talking about an emotional punchline. I'm assuming that you're including the current chapters in with the tournament arc.
This is something I don't understand in many anons here on /a/ and other boards like /co/ and, ahem, /tv/: First you make a FALSE expectation for something the author never promised, and when he didn't deliver (obviously) you get mad and/or annoyed.
Kind of bittersweet that thisll be the last time we'll see Suiryuu.
I wonder how high a quality the paper he uses is. It seems to be getting quite a bit of use, with the constant corrections and flipping around, yet doesn't bleed or tear. It's certainly a lot better than the shit printer paper I have.
I hope after this is done Murata is able to have enough advantage on his content and the content needed for season 3.
At the beggining of the series before the ovewhelming success of it his stuff felt more free, to put it in a way, more experimental paneling and use of digital effects, crazy stuff like entire color chapters and not to mention those animated flipbook chapters.
Hopefully he's able to go balls to the wall on the MA adaptation.
>42 pages in 5 days
Considering his detail, 1.5 hours per page would be a good estimate. That's 12 hours or thereabouts for a day's worth of work.
How come ONE doesn't just work harder on his storyboards? He barely fucking draws. Instead, it takes him a week to come up with that shit.
I wonder how Murata does it. He must be dying.
>Considering his detail, 1.5 hours per page would be a good estimate.
Murata's fast, even for his experience. Plus, I get the impression that he just enjoys the act of drawing itself, so he probably doesn't mind that much.
ONE doesn't have anything close to the level of experience Murata does, plus OPM is just a side hobby next to MP100 for him as opposed to Murata who's only gotta focus on OPM (and doesn't even have to think about writing it to boot).
That said, ONE's chapters are awfully few and far between, and if it's true that ONE's storyboards are coming to Murata that late then he doesn't really have much of an excuse. Maybe the pressure of an audience is hitting him, and he's starting to worry about perfectionism?
40 minutes on the hair alone
Entire panel made from scratch in less than 20 minutes
I bet Baldy is Murata's favourite character to draw, especially this close to a deadline.
Goodbye the hyped fight against Bang and Bomb.
I'm genuinely rustled. Fucking ONE.
So this means that Gouketsu is the strongest monster of the HA after Orochi right?
No wonder Suiryu got stomped. Even the S class heroes would probably job to Gouketsu if Saitama didn't take care of him before the raid.
One being ONE once again.
What a fucking troll.
No one anon said so weeks ago
No he also pointed out there are monsters stronger than himself. You are the speedreader.
She gave him the warning to run before they got there so they knew there were heroes out there capable of killing him. It was probably thought that King did it
Nice one speedreader kun
That page you posted is Bakuzan talking and he's also talking about Orochi.
Gouketsu said there are many monsters stronger than Bakuzan and there is even stronger monster than him which is Orochi.
You guys are on /a/. You should know how much people here hate on, distrust, and rag on MS translations. Why the hell do you think people call them Niggastream?
Orochi isn't multiple monsters. Yes he told him about the monster king but Bakuzan rightfully interpreted Goku's words as him not even being the best of the monster world. Bakuzan's interpretation of what Gouketsu said should be our interpretation of what Gouketsu meant. That he wasn't the strongest. Not sure why people want to put him on Boros level or something.
That was Bakuzan talking.
Gouketsu only said was there monsters stronger than Bakuzan, including himself and Orochi is even stronger. He never mentioned about other monsters stronger than him.
Orochi > Gouketsu/other monsters > Bakuzan.
It's Watchdogman who ripped Gouketsu's head. That is WDM's signature move and not Saitama's.
We've never seen Saitama ripped off a head before. It's either the body explodes or the monster gets a hole.
>Gouketsu have to go through City Q to get back to City Z
>encounters WDM effortlessly dodging Garou's attacks
>Gouketsu tries to fight WDM
>WDM rips off his head so hard it flew and landed back on the stadium.
Wonder if Suiryu screamed at Saitama about Gouketsu, then Saitama just ran off after him and, moments later, Gouketsu's head comes flying in and crashes right in front of Suiryu. That's the most likely sequence of events I can think of.
If it's any comfort, going by the expression on his face, he never saw it coming.
Eh. He probably would have been thrashed by Bang anyway. He was just a monster with super strength and super speed anyway, just like Fuhrer Ugly. He blew a hole through the dome? Eh. Fuhrer Ugly will probably be capable of that much, likely even more, in the redraw.
i didn't mean filler in the traditional sense, i just don't have a better word for it
basically they couldn't fit the webcomic MA arc in the N° of episodes for S2 so in order to have a climatic endpoint for the season they made this new arc
I wasn't comparing him with Bakuzan? And yeah. You think Fuhrer Ugly was fodder? That's only with regard to Bang. Gouketsu certainly would have been taken out in one hit as well had he met a serious Bang. Don't hype him up so much. He was just an errand boy. If anything, Fuhrer Ugly's certainly going to be more impressive than Gouketsu.
