How about a thread for the BEST version of OPM? The faggotry from the anime-only viewers is too overwhelming.
I suppose the 1st panel from this page implies that other cities are being simultaneously attacked while all this business with Elder Centipede is going on. Perhaps other members of the Hero Association's executives are being attacked too?
Do people really think ONE's version is better than Murata's? I mean nothing against the guy, he managed to accomplish a lot with his fairly poor drawing skills, but I can't see much of what Murata did to it as being anything but a straight up improvement.
Yeah, some ONEfags are really that deluded, which makes them much worse than /v/ anime only newfags. Ironic, isn't it?
It's the atmosphere it creates. The whole story is conveyed more impactfully with the shitty drawings. Like Deus Ex or System Shock, the story is so good the graphics become at worst irrelevant, at best it takes away focus from the graphics so you feel compelled to read the story more carefully.
>shitting on OPM adaptation when it's L I T E R A L L Y saving anime
>being a hipster about reading the webcomic
>is using one of the first strips that shows up on Google when you search "one punch man webcomic" instead of something actually notable from the series
That scene's notable.
But if you insist, anon.
>The whole story is conveyed more impactfully with the shitty drawings
Funny that you say that.
>By utilizing my original design, it added even more to the "gap" that I was drawing. I was trying to make Genos and Sonic look a lot cooler than Saitama to add a gap between them, but Mr. Murata's meticulous drawings multiplies this gap. For example, in volume 3, there's a scene where Sonic is blowing up the city with his shurikens, and Saitama goes behind him and knocks him out. The face Saitama makes has such a blank look that makes you doubt that it was actually Mr. Murata that drew it (lol).
>I get mesmerized every time I see Mr. Murata's manuscript. The villain designs are just fabulous. When the Sea King changes form, you get that feeling of despair that no one can win against him just from the artwork. When the invader's huge spaceship came down, I thought it had as much of an inpact as a finale (lol). Every time there's a time where it seems like there's no chance, there's an even bigger impact from Saitama's fighting action, so I can't complain about anything. It's like watching a movie.
So, uh. You know what? I don't dislike people who like ONE's original webcomic better. I do, however, look down on people with your opinion who says the webcomic is better because the art is "shitty". Guys like you personify the mindless, shitty taste of /a/.
>mfw namefags complains about whatever
I read it because it's further along than the Murata version. That and Murata's version is going into filler content (even though I hear ONE's behind it), and we're getting farther and farther from the Monster Association fights, which are the best part of the series.
Whenever somebody praises OPM I imagine your stereotypical fat nerd watching each episode while drooling with anticipation of one punch. And when that happens, the nerd starts giggling happily, and flailing his arms around, pretending to punch things.
They're both great, but for different reasons. ONE's is great because its artwork captures the mood of the series really well, and despite its low quality does a really great job of conveying everything it sets out to convey. Additionally, Murata's has some legitimately cool artwork done in it, and it's not a terrible thing to see Saitama get serious every now and again.
Bottom line, for me, is that I like both.
>poor drawing skills
He's better than you make him out to be.
>The BEST version
So the Murata manga?
I mean ONE agrees, how much of a hipster do you even have to be to tell the author he's wrong by lying about the art quality of the original?
Stop using this kind of examples. The drawings themselves of the webcomics are pretty poor until the MA where it gets better for some parts. For what murata adapted so far, there is nothing that makes the webcomic even a bit more interesting, the remake is a straight huge improvement.
The Murata manga also has a lot of extra material written directly by one that improves it a lot. Case in point pic related.
Yup. If anything, saying the poor art "makes it better" is straight insulting toward ONE who has been improving and trying to focus a lot more on the art since the MA with pages like
>This is what newfags actually believe.
> the webcomic feels less generic and ONE's art creates a much better atmosphere
I love this meme.
Because S-ranks are shit at writing reports, Saitama included. Bang for example, respects Saitama's wishes and doesn't go out of his way to draw attention to him, same goes for Genos. If both of them had pressed the issue Saitama would have been S-Class ages ago, but they chose not to. Same goes for King.
