A new cult classic.

>>157223694
>new

More like oldie

>>157223735
>2012
>oldie
Fuck you

>>157223796

The days before identity communism feels like an eternity ago.

>>157223694
nah

>>157223694
New?

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>>157223694

>>157223694

should've been a 5 min short

at least the ova got the humor right

>>157224173
2010-2013 feels like yesterday to me, despite the fact that the time between 2010 and now is significantly longer than 2006 to 2010 which felt like an eternity. I still hold that if you weren't in before Jan 01, 2010, you're beyond a newfag and into irredeemable cancer territory.

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best girl

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>>157223694

New?

>>157225942
>Best thing about the show
>Also the reason it will never, ever get any sort of sequel
Saddening.

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>>157226189

>best thing
>not Yasuna

Am still wondering if that guy who failed the dance really bad died or not.

anyone got the gif?

So you thought Kill Me Baby was just innocent, silly fun? Think again. It is, in fact, the deepest anime of the last 15 years, providing a daring and shocking insight in the human psyche.

Enter Sonya and Yasuna, their outward appearance being similar to ordinary japanese school girls, their characters and interactions however resembling the protagonists of plays and novels, by Camus, Beckett and Sarte, both trapped in existential loneliness, the abusive and destructive nature of their bond symbolizing the eternal conflict between the Freudian "Es" (the raw, primitive force of life, Yasuna) and the "Ich" (Sonya's defensive, realistic and rational nature).

Agiri, as the archetypical "Ueber-Ich" controls their interaction from a distance, her ninja magic symbolizing society's moral fibre, which has a dampening, smoothening effect on the eternal conflict between the Es and the Ich.

Thus, the three characters' interwoven personalities are metaphors for the mental processes which take place within the mind of a single individual. Yasuna illustrates this philosophical principle by splitting herself in three, in episode 4. The three "Yasunas" act like exaggerated segments of her own personality, and seen in this light, Sonya, Yasuna and Agira, as representatives of the Es, Ich and Ueber-Ich respectively, possess the same amount of comical exaggeration and simplification, added to the archetypes that define their split personalities.

The "unused character" symbolizes God. Modern man, having no use for a higher power, assumed divine power and became God himself, symbolized by Yasuna taking the Unused Character's place and usurping her characteristics.