>Gouketsu certainly would have been taken out in note hit as well had he met serious Bang
>Fuhrer Ugly's certainly going to be more impressive
Nice trips but eh, that's pretty much your opinion and nothing else, anon.
FU didn't really damage Sweet Mask though. The latter was just being a pussy because ugliness triggers him.
Is it gonna be a
>"you might have defeated Bakuzan but there's an even powerful monster out there that no one can defeat"
>*goketsu's head crashes into arena*
And second part is not getting any credit, which will also be the case here, if I guess right from the panels, he will ask Suiryu to take it for himself on his own this time, to cover up the personality fraud and Saitama is not supposed to be there.
Suiryu broke his limiter
Today was a based day.
I think every circled number is a page he has finished his character work on. He then hands it over to his assistants. Every X is the fully completed page with backgrounds, lettering, corrections, etc all done.
OPM is just a non-profit hobby, Mob actually gets him a fuckton of cash, he's much more likely to just start another mango for gelds and just storyboard OPM for Murata - why bother doing the same thing twice, essentially for free?
You are actually retarded if you think ONE gets no profit from the more popular of his series.
It's not that he doesn't work on OPM, it's that a lot of the work he does for it is used for where the manga deviates from the webcomic.
He gets money for the Storyboards he makes for Murata, Young Jump pays him.
The webcomic doesn't make him a dime, and now that he's no longer just a neckbearded hikkimori, looking to make a name for himself, and actually works in the biz - a waste of time, he could otherwise spend doing work that actually gets him paid.
The webcomic IS part of the story boards he makes for murata, numbnuts, and OPM is a hugely successful franchise. He must get plenty in royalties outside the gruntwork he does for the manga's production.
That doesn't really make sense though, surely Jump would want them all together at the end? Maybe as a QC check on every page before it is official completed? Either way, it means all the other stuff like BGs and words are added and the page it properly finished.
just realized that after complaining so much she actually transported them, never notice this
Does Murata do any of the backgrounds or does he always leave that stuff to assistants? Can he do backgrounds? I've heard there are some mangakas who can't.
If he does leave it all to the assistants, that's quite a responsibility considering the amount od detail that often goes into the backgrounds.
(Before anyone says >mangafox, it was the quickest place to grab a random example)
>What do you think the manga adapts?
Of course the manga didn't come out of nowhere.
You completely miss the original point.
Which was retards being assblasted because he no longer draws the webcomic, since like six months.
The truth is that the webcomic holds no more merit - why would ONE waste his time to draw it, when he can use that time to draw something that makes him paid, AND he's going to have to redraw it later down the line anyway, once the inevitable Murata redraw catches up?
He only draws it , once in a blue moon - out of misguided sense of obligation, and just itches for an opportunity to drop it like a hot potato.
Yeah, he does the backgrounds. You can see it (or, well, you COULD see it) in his streams. I remember watching him draw the scenery of Elder Centipede thrashing around in the city like this and in the scene where Metal Knight bombarded him.
Looks like he does send the completed page to Jump for QC, seems they didn't like the popped-out eyeball. A pity, but understandable as it may be a bit too grotesque for a children's manga, even if it was drawn comically.
This one as well.
The one time I remember him not doing the backgrounds at all was back during the long Meteor chapter, where he left the last few updates entirely up to assistants, hence why, instead of being hand-drawn, they were simply photos.
ONE probably paused the webcomic to do the storyboards for the tournament arc and once we are back to wherever the manga reconnects to the webcomic there is no need for entire storyboards and he has more time for the webcomic.
I vaguely remember reading it wasn't all that uncommon for people who can brilliantly draw people to suck at other things like backgrounds. But that certainly doesn't seem to be the case according to >>157617621 / >>157617685. He does seem to be leaving quite a bit of this chapter to the assistants though, probably again due to time constraints.
>And what do you think is USED for storyboards when the manga is adapting stuff that happened in the webcomic?
That's the whole point, dude draws the webcomic for free, then has to redraw it as a storyboard for Murata once his redraw catches on. The storyboards are, while barebone - very specific and descriptive in depicting exact paneling and the perspective and angles within for Murata to use While ONE sometimes lifts stuff 100% from the webcomic, he still redraws it in the process.
Murata doesn't use the webcomic, it's been talked to death
You actually believe that ONE redrew his webcomic as storyboards for Murata to adapt?
Do you actually believe Murata has no original input into the comic, that every change and panel is drawn by ONE?
Damn, you're a dumbass.