Basically, Saitama is in no hurry and no one else cares to pull him up.
The same applies. Zombieman also respects his wishes. I don't think there's anyone else who saw his feats who'd care that much about raising his rank to actually press the issue. Maybe Child Emperor? But I'm thinking he's also butthurt he let Garou get away.
We barely got a dozen of chapter since its end and frankly they're on the same level if not even better.
ONE hyped us for the big final fight of the Garou arc for dozen of chapters, and then in a few pages he manages to hype even more for another fight.
I can't wait to see Murata's version of this scene.
You can't really compare the finale of the Garou arc to the opening act of the new one.
The new one has also been extremely fucking funny.
Because he was present, simple as that. Most people probably reported "these heroes were there, and we won". I mean, it's not like they're intentionally trying to keep him down either.
I really can't wait for Fubuki vs Psykos.
Also, for the Takoyaki Stand of Evolution, which we'd have seen by now if not for the filler, it should be literally the next thing that happens.
Here's to hoping Mosquito is the waitress. ;_;
You know I think he might have actually been stronger in terms of raw power in his monster form, but lost his skills (which is what actually made him dangerous) since that was the first time he knocked Saitama back in their fight.
Scratch that, this should take priority.
it's interesting to note he's much more "old japanese culture" centered while Murata seems more centered on more modern themes. So it's pretty much up to tastes since you can hardly choose any of them when it comes to the skills.
Though if anything, it's true Yoshikazu is more experienced for lewd stuffs and goes all out with them, granted that Murata doesn't as much because ONE is tame as fuck.
Well shit, that's a tough one. I'd have to find a mangaka with excellent skills who does manga I don't like. I can think of some candidates I suppose. Maybe Oh Great?
Then again, I'd kind of feel too shit about doing that even to mangaka I don't like.
It is funny but that is about it. There isn't any world building or heroes not named Saitama vs monsters.
Hero's Association sent out a dedicated team with multiple S class to clear out the MA. No way that a simple report would suffice considering the amount of damage, the number of S class that were hurt, the number of S class involved and Garou probably the strongest known opposition on the Hero's Association history.
I personally think Yoshikazu has the edge on Murata, by a little.
Though some anon made me notice, his linework is actually surprisingly sloppy. He does the thing where you don't draw smooth lines, but instead draw lots of small lines to make big lines.
>Fubuki vs Psykos
There better be ripped clothing and exposed lingerie at the end of that fight
Sure, but again S-Class heroes are kind of freaks who don't really sweat that kind of shit. That's why most of them were class B or C before the S-Class was created.
How do you force them? Of all the heroes present I think only Child Emperor would actually bother with a detailed report, and I'd imagine he'd be too childishly stubborn to praise Saitama too much because of the argument they had.
It might really comes off as personal preference, but I really like ONE's King a lot more than Murata's King. There's something about his expression that slays me every time I see him.
That's not "sloppy", just another way to draw. He does it like that to give a much more traditional feel even though he's working digitally. I love his lines personally.
Also, considering what he always showed until now, Murata is much better when it comes to color shading.
Are you fucking retarded bro?!
That reply HAD to be ironic. The manga is ONE THOUSAND times better than the shitty webcomic that looks it was drawn during a bored philosophy college class period. Please tell me how much emotion your ass can feel seeing some shitty artist who is literally deviantart tier drawing OPM?
Yeah, if you believe what you posted, then your ass needs to be on DA or fucking Inkbunny. /a/ likes perfected art, we like shit that looks like it was drawn by a fucking god, hell. /a/ is assholes who wants the best but don't deserve a damn thing. Get off this board you fucking newfag.
webcomic < manga
Something people that don't get is that just because you like it, doesn't mean it is better.
Art is subjective, yes. But quality/skill can change a lot of people's opinion.
>The faggotry from the anime-only viewers is too overwhelming.
Just because they are discussing the show? That is very sad.
Murata is amazing at that, but I'm still not convinced. Tsugumomo's actino scenes are fucking Superb.
