Archived threads in /tv/ - Television & Film - 2976. page

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I just watched the film.

All i could discern from it was that Fassbender was a devil like figure. He tried to make Faustian pacts and stuff.

any other theories?

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>Snyder gives Superman human doubts and fears, makes Jonathan Kent a flawed man

>REEEEEEEEE SNYDER IS RUINING THE DC UNIVERSE FIRE THAT HACK

>Disney make Spider-Man a tech based Avengers wannabe, make almost no mention of Uncle Ben

>YAY BEST SPIDEY EVAR!

I don't fucking get it.

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I like it when a movie makes me realize I really like a subgenre. So I've got to ask:

Any other decent movies with crazy cults (with or without supernatural stuff)?

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lol you're all faggots. who gives a shit about doctor poo anyway?

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How does /tv/ feel about Frasier?

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What am I in for lads?

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WIll he be the next Robert Deniro?

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What is your favorite film by a "visionary director"

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ITT: funny movies

1. pic related
2. 40 yr old virgin
3. sausage party
4. the interview
5. superbad

probably my top 5 funniest movies desu

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There's isn't ONE shot of cgi Spidey in Homeflopping that looks as good as this.

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This has to be total BS right? There's absolutely no way they'd release it online at the same time the episode airs, people would use the video player to skip ahead and spoil it for the people watching live.

I almost planned my night around watching this online and then I realized this is a total lie and it'll probably be available tomorrow

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What's the best Dan Kino?

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He left the netherlands partly because 'all cultural funds were in the hands of the intellectual Marxist elite'.
Is this the case in your country? What can be done about it?

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>they raplaced the best Iron Man villain for a Syndrome rip off
>steal the incredibles entire plot
Who the fuck thought this was a good idea?

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What's your favorite postmodern movie? Pulp Fiction for me. The film tells the interweaving stories of gangsters, a boxer, and robbers. The film breaks down chronological time and demonstrates a particular fascination with intertextuality: bringing in texts from both traditionally "high" and "low" realms of art. This foregrounding of media places the self as "a loose, transitory combination of media consumption choices." Pulp Fiction fractures time (by the use of asynchronous time lines) and by using styles of prior decades and combining them together in the movie. By focusing on intertextuality and the subjectivity of time, Pulp Fiction demonstrates the postmodern obsession with signs and subjective perspective as the exclusive location of anything resembling meaning. Pure postmodern.