Archived threads in /tv/ - Television & Film - 4492. page

>>83857908
Sounds like an emo song.

wait let me think...uhhhh.... oh OH YEAH *ehem* 4u

just make a self-directed art film
I'm sure your mother will watch it

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>Become actor
>Run over yourself

could be worse OP

No one cares

>>83857896
The humans literally did nothing wrong fuck the blue elf niggers

>>83857844
https://www.youtube.com/watch?v=gXiYpfR-cRE

>>83858019
At 00:24 where the dog barks with the beat. 2spooky

>>83857786
it's a good film and is regarded as so you retard

>>83857786
Julianne Moore.

But even then she gets out of the picture in short order.

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Cuarón treats this exaggerated state of the world as a genre exercise. Cinematographer Emmanuel Lubezski does long Steadicam takes through bombed-out neighborhoods and on motorway shoot-outs that resemble the surreally distanced, uninterrupted viewpoint of a videogame. But these show-offy sequences come 16 years after Scorsese and De Palma pioneered them in GoodFellas and Bonfire of the Vanities. They’re done to impress, yet are so slow and stagey that they’re portentous. Children of Men never explains how the world got this way and so its dread is convincingly sophomoric—as is Theo’s reluctant heroism.

The political antipathy of Iraq war protestors and War on Terror skeptics is what drives this pretentious action flick. It panders to a decadent yearning for apocalypse as if to confirm recent fear and resentment about loss of political power. V for Vendetta’s mistake was not recognizing that a sense of self-righteous self-annihilation was the new mood. And Cuarón, a true hack, is nothing if not market-savvy. His dystopia evokes the zombie film 28 Days Later, then jacks things up to resemble Elem Klimov’s disasters of war in Come and See.

Children of Men is only deep on its surface. Cuarón cannot edit scenes for rhythm or real feeling, which is what separates his eschatological set pieces from the wit of Spielberg’s War of the Worlds and Minority Report or Paul Verhoeven’s Starship Troopers—films that treated the experience of social collapse as personal, rather than a game.
Fact is, Children of Men is too smug to be Orwellian or even satirical. Cuarón combines dread and lack of affect, then gets sentimental. Note his maudlin final shot of a ship christened “Tomorrow”; it ought to expose Cuarón to fans who think this film’s visual style is superior to Apocalypto or Minority Report. Those movies had genuine breadth and excitement; Children of Men is delusionary.

>>83857762
What year is this? 2011?

>>83857787
in between the years 2010 and 2012

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>>83857679

>Nigger character is the criminal

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>>83857679
>nigger character is god

>>83857679

3 stooges had a black guy in some of their sketches. Always a cook or security guard.

Very uncle tom-y, but he was cool.

https://www.youtube.com/watch?v=_19PJGkYFZ8

>>83857672
Great job, keep it up.

for what purpose??
>that guy who throws skittles at the front rows
that's me btw

>guy stands up and dabs during the previews

https://www.youtube.com/watch?v=idqSYTfejgc

>Having a working toilet makes you royalty in Phone Scammer Land

Superpower by 2020

>>83857574
I say doggo. Cuban Dogman wouldn't be there if the dog would just be a good boy

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>cute dog
>dirty mexican

who knows

Dogs are fucking awful

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It is kino

KILL THE DOG BILL