No, it's definitely sloppy. It's a "wrong" way to draw, in the sense that it's more time consuming and doesn't really add anything to the picture. It's what you do when you're not good enough to draw the lines you want in a quick and smooth motion. I do it myself, I'm shit at smooth lines so I manage with little short ones and later smooth them out.
If anyone of them bothered to give even a factual recount of what happened, Saitama would be S class.
There is literally no way the Hero Association won't ask who was the one who defeated Garou
I think it's simply a matter that Garou's full power was downplayed. Remember, garou's power multiplied like crazy during that fight, and when he entered the fray all heroes were wounded already.
Because he actually learned how to draw. Anatomy and all that shit. Other artists settle on manga looking cool and usually don't bother to improve on that so the only improvement we see is that they can make the same panel look prettier years later, but they won't draw it from unusual angle or try to ilustrate expression that isn't one of 10 they use all the time. Murata did his homework properly, that means he has way more freedom than other artists and his vision is not limited by his abilities.
TLDR:Murata isn't a lazy hack that got lucky like most manga artists
>Just because they are discussing the show? That is very sad.
No, because they're being extremely obnoxious while doing so. OPM threads on /a/ are like Naruto threads on fucking reddit or MAL or something. Yes, it's that bad.
The anatomy of Toriyama's character designs is fucked up, and yet he still manages to illustrate the characters from unusual and creative angles and makes great use of paneling.
> No, it's definitely sloppy.
You're projecting. This allow for more line diversity digitally. I'm a drawfag and I consider this as a totally legit technique, yoshikazu is good enough to make one line if he wanted to, but doesn't, that's not for nothing. Again, that's to give a more natural feel rather than totally straight lines everywhere.
Yes, they are bad because you faggots keep fighting which version is better. If you weren't a bunch of hipsters and enjoyed both on their own merits the threads wouldn't be so shit.
It is your own fault.
He can't keep getting away with it
You're letting your admiration of the guy cloud your judgement. No one's saying he has to draw in only "straight lines", what are you on about? The fact is when he wants to make one smooth line, he makes it from many small scratchy lines. This is not some "special technique" and it makes the line look messy when you get close enough. C:\OUTERHEAVEN\Play\a\_Mango\Tsugumomo\1407620624077.jpg
Every single time. This is why /a/ is a pack of plebshit homofaggotry that hasn't read anything to do with manga or even watched an anime before 2001 beyond entry tier toonami trash.
Seriously, you casuals shits killed /a/ years ago, and i hate you all for it.
What do you even mean? They made him A-Class because he was already B-Class rank 5 and he participated in another large-scale threat neutralization. Just like what happened with Sea King.
>Because he actually learned how to draw.
Now this is funny as fuck, you think he did bro? I was drawing a fucking sketch in my damn workplace and 4 people complimented me on it. Hell one dude I was talking to said it looked ten times better than the damn webcomic for OPM.
People in real life (at least in New York) do not even read the webcomic because it's pure shit in art and no one with a sane mine will read something that looks like a damn 14 year old drew it during his math class.
Fuck off with that bullshit man, you know if it wasn't mainstream your ass would not even be reading murata's version. You just like being a hipster and is probably a "MUH ORIGINAL SOURCE" fag.
I went to check chapter by chapter to have a better idea on how long the remake takes to do the original chapters:
In 2013, Murata done 19 chapters on the magazine where 2 were completely new. 17 chapters were equivalent to 15,5 chapters of the original.
In 2014, Murata done 18 chapters on the magazine where 1 was completely new. 17 chapters were equivalent to 11,5 chapters of the original.
In 2015. Murata done, so far, 26 chapters on the magazine where 15 were completely new. 11 chapters were equivalent to 6 chapters of the original.
At this pacing, 5+ years is actually a realistic prediction of when the MA arc will end on the manga.
So? You saw the panel of judges, Saitama is followed by tons of rumors. Beating Sea King should have landed him in S-Class as well, but it only got him to B-class because of the rumors.
The same way Garou managed to beat Tank Top Master, technique.
And Saitama said himself he was stealing credit. This time it was vs a whole new level of threats. It is far more reasonable for Saitama to be S rank than A rank at the moment.
I think there was one guy who said promotions and wages are highly influenced by the association and the public's opinions.
And since the public does the donations, I guess the hero wouldn't do much with infamy.
>but is high S class vs other psychics.
Then she'd be able to face Tatsumaki.
Fubuki is probably high A-Class or low S in strength, but she beat Psychos because her telekinesis is very refined and she knew how to make her mad and make mistakes.
>And Saitama said himself he was stealing credit.
So he's now known as a rumored credit stealer, which in turns affects every subsequent Rank judgement, and neither he nor anyone in S-Class really bothers to clear up the misconception.
I mean, the MA is a repeat of Saitama's other "cheat" incidents, he's hanging out with S-Class and participating on the huge resulting credit.
How did you approach OPM, /a/?
>Murata first, ONE second, anime after
>ONE first, Murata second, anime after
>anime first, Murata then ONE
>anime first, ONE then Murata
first two are considered even if you haven't watched the anime
Nah, Fubuki's technique would work on most psychics, but Tatsumaki is Tatsumaki.
Psykos would be S class if she was a hero, but there is still a huge margin between her and Tatsumaki.
Though honestly, watching the Anime in first doesn't change that much, both it and the manga are a very different experiences with both their pro, cons, and exclusive story content.
A friend has been following the Anime with me since its start, and after we're done with the episode, I show him what was adapted and the extra chapters that didn't got in, works pretty well.
ONE comics is superior, because it's really interesting to read. Murata doing a God's job, but basically he is just adding some rainbows to the greatness.
>Nah, Fubuki's technique would work on most psychics, but Tatsumaki is Tatsumaki.
Most Psychics aren't high S-Class like Tatsumaki.
Tatsumaki completely outclasses Psychos in ESP, both in power and technique. And Psychos completely outclasses Fubuki in power, but Fubuki is more clever and skilled, so she exploited her weaknesses and made up for it.
Fubuki isn't "High S-Class againts psychics", she just knew how to take advantage of her former Kouhai's weakness.
Because Tatsumaki is what counts as "high-S class psychic".
That's what I said? Fubuki trained to fight psychic, and she can even manage to beat a dragon tier threat thanks to that.
Tatsumaki is even stronger than mob 100%, she's on a whole different league.
You'd need to have Psykos' level and the perfect preparations for a sneak attack to get her.
I'll read the ONE version first, here people tell me Murata's version is good...
>sees for myself.
Laugh at anyone who had the sad fortune of actually reading the webcomic.
Furthermore this thread proved many of you assholes are from /co/. Talking about a damn webcomic like its godly? Fuck off this board, even if its Japanese it's not a manga until ONE did it. It was a webcomic so /co/umblr please leave.
ONE's version = Madhouse Anime > Murata's Webcomic.
No, kill yourself retard instead. All the original stuff in Murata's manga is written by ONE, he is the author.
And OPM is all about story, not flashy "rainbows" to entertain stupid animufags.
Tats > Mob 100%
And then against Mob ???% "there is no answer."
I guess ONE doesn't want to spoil what ???% really is and can do, but as far as we saw it, it's more of a mindless black hole than anything.
It's only a matter of time before she reaches S-Class. That is if she decides to move up
Come on some of the filler chapters are great. Like how Metal bat is fleshed out, the humiliation of Fubuki, Saitama being a GOAT hero (Fashion contest, police chapter, cat chapter)
There are some things that I like more in the One version, like King and Tatsumaki. Credit has to be given to the fact that he wrote the story in the first place as well.
you mean manga's artstyle >webcomic artstyle
That's the unique thing.
I don't get what you people are comparing. They're better in the ONE version? So you're comparing the progress of the story? Because everyone agrees to see the MA arc is by far the best of the serie. That's also why people wants Murata to get to it.
No, I think that, ironically enough, Tatsumaki just got too good-looking in the Murata version. King as well, it was somehow a bit more hilarious when he was portrayed as intimidating in the one version despite the actual look.
artstyle is a huge thing for a manga, I dropped many I somewhat liked because they had shitty artstyle.
and as many have said this over and over, Murata's manga add some extra stuff directly from ONE, so it's the best, no mistake.
I don't think you need to study drawing to reach that level, that's like one good page out of a hundred bad ones. People only like Ones version because of the novelty. Just accept the fact that Murata does a better job at telling the story with his art.
Your biggest problem is that you got the names wrong. ONE is the artist and story writer of the original webcomic. Murata does the art of the manga while it's story is still written by ONE. The art of the manga which is on pic here >>134172099 , is by Murata.
I think the remake version is improves over the original in every way, but the original webcomic is still good by itself and worth a read if you don't want to wait for the remake to catch up.
I also don't count the fact one is at a later point in the story as something that makes it better as both are still ongoing and so far it's expected for the remake to continue running until it completely remakes all of the original until it's end. If Murata's were to suddenly stop in the middle, then I would consider the extra content in the original as a point in favor of it.
Or someone's probably hiding some intel about him. Maybe there's more to the corruption of HA than meets the eye. I noticed in the anime that it seems the HA judges haven't personally seen the video footage of him killing SK.
Are you being the person Mumen Rider knows you can be?
He only rose to A Rank because he incapacitated Garou who fought almost all S class heroes before getting taken down. Remember that HA is assuming that Garou had been weakened by then. Also, the fact that he let Garou live and escape. Remember that heroes are either meant to kill or capture monsters.
Felt like coloring the genderswap'd Black Sperm pic I drew some times ago.
you see the news point the original ONE webcomic version and as stated in the site that murata manga merely adapting ONE webcomic.
The DBfags discussion spamming OPM muh super nintendo is more canon than your anime than your original manga than everything. Stop it will you. The next time i will heard muh card battle OPM manga is more canon than your shitty webcomic, manga and everyhting because ONE touch it with love and passion.
Haha, I'm not listed. Murata, then anime, then ONE. Rather, I started with the manga, I stopped reading the updates some 30-40 chapters in, picked back up on the series when the anime came out, and when the anime is done and I've read all of the manga releases I'll start reading the webcomic.
Why can't people accept that the Murata version is a perfect example of a writer doing his thing and an artist doing their thing resulting in the final product being better than if 1 guy had to do both.
It's fine if you like the webcomic better but do realize its saying you like the story boards for a movie better than the final thing.
Kenji you magnificent bastard! Who knew you'd turn out to be such a bro?
> More Fubullying
And what the hell is this face trying to convey.
Have to admit I never bothered to check out OPM before it was made into anime. Because of the name I thought it was about a hero that had to end his fights in the first punch or he would lose which didn't sound very interesting to me. As soon as I saw the first episode I went straight to the manga and then webcomic right after
Actually, when you look at it, it's incredible how faithful Murata is. He kept a big part of ONE's style like the tiny black mouths for example and updated the whole thing with his godly drawing skills..
Where does all the energy monsters exert come from? If it's all stored within their muscles or something then what happens to all of it when Saitama kills them? Could scientists potentially use the carcasses of Demon level monsters to power entire cities?
I don't read Murata's work.
The only reason being that I can't fucking follow the story since he releases a remake of a chapter he did a year ago with a MINOR change as a brand new chapter.
Its fucking annoying finding out chapter 81 is actually chapter 43.
>Daily life of Tatsumaki
>Stalks Fubuki all day
Should have seen it coming since Tats is basically a Fubukifag. Can't blame her though.
>Because of the name I thought it was about a hero that had to end his fights in the first punch or he would lose which didn't sound very interesting to me
How can someone even reach this conclusion. I just assumed that it was about some 2powerful wanker for people that self-insert
>Whenever somebody post bait I imagine your stereotypical fat nerd reading the thread while drooling with anticipation of replies. And when that happens, the nerd starts giggling happily, and flailing his arms around, pretending to punch things.
Fubuki knew Physchos weaknesses. Fubuki is also way more powerful than B-class. She chooses to remain in b-class because she wants to be the #1 in a class and she can't do that in A class because of Sweet Mask. Sweet Mask himself should be top 10 ten S-class but doesn't want to advance because he's keeping people he deems unworthy out of S-class.
She did, but she should have made sure that her opponent was down for good. She did underestimate Psykos and you'd think that she would have been extra mindful of her being an esper after all.
just dont go into waifuposting pls, dont feed that cancer
Murata, ONE, Anime
i got into OPM when a friend posted the Metal Knight gif, so i didnt even knew what to expect from the series
Why must you resort to sucking dick to become a good artist just practice damn...
>People seriously trying to imply Murata's version didn't help ONE get the limelight
Boon was at ~ch 30 when anons started translating the ONE version. Anyone that reads the original exclusively and doesn't read moon got to the party late and is a dirty hipster.
I was there from around chapter 20ish, but the point is, I'd take Murata's adaptation any day of teh week. The scribbles took a while for me to put up with.
Not the anime, that's for damn sure.
Mine is a bit different. Murata first, then I checked out ONE. Art style, as easy to understand as it was, just didn't offer the same scale and atmosphere so I stuck with Murata instead of reading ahead with ONE.
Obviously been watching the anime even while still following Murata's version.
>tfw can't enjoy anime OPM threads because they're infested with obvious underage, waifufaggotry, shipperfaggotry and actual faggotry
>tfw can't enjoy Murata OPM threads they're nothing more than vs/bait threads with the same problem as the anime threads
>tfw can't enjoy ONE OPM threads they're infested with full on delusional fedora tipping hipster faggots
Life is suffering
>Looking at the individual frames and not the animation as a whole
Yeah, that shit was fucking great and you know it, you just want to nit pic. You want real quality look at that abominable "Pain vs Naruto" fight, or the 2nd to last episode of stardust crusaders, where QUALITY DIO was plainly seen and it wasn't anything like a fully dynamic scene (hence the simple hand drawn backgrounds) as this one.
I want Neo /a/ to go
Neither can you, suffer in hell together, faggots.
If you read ONE's version first, you like OPM.
If you read Murata's first, you're autistic and hop from one shounen to the next for 'the awesome fights weeabro XD'
If you watched the anime first, you're cancer.
You know the translation of the manga came out way way before the webcomic that only began at Sea King right?
Oh wait, of course you don't since you only discovered the serie recently and try following the hispter train.
>If you read Murata's first, you're autistic and hop from one shounen to the next for 'the awesome fights weeabro XD'
I read Murata's first, and this is partially true, I read/watch lots of shounen, but I actually enjoy them outside of fights alot of the time
pic related, anime bandwagon kids
Can't wait for the best part of the Boros arc.
>tfw the anime will never live up to the hype
The Boros arc is what will make or break this anime. They better not fuck up.
But Saitama getting fuck all recognition by the establishment is part of his character. If everybody start treating him seriously that's not as fun. So ONE will do it only when it's ending.
I we ever get a season 2, it'll most likely be 24 or 25 episodes thanks to the added content in the manga. I wouldn't mind though, that is if the do the Boros fight justice
>ONE is like Licenseless rider. He knows his skills are subpar, but he's still a splendid comic artist nonetheless.
That makes so much sense.
The scale for the fight is so incredible I literally cannot even picture it being animated.
>Trading punches on the side of a falling space ship the size of a city
>Energy blasts everywhere
>S-Class heroes fighting below
>Kicked to the fucking MOON
>Serious Punch splitting the clouds across half the planet
He chickened out and fought some low class pilot. Even Sweet Mask, an A rank, killed a bunch of aliens on his own.
Where was he when they blew up the city? Hiding, waiting to take credit.
I dunno, I like ONE's version better because it's funnier. I mean, it IS a comedy, so I think ONE's drawings suit the "shonen satire" it really is.
Murata's drawings+the anime made it a literal shonen, and now the entire joke of the manga goes completely over everyone's head, i.e. THIS thread.
Tell me about it.
And even manga readers like Chibi are hella fucking uneducated.
They really have no concrete understanding of how budget and anime works.
Fewer episodes means more animation splurging. And the only reasons he's so stupid is because he let one episode of Dragon Ball Super kill his chocolate starfish. Like he just shat out the great might poo.
Too many weeaboos and too young for the Otakus.
Fuck it. So many idiots who think skill and effort make everything when they still have to answer to a fucking quota.
If you don't make the right amount of money for a huge series, or at least keep enough money left over, THEN OF COURSE THE FUCKING SERIES WILL PROBABLY GET KILLED.
You have to manage the budget. Animation is the most important and necessary thing to focus on when it comes to keeping a budget in order.
You can't just say "Madhouse is basedhouse" at the idea of having them do 100 episodes of Dragon Ball Super, and expect it all to be badass animation at every damn corner.
Let alone the idea that Toei would have dedicated team of anything for 100 or so episodes.
>Read Murata's version first
>Go on to read ONE's version
>Watch the anime version
There are some ups and downs, but so far I'm enjoying it.
I really don't see what the problem is.
You're new, aren't you?
Namefags have no defense, though
Is there a point where something becomes so mainstream you cease to enjoy it as much as you could've
probably not how this arc would end but eh found it on pixiv
I don't think you've ever been on /a/ before. Ironic emoticon usage has been on the rise for years, you fucking mongoloid
>Ironic emoticon usage has been on the rise for years, you fucking mongoloid
Literally not on /a/ you absolute meme of a person. Go back to >>>/r9k/ or wherever the fuck you came from you crossboarding scum.
The one with the shitty art is funnier.
The "good" art now makes everybody act like this is the newest cool shounen action anime where they shit post and speculate about dumb shit like who the strongest characters are when the whole thing is supposed to be a gag manga.
It's the same with Mob
The anime is adapting to Murata's version pretty closely with some extra small appreciated bits, and considering the number of eps in, the quality drops have been unsubstantial.
If you want to be a purist, go back to reading the mangas only, it'll only be 2 years until the next story arc.
I disagree actually. I think the detailed art helps to accentuate the comedy, because of the big contrast between the super detailed imagery and the absurd dialogue/actions, something Murata knows well and uses to great effect.
SOMEONE hasn't been at his streams lately.
Plus, these seem to be related to the extra Tatsumaki chapter. Nothing wrong with teasers or showing us drafts for poses/expressions.
Pages like these is why I love the manga version
One of my personal favourites
>ages ago this chapter was my first exposure to OPM
>thought that Garou was thee good guy
>was confused why he was getting beaten up
Its interesting that i thought that now that i look back
ONE's version is more interesting, and I don't like Murata's character designs.
I think Murata did some really cool stuff with his own version, but the original is still my preferred read overall.
If I have two identical games in all regards except for graphics, and one has better graphics, I'd probably prefer it. Honestly of the writing and stylistic choices Murata have made, I can not see one worse than ONE's. ONE is a great writer, but nearly the entire manga's dialogue and narration is carbon copied over, so it doesn't matter is ONE is better because the writing is the same.
Murata's sense of motion is absolutely fantastic, as is he perspective and monster design (building off of ONE's designs).
>Great story (same fucking stuff but with many more details and improvements approved by ONE himself)
I know you faggots like to believe you belong to a top class club of refined and original taste, but cut the bullshit already
>If I have two identical games in all regards except for graphics, and one has better graphics, I'd probably prefer it.
>hurr durr I liek new super mario over mario
Thanks, Todd MacFarlane. I now know not to take you seriously.
Never played a nitendo system, so I can't speak for it. It's more like something having an HD remake. I believe Halo did at one point. The only different was the graphics. The controls, gameplay, and everything else was the same I believe (Also don't own any xbox systems so can't speak well for it either).
Honestly, you don't have an argument, all you did was try and put words in my mouth. It didn't make you look like you won, just stupid.
I wear glasses. I didn't wear glasses for years because I thought I enjoyed life blurry. I finally got glasses and my life improved by leaps and bounds. I apologize if when given two identical experiences, except for one being more visually appealing, I want the visually appealing one.
But really, what argument do you have besides "hurr durr implications".
>approved by ONE himself
You realize Murata is working WITH ONE and every panel is being directed by ONE? All Murata does is draw.
The dude was so enamored by ONE's paneling and storytelling that he quit his very lucrative job because they wouldn't publish ONE's work.
So yes, Murata is doing an amazing job with the art. But the credit goes to both of them.
>>Great story (same fucking stuff but with many more details and improvements approved by ONE himself)
Some of the add on plot though can be really shitty. The recent tourney crap is a good example, but I guess the Metal Bat filler is making up for it.
That page killed me. I as crying from laughter while reading it.
>He's just pointing out that the version with Murata's art is the best version
But the version with Murata's art isn't the best because of his art but instead of ONE's writing.
I don't really understand what you're trying to say. Unless you're just trolling it seems silly. It isn't about "muh graphics" apples to oranges comparison between different games.
Unless you're saying that given two identical experiences you choose the one less visually appealing. I'm trying to understand. Why would you choose the less visually appealing one? Is there a reason beyond it being the original?
I cannot find a source for the original ONE version and I couldnt find this scene when I did have a source.
Is this really happening or is he knocked out?
I know he moves away and hides after Garou's defeat
How about you faggots look at it like this
>Webcomic version is written by ONE and drawn by ONE
>Manga version is still written by fucking ONE but drawn by Murata with better art
Now that we have that out of the way, what do you want to bitch about next, webcomic fags?
Except in videogames it's acceptable to call graphics form and mechanics substance.
In manga, the panels and the drawings therein ARE the substance. They are what define the medium.
p.s I like the ONE version, I think it looks good regardless of ONE's inability to draw well. But the visual aspect is extremely fundamental to any manga (or anime for that matter).
>No one expects much from me
>They think a poorly drawn webcomic won't be much good
>I know that better than anyone!
>I'm not good enough for Jump
>My art is weak. I know that much
>No one has to tell me I shouldn't quit my day job
>I already... know that!
>And yet... I must try
>It's not about getting an Anime!
>It's about me telling my stories right here, right NOW!
So I was thinking.
Does Sweet Mask idolize Saitama because he is the perfect hero?
I was re-reading the webcomic looking for things I missed, and noticed Sweet Mask believes when other heroes fail, it damages his image.
So Saitama always winning with ease makes heroes look competent. Which protects Sweet Masks image as a hero, which protects his acting career.
Am I over thinking this? I just want to know more about the fucker, even the other heroes have no idea what type of strength he has or what he can do.
I don't understand though. They're practically identical except for additions ONE both wrote an paneled. It's two different forms of the SAME substance, not form over substance.
If I was choosing a completely different thing because it was visually more appealing then you would have a leg to stand on, but the only difference between the two versions are visuals. You're not making any actual points, the points you're trying to make aren't even making sense.
If you want to talk about how ONE's art makes Saitama less series (because it does, Murata draws facial expressions to make Saitama a more serious character) then you'd have a point, but as is you're not making sense.
Maybe it's like how for the longest time I thought Death note was literally a Yaoi manga.
I wasn't completely wrong but I don't konw why I thought it was explicit. Must have been *that* Flash.
>Except in videogames it's acceptable to call graphics form and mechanics substance.
Yes, yes. You value graphics over substance, Todd. We get it.
Didn't you get owned when you made that form over substance debate tho, MacFarlane?
More like people who just latched onto this series due to the Anime and are trying to get into the webcomic/manga.
Jesus, this is SnK/Attack on Titan all over again.
Those people need to just lurk and read instead of shitpost.
>I don't understand though. They're practically identical except for additions ONE both wrote an paneled.
So the reason why either is good is because of ONE and Murata is just the aritst. Good to know.
How is the substance of Murata's version different than ONE's. Please explain that. I am actually trying to understand what point you're trying to make.
Murata's version is better because it takes ONE's writing and panelling and applies Murata's art. Taking a visual medium like manga and simply saying "visuals do not matter" is idiotic. Of course they matter to a degree.
Come on man, get your head out of your ass.
Even though Saitama always wins he does so in a way that is rather ugly.
He goes full jackass to get people to see what the value of the weak heroes, he spares a lot of his enemies instead of 'Executing Justice' and generally doesn't endear himself to the populace at all.